SYDNEY OPERA HOUSE.

Slides:



Advertisements
Similar presentations
Acoustical parameters ISO 3382
Advertisements

Chapter 29 Reflection and Refraction
Cinema Screen Specification & Design Andrew Robinson Managing Director Harkness Screens.
Acoustics and Concert Halls Stephanie Hsu March 21, 2005.
Basic Acoustics Inverse square law Reinforcement/cancellation
ROOM ACOUSTICS DEFINITION: INTRODUCTION SOUND ABSORPTION
Auditorium Acoustics Chapter 23. Sound Propagation Free field sound pressure proportional to 1/r SPL drops 6 dB with every doubling of distance. Indoors.
Chapter-8 Room and Auditorium Acoustics 1.Criteria in Acoustical Design The acoustical quality of a room is determined largely by its Reverberation time.
Technology in Architecture Lecture 17 Sound in Enclosed Spaces Reverberation Auditorium Design Lecture 17 Sound in Enclosed Spaces Reverberation Auditorium.
Auditorium Acoustics 1. Sound propagation (Free field)
Interference and beats. Objectives Investigate and analyze characteristics of waves, including frequency and amplitude. Investigate and analyze behaviors.
Vocabulary to know Acoustics is the Science that deals with the waves, frequency, amplitude, pitch, transmission, reception, control, effects, and production.
Acoustics of Concert Halls and Rooms SOME BASICS OF ARCHITECTURAL ACOUSTICS Auditorium Acoustics Science of Sound, Chapter 23 Principles of Vibration and.
Reflections Diffraction Diffusion Sound Observations Report AUD202 Audio and Acoustics Theory.
Bell. The Bell of King Seongdeok Uniqueness This bell makes a unique echoes, or beats in physics terms. Beat: In acoustics, a beat is an interference.
Calculating & Reporting Healthcare Statistics
SUBJECTIVE AND OBJECTIVE ROOM ACOUSTIC PARAMETERS Acoustics of Concert Halls and Rooms Science of Sound, Chapter 23 Concert Halls and Opera Houses (Beranek.
GEOMETRICAL DESIGN STUDIES ACOUSTICS OF CONCERT HALLS AND ROOMS Handbook of Acoustics, Chapter 9 Long, Architectural Acoustics, Chapter 19.
1 Manipulating Digital Audio. 2 Digital Manipulation  Extremely powerful manipulation techniques  Cut and paste  Filtering  Frequency domain manipulation.
PH 105 Dr. Cecilia Vogel Lecture 4. OUTLINE  Room Acoustics  direct and early sound  precedence effect  echoes and anechoic chamber  reverberation.
Auditorium acoustic (continued) 1. Sound sources Sound source can be characterized by power and directivity Directivity factor Q – ratio of sound intensity.
Chapter 24 –Sound 24.2 –Sound Waves pp
Using Sound for many purposes
Chapter 16.3: Music Pg
Traffic Monitoring System using Acoustic Sensors Yuping Dong May 14, 2008.
Reflection occurs when a wave reaches a boundary between two media, and some or all of the wave bounces back into the first medium. Reflection can be.
Radio Commercial: The Mechanics Copywriting for the Electronic Media (Meeske)
Types of mirror When we draw a ray diagram we represent a mirror by drawing a line with dashes on the silvered (non-shiny) side. Most mirrors are flat.
Sound Reverberation Echoes may be heard more than once due to repeated or multiple reflections of sound from several reflecting surfaces. This causes persistence.
Eardrum Membrane that vibrates the bones of the middle ear.
Physics-Architecture Marc A. Colón Physicist 11 th Grade.
L 18 Auditorium and Room Acoustics. Dekelbaum Concert Hall at the U MD Smith Center.
Room Acoustics Bouncing Around October 27, Music and Other Sounds Come from a source. The source is not isolated, it is in an environment. The environment.
Acoustics in Architecture By Camila Nery. Vocabulary Acoustics- Noun: A science that deals with the production, control, transmission, reception, and.
3-D Sound and Spatial Audio
Shrishail Kamble Acoustics is usually very broadly defined as "the science of sound." Hall Acoustics The shaping and equipping of an enclosed space to.
Technical Drawings Isometric (3D) & Orthographic Projections (OP’s)
ACOUSTICAL EFFECTS Electronic Music I Is your name and today’s date on your worksheet? Goal for today- To familiarize you with the properties of a number.
Types of Sound Wave Reflections Unless properly controlled, reflected sounds can be detrimental to accurate monitoring Axial – 2 surface reflections Tangential.
SOUND Sound Design is extremely important to the success of a show and for the audience to have a “total” experience Sound can tell its own story.
Automatic Equalization for Live Venue Sound Systems Damien Dooley, Final Year ECE Initial Presentation, Tuesday 2 nd October 2007.
Architectural sounds By Trent Lanier. Architectural acoustics  The sounds that comes off of buildings. It normally happens in the building. Here’s a.
Notes on Chapter 29 Reflection & Refraction
PARAMETER ESTIMATION WITH THE PILOT POINT METHOD.
Room and Auditorium Acoustics
Chapter 11 Section 4.
Auditorium Acoustics 1. Sound propagation (Free field)
Reflection Get Ahead Lecture
Reflection.
ِAcoustics الصوتيات , د. سعود صادق حسن .1 Arch 353
Why is not me?.
Reflection of Light Definition of Reflection Types of Reflection
Auditorium acoustic (continued)
Interference and beats
Chapter 24 –Sound 24.2 –Sound Waves pp
Architectural Acoustics
Technology in Architecture
Auditorium Acoustics Science of Sound, Chapter 23
 Designing Auditoria.
Warm Up 1. How are longitudinal wavelengths measured?
Physics of Music, Spring 2018
Done By: Khawla Al-Shidi Supervisor: Dr. noor
PROPERTIES OF SOUND PROPERTIES OF SOUND.
i = r Wave Front REFLECTION
Conceptual Physics Notes on Chapter 29 Reflection & Refraction.
Auditorium Acoustics 1. Sound propagation (Free field)
CHARACTERISTICS OF SOUND
Behavior of Waves Chapter 10.3.
Stadium Design.
AUDITORIUM ACOUSTICS REFERENCES:
Presentation transcript:

SYDNEY OPERA HOUSE

Desirable acoustic properties of the auditorium can be contributed by its architecture. The desired properties at left are correlated with the measurable parameters at right.

Projection of Sound A good auditorium will accomplish effective projection of the sound to the rear of the auditorium so that those distant listeners will not experience the extreme loss of sound level caused by the inverse square law. That projection is normally achieved by having a sufficiently long reverberation time. Another significant contributer will be a high, reflective ceiling to reflect sound to the back of the auditorium.

Even Dispersion Sound is more pleasing if it is evenly dispersed, with no prominent echoes, no significant "dead spots" or "live spots" in the auditorium. This even dispersion is usually achieved by avoiding any focusing surfaces and avoiding large flat areas which reflect sound into the listing area. Sometimes it is desirable to add some anti-focusing surfaces.

After all the main characteristics of auditorium acoustics are accounted for: proper reverberation time, longer reverberation time for low frequencies, even dispersion, etc., there still remain nuances which cause persons to prefer some apparently comparable auditoriums over others.