Gardner’s Art Through the Ages, 12e

Slides:

Advertisements

Similar presentations

Late Antique and Early Christian Art

Advertisements

Christian art is symbolic Realism was not their goal but to communicate religious ideas At first, borrowed from the Romans but began to go their own direction.

Autobiographical Frieze

Chapter 21 Italy comparisons

Late Antique Art (Early Christian Art, Early Jewish Art)

Chapter Seven Examples Religious Conviction Art timeline images for discussion and study.

The Christian Basilica Oct. 4, Introduction The Christian Basilica : A Building Type.

LATE ANTIQUITY GARDINER CHAPTER 11-2 PP

Three Important Elements of Successful Roman Architecture:

~Lake Oswego Art Literacy~ Michelangelo 1475 – 1564 Italian Sculptor and Painter Portrait of Michelangelo, unfinished by Jacopino del Conte ca. 1540, oil.

009 EARLY CHRISTIAN ARCHITECTURE

Late Antique Art 200 – 550 CE Early Christian Art Jewish Art.

Raphael Portrait of Julius II 1512 Tempera on wood, 108,5 x 80 cm Galleria degli Uffizi, Florence Michelangelo Tomb of Pope Julius II, begun 1505, completed.

Gardner’s Art Through the Ages, 12e

The Sacrifice of Isaac c stone capital Cathedral, Jaca (Aragón) Romanesque.

Early Christian and Byzantine Art Vocabulary

Mitraism Mitras is slaying the sacred bull who represents spring, releasing life-giving forces to the snake (earth), scorpion (autumn) is sapping the bull’s.

THE LATE ROMAN AND BYZANTINE WORLD [Map 07-01]

Gardner’s Art Through the Ages, 12e

Rome: An Introduction.

Christian Visual Art (c. 100 CE – 600 CE). Wall Paintings / Graffiti.

Late Roman-Early Christian Art Vocabulary Constantinople Tetrarchy Porphyry Tondo Basilica Nave Apse Buttress Narthex Transept Putto/Putti Catacomb Orant.

Cinquecento Italian Art William V. Ganis, PhD. Leonardo da Vinci Virgin of the Rocks ca oil on wood 6 ft. 3 in. x 3 ft. 7 in.

Roman Sculpture Comparative Civilizations 12. Origins of Roman Sculpture  Etruscan sculpture showed similarities to Greek Archaic forms.

Architecture of Monotheism in Late Antiquity and the Early Middle Ages: Jewish and Early Christian Architecture.

Chapter 8: Early Christian Art

Chapter 8: Early Christian. Warm-up Ch.8 L1 Early Christian Respond to the Following: 1.What is ‘iconography?’ Give 2 examples. 2.How did the.

Let’s Review… Greek and Roman Art

Early Christian Art CH. 10. Any analysis of Early Christian art must begin with an appreciation for the Ancient Roman and Jewish precedents that greatly.

The Good Shepherd in Early Christian Art Gathered for a slide presentation for a Bible study written by Dr. Rick Jordan.

Early Christian Art Christianity was legalized by Emperor Constantine (Edict of Milan in 325 AD) - before this, Christianity had to be practiced in secret.

LATE ANTIQUITY CHAPTER 11. Roman Empire Began to Fragment Signing of Edict of Toleration 315AD, established freedom to worship Christianity Christianity.

LATE ANTIQUITY GARDINER CHAPTER 11-1 pp

The Middle Ages. The Middle Ages is the period of time in Europe between the end of antiquity in the fifth century and the Renaissance, or rebirth of.

LATE ANTIQUITY CHAPTER 11. Roman Empire Began to Fragment Signing of Edict of Toleration 315AD, established freedom to worship Christianity Christianity.

Early Christian Art A.D. 100 – A.D. 500.

CE LATE ANTIQUE ART (AKA EARLY CHRISTIAN)

*Periods in Ancient Roman Art Republic BCE to 27 BCE Early Empire - 27 BCE to 96 CE High Empire - 96 CE to 192 CE Late Empire to 337 CE.

Chapter 7 Early Christian (Late Antiquity). STYLISTIC CHARACTERISTICS Combination of Classical naturalism & late antique abstraction from late Roman.

Late Antique and Early Christian Art. Chronology of Early Christianity Crucifixion of Christ ca. 29 Crucifixion of St. Peter ca. 64 Persecution of Christians.

EARLY CHRISTIAN AND BYZANTINE ART. After birth of Christ, artists were more concerned with symbolic representation Christianity became the official religion.

Religious Conviction Page 204

Symbols found in Christian Art & Sculpture Before Christianity was legalized in 313 A.D., visual symbols served to identify Christians.

#1 The world’s oldest church. By Shad Sluiter Available at ool ool

Early Christian & Byzantine Art Important Images.

Chapter Six: The Rise of the Biblical Tradition

LATE ANTIQUITY CHAPTER 11.

Leonardo da Vinci, Mona Lisa, oil on wood, ca

Art timeline images for discussion and study.

Christianity and the Transformation of Ancient Art II

Leonardo da Vinci VITRUVIAN MAN c Ink, 13-1/2" × 9-5/8" (34

Gardner's Art through the Ages, Concise Edition by Fred Kleiner

Late Antiquity: Jewish, Early Christian & Byzantine Art

Roman Art Part 2 Sculpture & Painting

Early Christian Part 2.

High Empire Part 2.

Christianity and the Transformation of Ancient Art I

WHO? orthogonals Donatello (ca ) Andrea del Verrocchio ( )

WHO? vanishing point Donatello (ca ) orthogonals

Let’s Review… Greek and Roman Art

Late Antiquity CE As tastes shifted from pagan polytheistic religion to Judeo- Christian, works from this transitional period build the foundation.

Homework Dates Unit 3 Chapter 9 Notes due: Wednesday 10/18

LATE ANTIQUITY GARDNER CHAPTER 11-1 pp

THE ROMAN EMPIRE GARDNER CHAPTER 10-7 PP

LATE ANTIQUITY GARDNER CHAPTER 11-2 PP

The Good Shepherd, Catacomb of Domitilla

Roman Art Late Antiquity

LATE ANTIQUITY CHAPTER 11.

Roman Art Roman Forum 4th century BCE – 5th century CE Rome, Italy

Presentation transcript:

Gardner’s Art Through the Ages, 12e Chapter 11 Pagans, Christians, and Jews: The Art of Late Antiquity

Europe and the Near East in Late Antiquity

Syncretism: the adoption of a motif, trait or characteristic from a Figure 11-1 Interior of the synagogue at Dura-Europos, Syria, with wall-paintings of Old Testament themes, ca. 245–256. Tempera on plaster. Reconstruction in National Museum, Damascus. Syncretism: the adoption of a motif, trait or characteristic from a previous period to allude to the power of the established tradition.

Figure 11-2 Reconstruction of the Christian community house at Dura-Europos, Syria, ca. 240–256.

More syncretism: the shepherd in Greek Archaic sculpture was the one offering the sacrifice -here he becomes the sacrifice. The meaning has shifted-but the image is very similar. Figure 11-3 The Good Shepherd, the story of Jonah, and orants, painted ceiling of a cubiculum in the Catacomb of Saints Peter and Marcellinus, Rome, Italy, early fourth century.

Language of propaganda begins to shift to be a propaganda for a religion-not an empire. Figure 11-4 Sarcophagus with philosopher, orant, and Old and New Testament scenes, Santa Maria Antiqua, Rome, Italy, ca. 270. Marble, 1’ 11 1/4” X 7’ 2”.

Figure 10-72 Sarcophagus of a philosopher, ca. 270–280 CE Figure 10-72 Sarcophagus of a philosopher, ca. 270–280 CE. Marble, approx. 4’ 11” high. Vatican Museums, Rome.

The uniting of new and old testament imagery to strengthen the faith Figure 11-5 Sarcophagus of Junius Bassus, from Rome, Italy, ca. 359. Marble, 3’ 10 1/2” X 8’. Museo Storico del Tesoro della Basilica di San Pietro, Rome. The uniting of new and old testament imagery to strengthen the faith

Imperial portrait language Influence of old Roman Imperial portrait language Influence of new evolving Christian narrative language These are rare-to avoid Idolatry Figure 11-6 Christ seated, from Civita Latina, Italy, ca. 350–375. Marble, approx. 2’ 4 1/2” high. Museo Nazionale Romano—Palazzo Massimo alle Terme, Rome.

Figure 11-7 Restored view (a), plan (b), and section (c) of Old Saint Peter’s, Rome, Italy, begun ca. 320. (The restoration of the forecourt is conjectural.)

Figure 11-8 Interior of Santa Sabina, Rome, Italy, 422–432.