Ovid’s “Pygmalion” & Alfred Hitchcock’s Vertigo

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Presentation transcript:

Ovid’s “Pygmalion” & Alfred Hitchcock’s Vertigo Prof. Ruth M. McAdams ruthmmcadams@gmail.com 21 November 2016

Overview of Lecture 1. Adaptation 2. Ovid’s “Pygmalion” 3. Vertigo as Pygmalion Story 4. Cinematic and Meta-Cinematic Elements 5. Carlotta Valdes

Part 1. Adaptation Pygmalion and Galatea By Jean-Léon Gérôme 1890 Metropolitan Museum of Art, New York City

Antigone Adapted

Part 1. Adaptation Pygmalion and Galatea By Jean-Léon Gérôme 1890 Metropolitan Museum of Art, New York City

Movie, 1964

Part 2. Ovid’s “Pygmalion” Pygmalion and Galatea By Jean-Léon Gérôme 1890 Metropolitan Museum of Art, New York City

“Pygmalion had seen these women living in shame And, offended by the faults that nature had lavished On the female psyche, lived as a bachelor Without any bedmate.” (lines 266-268)

It had the face of a real girl, a girl you would think Who wanted to be aroused, if modesty permitted (lines 273-274)

Part 2. Ovid’s “Pygmalion” Pygmalion and Galatea By Jean-Léon Gérôme 1890 Metropolitan Museum of Art, New York City

Part 3. Vertigo as Pygmalion Story

Judy and John “Scottie” Ferguson, in the department store

Judy playing Madeleine

The Real Madeleine Elster

Judy playing “Madeleine”

Midge

From Judy to Madeleine (the 2nd time)

Judy as herself

Part 5. Cinematic and Meta-Cinematic Elements Kim Novak publicity photo

Part 5. Cinematic and Meta-Cinematic Elements

The Vertigo Shot https://www.youtube.com/w atch?v=GnpZN2HQ3OQ

Part 5. Carlotta Valdes