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Limbourg Brothers (Paul, Herman, Jean)

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(your class notes thus far) Quizzle #1 (utter silence) and Note Check today (your class notes thus far)

Northern Europe In the Fifteenth Century Part I The Northern Renaissance: Humanism & Ars Nova Portraiture, Realism, Disguised Symbolism

Europe in the 15th Century 3

CLAUS SLUTER, Well of Moses, Chartreuse de Champmol, Dijon, France, 1395–1406. Limestone with traces of paint, Moses 6’ high. 4

MELCHIOR BROEDERLAM, Retable de Champmol MELCHIOR BROEDERLAM, Retable de Champmol. Chartreuse de Champmol, Dijon, France, installed 1399. Oil on wood, each wing 5’ 5 3/4” X 4’ 1 1/4”. Musée des Beaux-Arts, Dijon. 6

Melchior Broederlam, Altarpc Melchior Broederlam, Altarpc. For Chartreuse de Champmol, 1393-99, Annunciation and Visitation, Dijon, Burgundy, France

Melchior Broederlam, Altarpc Melchior Broederlam, Altarpc. For Chartreuse de Champmol, 1393-99, Presentation in the Temple and Flight into Egypt, Dijon, Burgundy, France

LIMBOURG BROTHERS (POL, JEAN, HERMAN), January, from Les Très Riches Heures du Duc de Berry, 1413–1416. Ink on vellum, approx. 8 7/8" X 5 3/8". Musée Condé, Chantilly. 14

Tres Riches Heures of the Duc de Berry, January Calendar scene with the Duc at table w. courtiers and tapestry of Trojan War, 1413-16

Tres Riches Heures of the Duc de Berry, February Calendar scene with peasants warming themselves and farm and village in a snowy landscape, 1413-16

Tres Riches Heures of the Duc de Berry, February Calendar scene with peasants warming themselves and farm and village in a snowy landscape, 1413-16

Tres Riches Heures of the Duc de Berry, April Calendar scene with new life of spring and an exchange of betrothal rings, 1413-16, Dourdan Castle behind

Tres Riches Heures of the Duc de Berry, August Calendar scene with nobles hawking, peasants swimming and Chateau d’Etampes, 1413-16

Tres Riches Heures of the Duc de Berry, October Calendar scene with peasants tilling and sowing, Louvre Palace of Charles V across the Seine River, 1413-16

ROBERT CAMPIN (MASTER OF FLEMALLE), Merode Altarpiece (open), ca ROBERT CAMPIN (MASTER OF FLEMALLE), Merode Altarpiece (open), ca. 1425-1428. Oil on wood, center panel 2’ 1 3/8” X 2’ 7/8”, Peter Inghelbrecht & wife, Metropolitan Museum of Art, New York (The Cloisters Collection, 1956). 21

Jan van Eyck, Birth of John the Baptist in Flemish interior, Baptism of Christ in river scene below, Tres Belles Heures de Notre Dame of the Duc of Berry, in Turin, c1422-24

JAN VAN EYCK, Ghent Altarpiece (closed), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood, 11’ 6" X 7’ 6”Jodocus Vyt & Isabel Borluut, patrons 23

JAN VAN EYCK, Ghent Altarpiece (open), Saint Bavo Cathedral, Ghent, Belgium, completed 1432. Oil on wood, 11’ 5" X 15’ 1”. 24

Adam Eve

Prophets Confessors Lamb & Life Apostles Martyrs

JAN VAN EYCK, Giovanni Arnolfini and His Bride, 1434 JAN VAN EYCK, Giovanni Arnolfini and His Bride, 1434. Oil on wood, approx. 2’ 9" X 1’ 10 1/2". National Gallery, London. 29

Affenpinscher dog, fides, (marital fidelity)

“Jan van Eyck was here, 1434”

JAN VAN EYCK, Man in a Red Turban, 1433 JAN VAN EYCK, Man in a Red Turban, 1433. Oil on wood, 1’ 1 1/8” X 10 1/4". National Gallery, London. 33

Jan van Eyck,Portrait of Margaret van Eyck, Bruges, 1439

Jan van Eyck, Madonna of Chancellor Rolin, Paris, Louvre, c1434