Janet Fish Realistic Painter anet Fish is regarded as the most prominent still life painter living today. Her paintings are rich studies of glass objects, fruit and flowers, arranged in complex scenes in which light, atmosphere and lush saturated color are masterfully handled. anet Fish is regarded as the most prominent still life painter living today. Her paintings are rich studies of glass objects, fruit and flowers, arranged in complex scenes in which light, atmosphere and lush saturated color are masterfully handled. anet Fish is regarded as the most prominent still life painter living today. Her paintings are rich studies of glass objects, fruit and flowers, arranged in complex scenes in which light, atmosphere and lush saturated color are masterfully handled. anet Fish is regarded as the most prominent still life painter living today. Her paintings are rich studies of glass objects, fruit and flowers, arranged in complex scenes in which light, atmosphere and lush saturated color are masterfully handled. Janet Fish Realistic Painter

Janet Fish is regarded as the most prominent still life painter living today. Her paintings are rich studies of glass objects, fruit and flowers, arranged in complex scenes in which light, atmosphere and lush saturated color are masterfully handled.

Janet Fish was born in Boston, Massachusetts in 1938 and grew up in Bermuda amongst a family of artists. Her grandfather was a painter and her mother was a sculptor and potter.

Fish received a Bachelor of Arts degree at Smith College and a Master of Fine Arts degree at Yale University. While at Yale she was taking a sculpture class and noticed that everyone around her was working abstractly. Interested in capturing the beauty of the ordinary objects around her, Fish started painting.

After graduating, Fish moved to New York where she painted objects she found in second hand shops.

She focuses on how the light plays on the surface of the object She focuses on how the light plays on the surface of the object. How it reflects and breaks up the surface of the forms.

Toward the end of the 1960’s Fish was experimenting with different painting styles. She had troubles with portraits because she painted too slow and people couldn’t sit still long enough. She tried fruit and vegetable still life's but the produce would begin to mold before she was finished. She started painting glass and bottles because they wouldn’t decay.

She loved the way the morning and afternoon sun changed how the glass and bottles looked. She placed them on reflective surfaces so that the light could dance back and forth.

Because light plays such an important part in Fish’s paintings she still to this day paints two pictures at a time, one for sunny days and one for cloudy days.

Even though Fish uses every day objects as the subjects for her paintings, she feels that the real subject of her work is the light and how it moves from one form to another.

Realism is a matter of painting what you choose to see – Janet Fish