Monastic Treasures in Early Christian Ireland

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Monastic Treasures in Early Christian Ireland www.assignmentpoint.com

Monastic Treasures in Early Christian Ireland Monasteries grew in size and wealth from AD 700. The Monks began to create some beautiful works of art. They used gold, silver, bronze and jewels; The Ardagh Chalice Tara Brooch The Monks also produced many beautiful manuscripts in Latin of the Gospels; The Book of Durrow The Book of Kells www.assignmentpoint.com

The Ardagh Chalice is made of silver and dates from around the 8th century. It is basically a hemispherical cup inspired by Byzantine design.It has two handles, held on by rivets that are disguised by studs. It is decorated with panels of gold filigree, gilt bronze and milifiori studs .The glass studs have all been individually cast. Probably a metal frame was made first and then the areas of red enamel poured in. Molten blue glass was lastly applied making the studs solid. The bands of filigree run in a band round the top, leaving large areas of plain silver which give great contrast. The Apostles names are lightly inscribed below this band, with the exception of Judas. It was discovered in the 1860s by a boy digging for potatoes! It is now housed in the National Museum, Dublin. www.assignmentpoint.com

The Tara brooch is a circle of cast silver gilt covered with sheets of gold foil, and beautifully decorated with beads, twisted and plaited wires of gold, amber and glassstuds, stylised animals and spirals. All of this in a piece less than 2inches in diameter! It dates from the 8th century approximately as does the Ardagh Chalice. These pieces were made under the new Christian influences. The monasteries at this time became greatcentres of cultural activity and wereresponsible for many of the treasures wenow regard as important pieces, the Book of Kells, Ardagh Chalice and so on. Tara Brooch www.assignmentpoint.com

Parts of pages from the book The Book of Kells Parts of pages from the book www.assignmentpoint.com

One page of the Book of Kells is turned over every day. In the library of Trinity College Dublin, are kept some of the best preserved manuscripts of the 8th and 9th centuries.  These were copies of the Gospel spainstakingly written and illustrated by teams of monks.  The Book of Kells is undoubtedly the most famous.  It was started on the Isle of Iona but completed in Kells from where it got its name.  All but two of its pages are coloured.  There are decorated letters and illustrations for the gospels.  It along with other books such as the Book of Durrow can be seen by the public in Trinity.   One page of the  Book of Kells is turned over every day. www.assignmentpoint.com

The Book of Durrow was written in about AD 675 The Book of Durrow was written in about AD 675. It is one of the earliest manuscripts to have a carpet page, that is a page completely covered in pattern and colour. It disappeared from the Abbey in the 16th century but luckily was found again and had survived belonging to a farmer who used to pour water on it to cure his cattle! www.assignmentpoint.com

Early Christian Stone Crosses in Ireland Monks carved and decorated stone crosses at many monastic sites. Earliest examples were just stone slabs and later the stones have arms with a circle surrounding the arms The early Celtic Christian church developed a highly intricate art form known as the “High Cross,” which is still a popular motif in religious and funerary art and architecture. Some scholars hypothesise that it is a synthesis of the Christian cross with the earlier pagan solar symbol, the (sometimes quartered) circle. At its highest point of development, the High Cross was virtually a sermon in stone, covered in carvings of enactments of biblical stories and symbols of Christendom. It seemed to have developed, however, from seventh-century stone slabs with intricate interwoven lacing, but without circles or biblical scenes. The circle was incorporated by the eighth century, and scenes from the Old Testament started slowly creeping onto crosses in the ninth century. By the 11th century, figures stood out of the cross in high relief on one or both of the cross faces. www.assignmentpoint.com

1. 2. 3. 5. 4. Clonfert, Co. Offaly Clonmacnoise, Co. Offaly Faheen, Co. Kilkenny Kells, Co. Meath Monasterboice, Co Louth www.assignmentpoint.com

Round Towers The arrival of the Vikings in 795 CE caught the Irish by surprise. Monasteries, which had become centres of wealth as well as learning, were prime targets for the raids. To be fair, though, many monasteries were also raided by other Irish (even by other monks jealous of religious possessions!). This spurred Irish architects to create the round tower. Although towers were used primarily as bell towers to call monks from the fields to prayer, it was also doubtlessly used as a defence for the monks and their treasures. The doorway entrance was about ten or more feet above the ground, probably so that monks could climb up a rope or ladder and subsequently withdraw it. The towers are five or more stories high, with a window on each story and four windows at the top level, capped by a conical roof. www.assignmentpoint.com

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                                                             Round Towers were constructed in Ireland primarily in the tenth to the twelfth centuries. Sixty-five stone towers still stand in Ireland today, and 13 of these retain their conical cap. They range anywhere from 26-35 meters in height. Irish round towers were primarily used as belfries (cloicteach).  As such they would have served various liturgical functions, such as calling the monastic community to prayer.  The tolling of the bells may have warned of impending danger as well.  Additional purposes, however, have also been given for the towers.  Their very height and prominence in the landscape suggest that they may have been constructed as a visual representation and reminder of the power, wealth, and prestige of the monastic community.  They may also have served as safes for the monastery’s treasures. www.assignmentpoint.com precious metal objects and illuminated manuscripts.