Gardner’s Art Through the Ages, 12e

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Presentation transcript:

Gardner’s Art Through the Ages, 12e Chapter 5 Gods, Heroes, and Athletes: The Art of Ancient Greece pp. 120-164

Summary Geometric statues & vases: Strong Asian influence, stylized with geometric patterns. Archaic Sculpture: Starts with, but moves away from Egyptian influence. Temples: Influenced by near east. Move from the simple Cretan megaron, through Doric to Ionic. . Doric Ionic Severely plain Highly ornamental Echinus convex Echinus small and supports and cushionlike bolster ending in scroll-like spirals Frieze subdivided into Frieze left open to provide triglyphs and metopes continuous field for relief sculptures Massive in appearance Light and airy in appearance

The Greek World

TOPICS Archaic Pottery: Red-figure painting Aegina & Transition to Classical Period: Temple of Aphaia Early & High Classical Period Temple of Zeus, Corfu Statuary: The Perfect Statue The Athenian Acropolis: Parthenon Propylaia Erechtheion Temple of Nike Late Classical Hellentistic

Vase Painting: Archaic Period Kleitias & Ergotimos – Italy ca. 570 BCE What kind of vase is this?

Vase Painting: Archaic Period Exekias, Italy 540-530 BCE Ajax/Achilles playing a game of dice. [humanization] What kind of vase is this?

Types of Vases

Greek Vase Painting Andokides: Ajax/Achilles. Italy ca. 525-520 BCE “Bilingual” vase: This is the “black side”

Euphronios & Red Figure Vase Painting What kind of vase? With red, interior figures can be drawn with a soft brush instead of a stiff metal graver. With red glaze, the glaze thickness could be varied, expanding the chromatic range. Euphronios, Italy, ca.510 BCE Figures begin to occupy space.

Euthymides Three Revelers under the influence – appropriate for a wine jar An experiment with unusual positions of the human body. Uses foreshortening, dropping the composite view.

Red Figure Vase Painting Example of a red-figure painting at the bottom of a Kylix. [a drinking cup]

Another Kylix example

Transition to Classical Period: Aphaia Temple 500-490 BCE

Transition to Classical Period: Aphaia Temple West Pediment: The sculpture looks directly at the spectator and smiles despite pain, and the torso is rigidly frontal. There is no sense of a thinking or feeling human being. East Pediment: The posture is more natural and complex, angled instead of frontal, and does not look directly at the spectator. The man reacts to his wound.