Library Archiving and Internet Service Provider Status Shirley A. Mason Library Media Specialist 12 July 2008.

Slides:



Advertisements
Similar presentations
The Digital Millennium Copyright Act and Liability for Hosting and Linking Mark D. Robins Nixon Peabody LLP.
Advertisements

Hart District Acceptable Use Policy Acceptable Use Policy.
Listening Centers and iPods/ a new Twist – Digital stories and copyright.
University of Maastricht January 17, 2014 Phasing Out Copyright Prof. Martin Senftleben VU University Amsterdam Bird & Bird, The Hague.
Section 108 Just for Libraries & Archives Allows for copying for: 1. Interlibrary Loan; 2. Replacing material in collection.
University of West Alabama. Copyright is a form of protection provided by the laws of the United States (title 17, U. S. Code) to the authors of “original.
Copyright Infringement Present by: Shao-Chuan Fang Jaime McDermott Emily Nagin Michael Piston Fan Yang Carnegie Mellon Group Presentation Date:
5/21/2015 (1) Complying with P2P Mandates in the HEOA of 2008 EDUCAUSE Live! 23 November 2009
Exceptions for Reproduction by Libraries and Archives §108, U.S. Copyright Law Insert Date Insert Instructors’ Names / Titles The following slides are.
Section 108 Study Group Update Questions from the March Roundtables.
Copyright Law Boston College Law School March 13, 2003 Rights - Digital Rights.
Intellectual Property… …is not copyright Copyright Balances public access rights with author(s)’ right to control and benefit from their work Protects.
Copyright Law Boston College Law School February 25, 2003 Rights - Reproduction, Adaptation.
A Practical Introduction to Copyright James Maynard, PhD Assistant Curator The Poetry Collection
UNITED STATES COPYRIGHT OFFICE Copyright Registration for Musical Compositions.
1 Copyright & Other Legal Issues. 2 WHAT IS COPYRIGHT? Copyright is the form of protection provided by the laws of the United States to authors of “original.
WIPO Copyright Sector 1.  Fundamental or constitutional rights or public interest: freedom of speech, access to information, right for education, enjoyment.
Copyright in the Digital Age National Business Education Association.
HOSPITAL COPYRIGHT TOOLKIT A Guide to the Canadian Copyright Act A Presentation prepared by Jan Figurski, MLS Mary McDiarmid, MISt, AHIP c2007.
Examples of problems with teacher/school site violations: A company’s logo and link on footer of homepage when company is not their business partner—only.
Copyright Pebblebrook High School July 29, What is copyright? Legal definition: A copyright is attached to an original work of art or literature.
Copyright. US Constitution Article I – Section 8 Congress shall have the power to promote the Progress of Science and useful Arts, by securing for limited.
Copyright in the Digital Age October 14, 2004 FEDLINK Membership Meeting Carrie Russell, Copyright Specialist ALA Office for Information Technology Policy.
1. What is the DMCA? Digital Millennium Copyright Act. Signed into law in Provides the legal framework for copyright holders to claim copyright.
NEW SOLUTIONS FOR A DIGITAL WORLD Angela Teal LIBM 6320 FALL 2011.
Copyright and Fair Use Implications for Assistive Technology and Education.
Controlling Access to Copyrighted Works Digital Millennium Copyright Act.
CREATING DIGITAL LIBRARIES: A COLLISION COURSE WITH COPYRIGHT LAW Lolly Gasaway November 2011.
SPEED COPYRIGHT (The Copyright Quickie) 2003 Rosemary Chase Copyright Officer George Mason University Libraries
Computer Ethics Christina McCorkle.
Copyright, Licensing, & the Provision of Electronic Resources Vicki L. Gregory Associate Professor University of South Florida
Eresources & Copyright School Library Bootcamp 2014 Jane Healy Electronic Services Coordinator SD State Library Dan Daily Dean of.
Contract Law and Copyright Exceptions: What’s at stake? Benjamin White Head of Intellectual Property British Library.
U.S. Copyright Enforcement Benjamin Hardman Attorney / Advisor Office of Intellectual Property Policy & Enforcement, USPTO.
Copyright for interlibrary loans and document delivery This publication is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 2.5.
1 Wizards of OS 3 The Future of the Digital Commons Berlin - June 10 to 12, 2004 International Copyright in the Digital Era Geidy Lung WIPO Copyright Law.
Web 2.0: Making the Web Work for You, Illustrated Unit B: Finding Media for Projects.
Section 108 Copyright in Libraries Slides produced by the Copyright Education & Consultation Program.
Becky Albitz Electronic Resources/Copyright Librarian
Copyrights on the internet vincent yee. Digital Millennium Copyright Act October 28, 1998, President Clinton signed the Act into law.
Digital Audio. Analog versus Digital Analog Sound waves “similar” or “copy” Electrical impedance creates noise Digital Sound encoded in binary form Sampled.
Becky Albitz Electronic Resources Librarian
Copyright Law for Archivists Georgia Harper University of Texas System.
Copyright The use of videos in violation of the current copyright laws.
??????  1. Understand and explain the purpose of Fair Use.  2. Identify and explain the four factors of Fair Use.  3. Practice completing the Checklist.
E-book Licensing and Interlibrary Loan Janice T. Pilch Copyright and Licensing Librarian, Rutgers University Libraries VALE/NJ ACRL/NJLA CUS Thirteenth.
Copyright Issues in Managing Libraries and Archives Jørgen Blomqvist Director WIPO Copyright Law Division.
Copyright Timeline By: Nolan Wurm. Early History There work books written in the 15 th century but they were handwritten and they were extremely expensive.
COPYRIGHT CHALLENGES IN THE DIGITAL AGE: EFFECTS OF THE DIGITAL MILLENNIUM COPYRIGHT ACT.
Building on Other’s Creative Expression By: Alicia Trevino.
COPYRIGHT Rules and Regulations By Maria Soorma. WHAT IS COPYRIGHT?  Copyright is a form of protection provided by the laws of the United States to the.
Copyright Laws How to Get Permission? By: Ruth Garza EDTC
© What does this mean?. (U. S. Constitution. Art I, Section 8) “The Congress shall have the power…to promote the Progress of Science and useful Arts,
Intellectual property (IP) refers to creations of the mind: inventions, literary and artistic works, music, movies, symbols, names, images, and designs.
Copyright © An introduction to Elementary Teachers presented by Conrado Gonzalez.
NAMTC Presents: Copyright Policies, After the Basics.
Copyright: The Crash Course. Copyright is property Specifically “intellectual” property, similar to but different from trademarks and patents.
NAMTC Presents: Copyright Policies: Keeping Up With The Law.
Cyber Law Title: COPYRIGHT INFRINGEMENT OF ELECTRONIC COPYING Group Members Amirul Bin Jamil Engku Nadzry Bin Engku Rahmat Mohd Danial Shah Bin Shahzali.
 Libraries, museums and archives are carrying out small, medium and massive digitization projects and providing public access to the resulting digital.
Insert Date Insert Instructors’ Names / Titles
Fair Use in the Classroom
Legal aspects of copying audiovisual work onto portable media devices
Digital Images and Copyright
Copyright By: Grace Collins.
Copyright and Fair Use Doris Van Kampen-Breit
Copyright Is Not a Choose Your Own Adventure
Copyright and Fair Use in Education
For Bethel University Faculty & Students
Presentation transcript:

Library Archiving and Internet Service Provider Status Shirley A. Mason Library Media Specialist 12 July 2008

U.S. Copyright Act U.S. Copyright Act allows: Certain legal protection to libraries if specific prerequisites are met by the library Section 108 of the copyright Act, “Limitations on exclusive rights: Reproduction by libraries and archives,” provides an exemption for librarians and archivists. Section 108 allows the library access to a limited group of works within the last twenty years of a work’s copyright protection term. Use of exemption must remain in compliance with Section 108 (h)

Section 108 Requirements A law that provides a determined outcome for libraries and archives under specified circumstances for the actions of copy for the following instances »C»Copies made for preservation »C»Copies made for interlibrary loan »I»Immunity of the library from liability for the unsupervised use of on-site reproduction equipment

Section 108 Rights The reproduction or distribution is made without any purpose of direct or indirect commercial advantage; The collections of the library or archives are (i) open to the public, or (ii) available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field; and The reproduction or distribution of the work includes a notice of copyright that appears on the copy or phonorecord that is reproduced under the provisions of this section, or includes a legend stating that the work may be protected by copyright if no such notice can be found on the copy or phonorecord that is reproduced under the provision of this section.

Archive Copies Libraries now have unlimited access to generations of copies in a preservation project A service copy may be made as an archival copy ( in either analog or digital form) Archive copies are to be used for archival purposes exclusively Library’s purpose for making archival copy can be only to replace a copy it has or used to have in its collection, but which has been damaged, is deteriorating, is lost or stolen, or the format of which has become obsolete.

Digital Millennium Copyright Act And Music Downloading Digital Millennium Copyright Act »E»Enacted by Congress 1998 »D»DMA addressed the issue of downloading of music and World Intellectual Properties organization Treaties »T»The Act makes it illegal for an Internet Service provider to link knowingly to infringing material »D»DMCA exempts search engines and service providers from liability for linking to pirated material unknowingly »A»Any library that accepts the benefits of ISP protection pursuant to Section 108 must post notices that downloading copyrighted material is expressly prohibited.

Section #108 Privileges and Responsibilities Sonny Bono Copyright Term Extension Act, Section 108: »C»Contains limited exemption for libraries and archives that lets them; »R»Reproduce »D»Distribute »D»Display »P»Perform certain works in the final twenty years of their extended terms for research and preservation purposes »P»Published and unpublished works are covered under Section 108 and may be “archived” when the works are not subject to “normal commercial exploitation

Section 512 Internet Provider Section 512 of the 1976 Copyright Act defines a service provider as: »“»“A provider of online services or network access, or the operator of facilities therefore” »T»Title II of the DMCA limits an Internet Service Provider’s liability for copyright infringement »P»Purpose of this act was implemented to protect service providers (such as AOL or a university) from being held liable for infringing acts by users of their networks

Requirements to be Characterized as an Internet Service Provider Must meet four categories: »T»Transitory communications »S»System caching »S»Storage of information on systems or networks at the direction of users »I»Information location tools

Prerequisites to Qualify for ISP Protection Name, address, phone number, and electronics, mail address of the agent Other contact information which the Register of copyrights may deem appropriate. The Register of Copyrights shall maintain a current directory of agents available to the public for inspection, including through the Internet, in both electronic and hard copy formats, and may require payment of a fee by service providers to cover the costs of maintaining the directory

Summary Recognizing potential civil liabilities of the library for actions of its patrons comes the responsibility of evaluation of the benefits of Section 512 and the informed decision as to the adoption of these benefits.

References Torrans, L. A. Law and Libraries.(2004) Copyright Act (1976) Federal Register (November 16, 1977) Warning signs must be posted by all copy machines