The Tragedy of Othello, the Moor of Venice Evan Verrilli & Danny Bruns.

Slides:



Advertisements
Similar presentations
He was born the 23 rd of April Cervantes was born this same year. His theatre was The Globe. This theatre was built in July He died 1616 on.
Advertisements

repetition of initial consonant sound with several words.
Role of women In Othello
How and why Iago destroys Othello
Othello A Feminist Reading. Critical Analysis Review Remember to do a critical analysis, you must ask between 2 and 3 questions of the work you are trying.
Desdemona. Central Conflict The central conflict is that Othello is angry because he thinks that she’s cheating on her with Cassio but she’s not.
Act III, Scenes ii & iii.
Othello Ending.
Choose a category. You will be given the answer. You must give the correct question. Click to begin.
Act 1 Summary. Iago Roderigo Brabantio Iago tells Roderigo that he hates Othello. Othello has promoted Cassio to Lt. and made Iago his ensign (kind of.
 Othello is a general in the Venetian defence forces, although he is a foreigner from Africa he has won this position by excellence in the field of war.
Act 3 Scene 3 Desdemona promises Cassio that she will help him Iago notices Cassio leave Desdemona’s room: “Ha! I like it not” (Draws attention to Cassio’s.
THE ART OF PERSUASION By Lu-Mae and Peta. In act III scene 3 Othello is persuaded within 150 lines not only to doubt his wife’s fidelity but to have her.
RELIGION IN OTHELLO! Ali Watkins Dan Casey Nick Whittaker Devon Smiley Kim Narunsky.
Othello An Introduction to Shakespeare and the Play.
Chapter Two Joseph Tomchak AP English 9/12/11. Close Reading Close reading is the analysis of a text, which can reveal many factors such as style When.
10/5 Do Now: Translate this from Act I, Scene I “Thou told’st me/Thou didst hold him in thy hate.” Hold onto your freewrites. I will come around and stamp.
Jeopardy CharactersKey EventsLiterary Devices QuotesPotpourri.
William Shakespeare’s Othello- The 3 Women
Othello by William Shakespeare/Gospels of Mark, Luke, Matthew, and John Quote from the literature which shows a Biblical Allusion: ”Of one whose.
Jealousy “O, beware, my lord, of jealousy; It is the green-ey'd monster, which doth mock The meat it feeds on” - Iago The play is a study of how jealousy.
Themes, Symbols and Motifs
Act 1 Scene 3. The beginning of the scene makes clear that Venice is in danger of attack from the Turks The beginning of the scene makes clear that Venice.
Act 3 Scene 3 Key Scene. Act 3 Scene 3 – Key Scene Iago says when Cassio leaves Desdemona: “Ha! I like not that.” Iago says when Cassio leaves Desdemona:
Romeo and Juliet (the balcony scene)
Women. Desdemona Mature, perceptive and assertive young woman, with a strong belief in the goodness of others. Mature, perceptive and assertive young.
0703 班 虞丹 Tel : Writer Characters Summary Theme My opinion.
The Tragedy of Othello William Shakespeare
By William Shakespeare
Othello Act 4.
Othello Key Scene. The proof – O, that the slave had forty thousand lives! One is too poor, too weak for my revenge. Now do I see 'tis true.
Act Three Notes.  Cassio sends musicians to play beneath Othello’s window to try to get into his good graces, “Masters, play here, I will content your.
Instructions for using this template. Remember this is Jeopardy, so where I have written “Answer” this is the prompt the students will see, and where.
Quotes from Othello For each Quote, Guess the speaker and meaning.
WRITTEN BY WILLIAM SHAKESPEARE IN APPROXIMATELY The Tragedy of Othello, the Moor of Venice By: Ferniqua Christian.
Shakespeare Quotation Analysis. In following him, I follow but myself; Heaven is my judge, not I for love and duty, But seeming so, for my peculiar end:
Quotes from Othello For each Quote, Guess the speaker and meaning. You will see these again!
Jealousy in Othello.
Othello Act III, Scene III
Othello: Act 2, Scene 1 Iago’s Second Soliloquy. As soon as Iago has gotten Roderigo to agree to his plan, he dismisses him and plans to meet him at a.
English 12 - Mr. Rinka Lesson #18 Othello Acts 3 & 4.
Act IV Summary. Iago Othello Cassio Bianca Lodovicio Gratiano.
Othello Act 4 Scene I Monica, Shelley & Anna. SUMMARY -Iago torments Othello with mental images of Desdemona’s affair -Cassio and Iago have a conversation.
By: Julie, Mili, Edyn and Maya
Othello Act V Scene ii Marc Trudelle, Mustafa Siddiqi, Jeanie Kim, Gordon Cui, Navid Noroozi.
by William Shakespeare
Othello William Shakespeare Seeing and Knowing. How are lies manipulated into truths by Iago? Iago recognises the flaws in characters in the play and.
ACT III - ANALYSIS Othello. Act III One of the most climactic events in Act III revolves around the handkerchief that Othello gave to Desdemona as the.
Othello Summary: Act One. Act 1, Scene 1 Setting: Late at night, outside Brabantio’s house Iago and Roderigo enter and Iago talks of his hatred of Othello,
Othello Class Notes Act 1 Scene 3. Act 1, Scene 3 Setting:Venice Characters:The Duke Senators Brabantio Othello Desdemona Roderigo Iago.
Act 1 Summary. Iago Roderigo Brabantio Iago tells Roderigo that he hates Othello. Othello has promoted Cassio to Lt. and made Iago his ensign (kind of.
Act 5 Scene 2. Othello’s soliloquy: Othello’s soliloquy: “It is the cause, it is the cause, my soul” “It is the cause, it is the cause, my soul” He uses.
A CT III, S CENE 1 This scene provides some comic relief from the drama that has transpired in the previous act Iago makes it seem as if he is helping.
CharactersPlotThemes and Symbols Basic FactsQuote ID
DO NOW: HOW DOES SHAKESPEARE FORESHADOW THE TRAGIC EVENTS AHEAD? REVIEW: FREYTAG’S FORMULA  WHERE ARE WE IN THE PLOT? LESSON: SETTING UP THE TURNING POINT.
SETTING Venice 1. Sophisticated 2. Wealthy, port, hub of the Mediterranean 3. Morally loose 4. City state – Duke the leader, Senators make up council 5.
Group 1 OTHELLO: Ha! ha! false to me? IAGO: Why, how now, general! no more of that. OTHELLO: Avaunt! be gone! thou hast set me on the rack: I swear 'tis.
OTHELLO SET IN VENICE / CYPRUS. CHARACTERS OTHELLO – MOOR, EXCELLENT MILITARY MAN,OUTSIDER. IAGO- ENSIGN TO OTHELLO. THE VILLIAN.
Othello Excerpts from Act IV. Lie with her! lie on her! We say lie on her, when they belie her. Lie with her! that's fulsome. --Handkerchief--confessions--handkerchief!--To.
Othello Act V Monday, November 10, 2014 Honors MYP.
OTHELLO ACT 4. Othello demands to know more about Desdemona’s infidelity from Iago Othello works himself into a state and collapses in a fit. Cassio appears.
Othello Act 3. Cassio’s plea Cassio meets the musicians outside Othello’s castle. Asks the clown to call Emelia Iago meets Cassio. Says he will draw.
The Tragedy of Othello, The Moor of Venice
Quotes from Othello For each Quote, Guess the speaker and meaning.
Davis Wick, Zac Paz, Nick Voss
setting 1. Sophisticated 2. Wealthy, port, hub of the Mediterranean
Important Act III, scenes iii,iv notes….
Othello Act 3, Scenes I-III..
Othello Act V Summary.
Before Playing 1. Break into teams.
Presentation transcript:

The Tragedy of Othello, the Moor of Venice Evan Verrilli & Danny Bruns

Summary o Iago tells Othello that Desdemona is cheating on him with Cassio o He supports this by telling Othello that he saw Cassio dream of Desdemona o Othello is convinced, but Iago tells him to wait for more evidence o Iago then tells Othello that he saw Cassio with Desdemona’s handkerchief (Othello’s first gift to her) o Othello becomes enraged and swears to kill Desdemona

S.O.A.P.S. IAGO o Subject o The infidelity of Desdemona o Occasion o Iago wishes to convince Othello of Desdemona’s unfaithfulness o Audience o Othello – Noble Venetian who Iago despises o Purpose o To persuade Othello of his wife’s disloyalty o Speaker o Iago – Venetian soldier and pseudo-friend of Othello OTHELLO o Subject o The infidelity of Desdemona o Occasion o Othello is trying to decide whether or not his wife is faithful o Audience o Iago – Soldier under Othello; holds his trust o Purpose o To understand his wife’s loyalty o Speaker o Othello – Venetian general and trusting friend of Iago

Video o

Text & Annotation OTHELLO Give me a living reason she's disloyal. IAGO I do not like the office: But, sith I am enter'd in this cause so far, Prick'd to't by foolish honesty and love, I will go on. I lay with Cassio lately; And, being troubled with a raging tooth, I could not sleep. There are a kind of men so loose of soul, That in their sleeps will mutter their affairs: One of this kind is Cassio: In sleep I heard him say 'Sweet Desdemona, Let us be wary, let us hide our loves;' And then, sir, would he gripe and wring my hand, Cry 'O sweet creature!' and then kiss me hard, As if he pluck'd up kisses by the roots That grew upon my lips: then laid his leg Over my thigh, and sigh'd, and kiss'd; and then Cried 'Cursed fate that gave thee to the Moor!' OTHELLO O monstrous! monstrous! IAGO Nay, this was but his dream. OTHELLO But this denoted a foregone conclusion: 'Tis a shrewd doubt, though it be but a dream. IAGO And this may help to thicken other proofs That do demonstrate thinly. OTHELLO I'll tear her all to pieces. IAGO Nay, but be wise: yet we see nothing done; She may be honest yet. Tell me but this, Have you not sometimes seen a handkerchief Spotted with strawberries in your wife's hand? OTHELLO I gave her such a one; 'twas my first gift. IAGO I know not that; but such a handkerchief — I am sure it was your wife's—did I to-day See Cassio wipe his beard with. OTHELLO If it be that-- IAGO If it be that, or any that was hers, It speaks against her with the other proofs. OTHELLO O, that the slave had forty thousand lives! One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, Iago; All my fond love thus do I blow to heaven. 'Tis gone. Arise, black vengeance, from thy hollow cell! Yield up, O love, thy crown and hearted throne To tyrannous hate! Swell, bosom, with thy fraught, For 'tis of aspics' tongues!

List of Rhetorical Devices Alliteration Allusion Anaphora Antimetabole Antithesis Archaic Diction Asyndeton Cumulative Sentence Hortative Sentence Imperative Sentence Inversion Juxtaposition Metaphor Metonymy Oxymoron Parallelism Periodic Sentence Personification Rhetorical Question Zeugma

Text & Annotation OTHELLO Give me a living reason she's disloyal. IAGO I do not like the office: But, sith I am enter'd in this cause so far, Prick'd to't by foolish honesty and love, I will go on. I lay with Cassio lately; And, being troubled with a raging tooth, I could not sleep. There are a kind of men so loose of soul, That in their sleeps will mutter their affairs: One of this kind is Cassio: In sleep I heard him say 'Sweet Desdemona, Let us be wary, let us hide our loves;' And then, sir, would he gripe and wring my hand, Cry 'O sweet creature!' and then kiss me hard, As if he pluck'd up kisses by the roots That grew upon my lips: then laid his leg Over my thigh, and sigh'd, and kiss'd; and then Cried 'Cursed fate that gave thee to the Moor!' OTHELLO O monstrous! monstrous! IAGO Nay, this was but his dream. OTHELLO But this denoted a foregone conclusion: 'Tis a shrewd doubt, though it be but a dream. IAGO And this may help to thicken other proofs That do demonstrate thinly. OTHELLO I'll tear her all to pieces. IAGO Nay, but be wise: yet we see nothing done; She may be honest yet. Tell me but this, Have you not sometimes seen a handkerchief Spotted with strawberries in your wife's hand? OTHELLO I gave her such a one; 'twas my first gift. IAGO I know not that; but such a handkerchief— I am sure it was your wife's—did I to-day See Cassio wipe his beard with. OTHELLO If it be that-- IAGO If it be that, or any that was hers, It speaks against her with the other proofs. OTHELLO O, that the slave had forty thousand lives! One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, Iago; All my fond love thus do I blow to heaven. 'Tis gone. Arise, black vengeance, from thy hollow cell! Yield up, O love, thy crown and hearted throne To tyrannous hate! Swell, bosom, with thy fraught, For 'tis of aspics' tongues!

Rhetorical Devices o LOGOS o Handkerchief o Example of Cassio talking in his sleep o ETHOS o Innocent friend – “I know not that” o Saw Cassio with the handkerchief o PATHOS o Diction: gripe, wring, sigh’d, loose of soul o Demonizes Cassio

Rhetorical Devices o Imperative Sentence o “Yield up, O love, thy crown and hearted throne/To tyrannous hate!” o Hortative Sentence o “‘Let us be wary, let us hide our loves;’” o Alliteration o “…do demonstrate…”, “Spotted with strawberries” o Juxtaposition o Iago in place of Desdemona in his story about Cassio

Rhetorical Devices o Personification o “Arise, black vengeance from thy hollow cell!” o Archaic Diction o “Swell, bosom, with thy fraught,/For 'tis of aspics' tongues!” o Inversion o “I know not that. such a handkerchief…did I to-day/See Cassio wipe his beard with.”

Tone, Motive, & Diction (Iago) o Tone: o Innocent and reluctant o Ethos: Not wanting to talk about Cassio – “I do not like the office” o Motive: o Purpose: To convince Othello of Desdemona’s infidelity o Please Roderigo o Get revenge upon Othello for promoting Cassio o Diction: o “Foolish honesty” – Painful truth o “Loose of soul” – Shows Iago’s truthful view of Cassio o “Thicken proofs” – Substantial evidence o “In your wife’s hand” – If it was hers and now is Cassio’s, she must have given it to Cassio Shite. I’m your friend, mate.

Tone, Motive, & Diction (Othello) o Tone: o Confused and enraged o “O monstrous! monstrous!” o Motive: o Purpose: Find out his wife’s fidelity o “Give me a living reason she is disloyal.” o Diction: o “Black vengeance” – Othello recognizes the evil he choses to overtake him o “‘Tis a shrewd doubt, though it be but a dream.” – Wants to believe Iago in Desdemona’s unfaithfulness could she?

Is Iago Successful?