A Visual Guide to Content Analysis / april 2009 / OCWC Global Except where otherwise noted, this work is available under a Creative Commons Attribution 3.0 License. Copyright © 2009 The Regents of the University of Michigan Garin Fons Pieter Kleymeer
a student driven do-it-yourself and distributed method of generating OER a U-M developed software used to manage the process of generating OER
have a look current practice copyright 106 our practice the visual guide considerations / questions
Carbohydrates
B2 -adrenergic receptor ligands
CT MRI
have a look current practice copyright 106 our practice the visual guide considerations / questions
How we look at content varies progressive use it!lose it! conservative i don’t know
Step 1 : Who holds the copyright to this? Step 2 : Do we have permission to use it? - If yes, use according to terms - If no, seek permission from holder, replace it with licensed content, remove content typical content analysis
what it boils down to / risk management / legality
Does this content have enough expression to merit copyright protection? new question
have a look current practice copyright 106 our practice the visual guide considerations / questions
finish this statement: The purpose of U.S. copyright law is to: a) reward authors for their creative efforts b) provide an economic incentive to write & publish c) advance public learning d) provide legal remedies for infringement
finish this statement: The purpose of U.S. copyright law is to: a) reward authors for their creative efforts b) provide an economic incentive to write & publish c) advance public learning d) provide legal remedies for infringement
purpose of copyright comes from the constitution To promote the progress of the science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries; - U.S. Constitution Article 1 §8 clause 8 modified from slides by Jack Bernard
Means Ends reward authors provide incentive provide legal remedies promote progress modified from slides by Jack Bernard
basic premise Not all interesting, valuable, academically brilliant, novel, or fascinating content objects are protected by U.S. copyright law. Copyright law does not limit our use of elements of workproduct not protected by copyright law. Indeed, copyright law encourages such use.
U.S. copyright law does not apply to: - Facts - Information - Data - Statistics - Obvious means of selecting, arranging, and organizing facts, data and information - alphabetical, geographical, order of importance or relevance, natural sequence (time, seasonal)
U.S. copyright law does not apply to: - Opinions - Ideas - Concepts - Principles - Theories - Hypothesis - Algorithms - Recipes - Descriptions and Representations of a process, procedure, function, system, method of operation
- Citations - References - Quotations - Brief excerpts - Works created by an employee of the federal government as part of official duties U.S. copyright law does not apply to:
have a look current practice copyright 106 our practice the visual guide considerations / questions
our practice Using case law we can cut the subjective gray area of content analysis down to what the law suggests it might be. subjective objective
dScribe Publishin g Process roles dScribe2 dScribe instructor faculty transfers course material to dScribe dScribe attends training course led by dScribe2 dScribe identifies & documents potential IP issues Class #1 Agenda: find dScribe for open.michi gan OER team reviews & clears IP issues clear IP BY: Garin Fons, Pieter Kleymeer characters by Ryan Junell dScribe makes necessary edits to course material Class #1 Agenda: find dScribe for open.michi gan faculty reviews material: publish to U-M OER site Class #1 Agenda: find dScribe for open.michi gan publish to OER site faculty & dScribe2 connect: license material as OER faculty & dScribe2 recruit dScribe
dScribe cast of characters dScribeFacultydScribe2
license material That’s easy!
Class #1 Agenda: find dScribe for this course I’ll do it! select a dScribe
copyright open resources dScribe training course fun! decision trees
transfer material Class #1 Agenda: find dScribe for open.michigan
Class #1 Agenda: find dScribe for open.michigan Class #1 Agenda: find dScribe for open.michig an vet material OERca: Content & Decision Management Software
Content Processing Class #1 Agenda: find dScribe for open.michig an review material Where does this image come from? OERca: Content & Decision Management Software
Class #1 Agenda: find dScribe for open.michigan edit material
final review Class #1 Agenda: find dScribe for open.michigan Looks good!
publication open.michiga n Class #1 Agenda: find dScribe for open.michig an
have a look current practice copyright 106 our practice the visual guide considerations / questions
the visual guide three components: - A Tutorial :: provide non-lawyers with a basic understanding of copyright. - A List :: use case law to identify and explain why some content may not be covered by copyright. - A Mash Up :: compare potentially copyrighted content to reduce the grey area.
basic premise this is not an automated lawyer! this is not a substitute for thinking! this will develop one’s thinking about copyright. this will grow stronger with more content.
the visual guide - what’s next - Synthesize :: our workflow and the product of the law class - Pilot :: for this summer’s M1/M2 medical content - Collaborate :: with others who use similar analyses
have a look current practice copyright 106 our practice the visual guide considerations / questions
considerations - this is an intermediate step on to producing OER without closed third party content. - this is not legal advice
considerations - burden on the end user to make decisions and distinctions about content, to have to think about copyright within their jurisdiction. - liability associated with downstream use and distribution
considerations - need to do more research regarding international jurisdiction. - learn about practices within other institutions and how you deal with third party content.
Garin Fons Pieter Kleymeer
We were made BY Ryan Junell