2015 DOLBY LABORATORIES, INC. Overview of EBU and EPFL subjective tests on High Dynamic Range video 1 Ludovic Malfait Senior Engineer – Communication Group.

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2015 DOLBY LABORATORIES, INC. Overview of EBU and EPFL subjective tests on High Dynamic Range video 1 Ludovic Malfait Senior Engineer – Communication Group CTO Office September 15, 2015

2015 DOLBY LABORATORIES, INC. EBU and EPFL subjective tests 2 This presentation summarizes the results of the subjective tests conducted by EBU (European Broadcast Union) and EPFL (Ecole Polytechnique Fédérale de Lausanne) Further details are available in the following publications: o P. Hanhart, P. Korshunov, T. Ebrahimi, Y. Thomas, H. Hoffmann, “Subjective Quality Evaluation of High Dynamic Range Video and Display for Future TV”, SMPTE Motion Imaging Journal, vol. 124, num. 4, p. 1-6, o P. Hanhart, P. Korshunov, T. Ebrahimi, Y. Thomas, H. Hoffmann, “Subjective Quality Evaluation of High Dynamic Range Video and Display for Future TV”, International Broadcasting Convention (IBC), Amsterdam, Sept o P. Hanhart, P. Korshunov, T. Ebrahimi, “Subjective Evaluation of Higher Dynamic Range Video”, Applications of Digital Image Processing Xxxxvii, Vol. 9217, Dolby provided HDR video material and a 42” HDR Reference Monitor (Pulsar)

2015 DOLBY LABORATORIES, INC. Need for appropriate subjective test methodologies 3 There is no recommended methodologies for the assessment of High Dynamic Range video Some of the existing methods involving single stimulus presentation, such as the Absolute Category Rating (ACR) method with naïve subjects, may not be sensitive enough to compare different grades of dynamic range In 2014, EBU and EPFL carried out double stimulus subjective tests (Pair Comparison and Comparison Category Rating) with identical contents and display

2015 DOLBY LABORATORIES, INC. Test conditions 4 Labs used six common 20-sec HDR video clips. EPFL used two additional clips. Four conditions representing real use cases: 4000 nit clips were captured with an Arri Alexa camera and manually graded by professional colorists 100, 400 and 1000 nit clips were tone-mapped from the 4000 nit version Tone-mapping performed by a tone-mapping algorithm (Dolby’s proprietary algorithm) 4000 nitMax luminance delivered by the test display 1000 nitMax luminance that can be observed in today’s consumer TV 400 nitMax luminance found in high-quality LCD with LED backlight consumer TV 100 nitMax luminance of standardized monitors for color grading and broadcasting calibration

2015 DOLBY LABORATORIES, INC. Common test material 5

2015 DOLBY LABORATORIES, INC. Labs setup 6 Two viewing distances o 3H (1.5 m): recommended viewing distance for subjective tests o 2.7 m: typical distance from display in a typical home environment Ambient light o EBU: 10 nits for all subject panels but one. 24 nits for one group. o EPFL: 20 nits Display o 42” HDR Reference Monitor (Pulsar)

2015 DOLBY LABORATORIES, INC. Subjects 7 EBU used experts EPFL used naïve subjects All subjects were tested for color vision (Ishihara and Snellen vision tests) Subjects wearing contact lenses or glasses were advised to wear them during the test Subject training: o Each subject received verbal instructions o Each subjects participated in preliminary trials to get acquainted with the assessment procedure o Material used during the preliminary trials differed from the material used for the test

2015 DOLBY LABORATORIES, INC. Methodology 8 Double Stimulus, pair presentation with rating provided as forced-choice and as Comparison Category Rating preference scale Partial pair comparison design nit hidden reference presented for every pair comparison (random position) Subjects were asked to rate the overall quality of pairs considering aspects such as: o color rendition, o quality of the reproduction of skin tones, o details of shadows in the scene, o contrast and the details of highlights, o presentation of light sources appearing in the scene

2015 DOLBY LABORATORIES, INC. Ratings EPFL EBU

2015 DOLBY LABORATORIES, INC. Differences in material presentation EBU: o Sequential presentation (A/B/A/B) o 3-second mid-gray screen between each clip presentation (T2) o 5-second mid-grey screen ending each sequence (T4) o 50 minutes test time 10 EPFL: o Side-by-side presentation on a single 1080p display => cropped video sequences (950x1080) o Single presentation o 17 minutes test time o Side-by-side presentation resulted in a smaller horizontal Field Of View (FOV)

2015 DOLBY LABORATORIES, INC. Results – Overall forced choice responses 11 Overall preference increases as luminance increases Significant preference for 4000 nit version Side-by-side presentation provides more reliable results (tighter confidence intervals)

2015 DOLBY LABORATORIES, INC. Results – Preference scale responses 12 Aligned with forced-choice responses No significant differences between viewing distances CCR rating provides greater discrimination between conditions

2015 DOLBY LABORATORIES, INC. Full paired comparison conducted by EPFL EPFL also conducted a test will all possible pairs of different conditions as well as the nits pair (56 pairs in total) Subjects indicated their preference on a three point discrete scale: Statistic model, Thurstone Case V, applied on the preference scores to convert ratings from a ternary scale to a continuous-scale quality scores 13 LeftThe sameRight

2015 DOLBY LABORATORIES, INC. EPFL full paired comparison – Overall results 14 Similar to the partial comparison design, the estimated scores increase as the peak luminance increases

2015 DOLBY LABORATORIES, INC. Conclusions Both force-choice and preference ratings indicate an increased preference as the peak luminance increases Independence of the viewing distance; this does not mean that participants had the same experience in both configurations Memory effects: o Sequential presentation requires large cognitive load on the viewer due to Visual Short-Term Memory (VSTM) limits o Side-by-side may be affected by iconic visual memory Split screen set up for side-by-side presents some disadvantages: o Reduced FOV; FOV is important for HDR testing because of the glare effects due to the tails of the point spread function of the human eye’s optics o Local contrast limits of the display => For side-by-side, two separate displays should be used 15

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