HINDUISM WORSHIP OF DEITIES WHO APPEAR IN MANY FORMS OR IN EPICS SUCH AS MAHABHARATA.

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Presentation transcript:

HINDUISM WORSHIP OF DEITIES WHO APPEAR IN MANY FORMS OR IN EPICS SUCH AS MAHABHARATA

SUFISM CHISTI ORDER, A BRANCH, USES SAMA (MUSIC IN RITUAL- DEVOTIONAL MUSIC) FOR THE DIVINE

RAGA SYSTEM OF MELODIES (FORMAL MUSIC – COURT SETTING)

TALA RHYTHMIC CYCLES

ALL INDIA RADIO INDIA NATIONAL BROADCASTING ORG. “VOICE FROM THE SKY”

ALAM ARA FIRST SOUND FILM IN INDIA

BOLLYWOOD HINDI-LANGUAGE FILM INDUSTRY

REGIONAL MUSIC ONE LANGUAGE

PAN-REGIONAL MUSIC DIFFERENT LANGUAGES

DHOLAK BARREL-SHAPED DRUM IN NORTH INDIA

IDIOPHONES BELLS, CLAPPERS, CYMBALS

KARTAL WOODEN CLAPPERS WITH CYMBALS

HARMONIUM SMALL HAND PUMP ORGAN

DRONE INSTRUMENT ONE PITCH STRING INSTRUMENT

REED AND BRASS WIND FESTIVALS, WEDDING, OUTDOOR

RURAL POPULATION 72% - VILLAGE LIFE WOMEN – LIFE-CYCLE EVENTS

RURAL WOMEN SPECIALISTS HEREDITARY MUSICIANS FAMILY LINE –PERFORM IN PUBLIC

MEN’S NON SPECIALISTS DRUMS, CYMBALS, HARMONIUM – HIGH ENERGY

HEREDITARY MUSICIANS OF RAJASTHAN PERFORM FOR PAY

RAJASTHAN MANY TRAVELING PROFESSIONALS LIVE THERE

BHAT CASTE GENEALOGISTS, RETELLING HISTORIES OF FAMILY LINES

BHANDS TRAVELING ACTORS

NAT TRAVELING ACROBATS WHO PLAY THE DHOL, LARGE BARREL-DRUM & TRUMPETS

SAPERAS SNAKE CHARMERS

BHOPAS ACT AS LOCAL PRIESTS – PLAY A BOWED INSTRUMENT, THE RAVANHATTHA

JOGI PLAY EKTAR (SINGLE STRING)- RENOUNCE THEIR LIFE AND MOVE FROM VILLAGE TO VILLAGE

LANGAS & MANGANIARS PROF. SING AT WEDDINGS, BIRTHS, ETC.

SINDHI SARANGI BOWED INSTRUMENT PLAYED BY LANGA MUSICIANS

GREAT AND SMALL SONGS PLAYED BY MANGANIARS AND LANGAS (CLASSICAL, LIFE-CYCLE)

DRUMMING MOSTLY IN KERALY, SOUTHWEST COAST

THE CHENDA DRUM ENSEMBLES – PROCESSIONS OF A DEITY

IDAKKA (HOUR-GLASS SHAPE) PRESSURE DRUM PLAYED AT REGULAR POINTS IN DAILY WORSHIP SERVICES

BHANGRA PUNJABI LOCAL DANCE – DHOL (DRUM) AND TUMBI (STRING) – DANCE CLUBS IN NY.

DEVOTIONAL MUSIC MUSIC IN RELIGIOUS SETTING

BHAKTI(POEM) DEVOTION – LOVE WITH THE DIVINE (KRISHNA, SHIVA) – SONG IS CALLED BHAJANS

SANTS PEOPLE WHO “KNOW THE SPIRITUAL TRUTH” – MIRA (WHO LOVED KRISHNA - #2 – SUNG BY LANGA)

KABIR NIRGUM BHAKTI SANTS – REAL TEACHER IS YOU – DEVOTION TO A DIVING THAT IS WITHOUT CHARACTERISTICS

KIRTAN “SUNG PRAISE” – TYPE OF HINDU DEVOTIONAL MUSIC – CHANT (CALL- AND-RESPONSE FORMAT)

SIKH KIRTAN “KIRTAN OF THE WORD” DEVOTIONAL SINGING OF POETRY IN SIKH HOLY BOOK

SUFI MUSIC OBJECT IS THE BELOVED – SPIRITUAL TEACHER = SHEIKH, OR PIR

QAWWALI ISLAMIC HEREDITARY MUSICIANS WHO SING AT SUFI SHRINES

GHAZALS RHYTHMIC POETRY IN URDU LANGUAGE

SIKH KIRTAN “KIRTAN OF THE WORD” DEVOTIONAL SINGING OF POETRY IN SIKH HOLY BOOK

QUAWWALI SINGERS STRONG VOICE, HANDCLAPS, STRONG RHYTHM, GOAL IS HAL(SPIRITUAL STATE OF MIND), RAQS (DANCE)

ABIDA PARVEEN BEST KNOWN SUFI SOLO SINGER IN PAKISTAN ( HARMONIUM AND TABLA) -#3

NUSRAT FATEH ALI KHAN SINGER OF QAWWALI SONGS – WORLD FAMOUS #3

SUFI MUSIC CATCH-ALL TERM FOR MUSIC DERIVED FROM OR INSPIRED BY SUFI POETRY

CLASSICAL MUSIC BASED ON CONCEPTS OF RAGA AND TALA

HINDUSTANI (NORTH) AND CARNATIC(SOUTH) CLASSICAL SYSTEMS

SANGITA SHASTRA MUSIC THEORY

RAGA MAIN MELODY OR SINGER

NOTATION SYSTEM USING SVARA SYLLABLES – TO TRIGGER MEMORY OF LEARNED PIECE

TALA INDIAN CLASSICAL SYSTEM OF RHYTHMIC CYCLES

USTAD AND PANDIT ‘MASTER MUSICIAN’

RAGA YAMAN #4 MOST WELL-KNOWN RAGAS OF HINDUSTANI MUSIC

RAGA YAMAN #4 GENRE = DHRUPAD – TAMBURA DRONE AND PAKHAVAJ DRUM

RAGA YAMAN #4 GUNDECHA BROTHERS DHRUPAD SINGERS INPRE-MODERN COURT OF N. INDIA MEN SINGERS, DESCENDING PHRASE TAMBURA DRONE LONG SUSTAINED NOTE – STRONG VOICE LEGENDARY SINGER, TANSEN

KYAL VOCAL GENRE OF HINDUSTANI CLASSICAL MUSIC FEMALE SINGERS MEANS “IMAGINATION” SPEAK OF LOVE SHORT – ONLY FEW LINES – STHAI AND ANTARA

HINDUSTANI INSTRUMENTAL MUSIC #5 DHRUPAD AND KYAL GENRE SINGER: USTAD ALI KHAN, AND PANDIT BANERJEE PLAYING RAGA MANJ KHAMMAJ DUET ON SAROD AND SITAR

SITAR AND SAROD #5 RESONATING STRINGS THAT VIBRATE VIBRANT SOUND, SUSTAINED NOTES PLAYERS ALTERNATE IN FREE-RHYTHM NON-COMPOSED SECTION OF THE RAGA CALLED ALAP ALAP=CONVERSATION

BOLLYWOOD HINDI-LANGUAGE FILM INDUSTRY ALAM ARA – 1 ST INDIAN SOUND FILM SONGS MIXTURE OF HINDI AND URDU PLAYBACK SINGERS = LIP-SYNCED K.L. SAIGAL – LEGENDARY SINGER HINDI FILM “DEVDAS” – LEAD ACTOR

BOLLYWOOD LATA MANGESHKAR = “MELODY QUEEN” – MOST FAMOUS PLAYBACK SINGER HIGH, THIN, VOICE – SISTER ASHA BHOSLE

ROMANCE SONG LARGEST SONG CATEGORY

INDUS CREED AND PARIKRAMA ROCK BANDS VERY LITTLE TRADITIONAL INDIAN INSTRUMENTATION MESSAGES OF SOCIAL CRITIQUE

BLUE FROG ALTERNATIVE AND NON- FILM MUSIC BASED IN MUMBAI