Independent variables: The Communications Components

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Presentation transcript:

Independent variables: The Communications Components The Persuasion Matrix Ch. 6 Independent variables: The Communications Components Dependent Variables Source Message Channel Receiver Destination Message presentation 2 Attention 4 Comprehension 1 Yielding 3 Retention Behavior

Promotional Planning Through The Persuasion Matrix Receiver/comprehension Can the receiver comprehend the ad? Channel/presentation Which media will increase presentation? Message/yielding What type of message will create favorable attitudes? Source/attention Who will be effective in getting consumers’ attention?

Source Attributes and Receiver Processing Modes Compliance Power Identification Attractiveness Internalization Credibility

The extend to which the source is seen as having: Source Credibility The extend to which the source is seen as having: Knowledge Skill Expertise And the source is perceived as being: Trustworthy Unbiased Objective

Dell Computer uses its founder and CEO as an advertising spokesperson

XM-Radio Spokesperson: Willie Nelson Is he a good spokesperson? Depends on the product. . .

Source Attractiveness Similarity Resemblance between the source and recipient of the message Familiarity Knowledge of the source through repeated or prolonged exposure Likeability Affection for the source resulting from physical appearance, behavior, or other personal traits

The Use of Celebrities Endorsements Testimonials Dramatizations The celebrity, whether an expert or not, merely agrees to the use of his or her name and image in the promotion of the product. Testimonials The celebrity, usually an expert with experience with the product, attests to its value and worth. Dramatizations Celebrity actors or models portray the brand in use during dramatic enactments designed to show the goods.

Pepsi used pop star Brittany Spears as an endorser for several years

Risks of Using Celebrities The celebrity may overshadow the product The celebrity may be overexposed which reduces his or her credibility The target audience may not be receptive to celebrity endorsers The celebrity’s behavior may pose a risk to the company

Pony used an athlete with a controversial image in this ad

Meaning Movement and the Celebrity Endorsement Process Stage 1 Role 3 Role 2 Objects Persons Context Role 1 Celebrity Stage 2 Product Celebrity Stage 3 Consumer Product

Lance Armstrong’s image helps assign meaning to Power Bar

Message Factors Message Structure Order of presentation (primacy vs. recency) Conclusion Drawing (open vs. closed end) Message sidedness (one vs. two-sided) Refutation Verbal vs. visual

Message Recall and Presentation Order Beginning Middle End

Message Factors Message Appeals Comparative Advertising Fear Appeals Humor Appeals

Sorrell Ridge uses a comparative ad Consumers dislike them Perceive them to be untrustworthy However, they work.

Fear Appeals and Message Acceptance Facilitating effects Resultant nonmonotonic curve Acceptance Level of fear Rejection Inhibiting effects

Pros and Cons of Using Humor Advantages Aids attention and awareness May aid retention of the message Creates a positive mood and enhances persuasion May aid name and simple copy registration May serve as a distracter and reduce the level of counterarguing Disadvantages Does not aid persuasion in general May harm recall and comprehension May harm complex copy registration Does not aid source credibility Is not effective in bringing about sales May wear out faster

Use of Humor FAVORABLE TOWARD HUMOR Creative personnel Radio and television Consumer non-durables Business services Products related to the humorous ploy Audiences that are: Younger Better educated Up-scale Male Professional UNFAVORABLE TOWARD HUMOR Research directors Direct mail, newspapers Corporate advertising Industrial products Goods or services of a sensitive nature Audiences that are: Older Less educated Down-scale Female Semi- or Unskilled

Channel Factors Personal versus nonpersonal channels Effects of alternative mass media Externally paced media (broadcast) Internally paced media (print, direct mail, Internet) Effects of Context and Environment Qualitative media effect Media environment (mood states) Clutter