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Questions based on The Music Teachers’ of California Certificate of Merit 2007 Keyboard Syllabus ©Copyright 2008 "Certificate of Merit™ is an evaluation.

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Presentation on theme: "Questions based on The Music Teachers’ of California Certificate of Merit 2007 Keyboard Syllabus ©Copyright 2008 "Certificate of Merit™ is an evaluation."— Presentation transcript:

1 Questions based on The Music Teachers’ of California Certificate of Merit 2007 Keyboard Syllabus ©Copyright 2008 "Certificate of Merit™ is an evaluation program of the Music Teachers' Association of California. Reference to 'Certificate of Merit™' (CM) does not imply endorsement by MTAC of this product.“

2  a.) very fast  b.) expressively  c.) lightly, delicately  d.) sadly, sorrowfully

3  a.) a IV chord followed by a I chord  b.) a V or V7 chord followed by a I chord  c.) a chord followed by a V or V7 chord  d.) a V, (sometimes IV) chord followed by a vi chord

4  a.) Harmonic structure easily recognizable  b.) Polyphonic Texture  c.) Terraced Dynamics  d.) both b and c

5  a.) when a piece of music is played or written in a key that is different from the original  b.) when a musical composition changes from the original key to another key, and remains in the new key for a reasonable amount of time  c.) a momentary contradiction of the meter or pulse, often by changing strong and weak beats within a measure  d.) none of the above

6 a. merrily; with humor b. Fast c. gradually louder d. gently

7 a. imitation b. repetition c. canon d. sequence

8 a. baroque b. classical c. romantic d. impressionist

9 Set One

10 a. Girolamo Frescobaldi b. Antonin Dvorak c. Sergei Prokofiev d. Claude Debussy

11  1. The Ionian mode is a scale with a) half steps between 2-3 and 5-6 b) half steps between 1-2 and 6-7 c) half steps between 4-5 and 7-8 d) half steps between 3-4 and 7-8

12  2. Which of the following is not one of the movements of a Baroque Suite a) Allemande b) Development c) Gigue d) Sarabande

13  4) The courante is a) a dance in moderate 4/4 time with a short upbeat, and running figures in a semi- contrapuntal texture b) a French dance in 3/2 or 6/4 time, using hemiola; texture is free counterpoint with a shifting melody c) dance with a slow triple meter and dignified style, often with an accented or long note on the second beat d) dance in compound duple meter, with dotted rhythms and large intervals

14  5) The standard order of a Baroque Suite is a) Gigue, Courante, Sarabande, Optional Dance(s), Allemande b) Sarabande, Gigue, Courante, Allemande, Optional Dance(s) c) Allemande, Courante, Sarabande, Optional Dance(s), Gigue d) Allemande, Sarabande, Courante, Optional Dance(s), Gigue

15  a. Girolamo Frescobaldi b. Antonin Dvorak c. Sergei Prokofiev d. George Gershwin

16  4. What is one of the characeristics of the Baroque Period? a. terraced dynamics b. polyphonic texture c. Alberti Bass

17  A: hold  B: repeat  C: return to the original tempo  D: play short and detached

18  A: 5 th  B: 6 th  C: 7 th  D: 8 th or Octave

19  A: Half  B: Authentic  C: Plagal  C: Primary

20  A: Name the next to last sharp  B: Name last sharp, then go down a half step  C: Name next to last sharp, then go up a half step  D: Name last sharp, then go up a half step to the next letter

21  A: I, IV, V  B: ii, iii, vi, vii  C: I, VI, V  D: i, iv, V

22  A: Natural  B: Harmonic  C: Melodic  D: Chromatic

23  A: g  B: db  C: d  D: gb

24  A: Go down 3 half steps  B: Go down 3 whole steps  C: Go up 3 whole steps  D: Go up 3 half steps

25  A: Submediant  B: Mediant  C: Leading tone  D: Supertonic

26  A: Trill  B: Mordent  C: Appoggiatura  D: Turn

27  A: Harmonic notes  B: Enharmonic notes  C: Chromatic half steps  D: Diatonic half steps

28  A: i, IV, V  B: i, iv, V  C: I, IV, V  D: I, vi, V

29  A: Fiery  B: Sadly  C: Moderately  D: Broadening

30  A: 8  B: 16  C: 12  D: 32

31  A: Sonata/Allegro Form  B: Binary Form  C: Ternary Form  D: Rondo Form

32 Set Two

33  A: Hold  B: Repeat  C: Return to the original tempo  D: Play short and detached

34  A: Treble clef  B: Octave higher  C: Octave lower  D: 1 st and 2 nd ending

35  A: 1  B: 2  C: 4  D: 1/2

36  A: Allegretto  B: Vivace  C: Allegro  D: Andantino

37  A: 4 th  B: 6 th  C: 5 th  D: 8 th

38  A: Progressions  B: Inversions  C: Roman numerals  D: Cadences

39  A: Molto  B: Poco  C: Spiritoso  D: Scherzando

40  A: Augmented  B: Minor  C: Diminished  D: Perfect

41  A: E  B: Ab  C: Db  D: Bb

42  A: 1 e&a  B: 1e& a  C: 1&a 2e&a  D: 1e &a

43  A: Submediant  B: Mediant  C: Leading tone  D: Supertonic

44  A: Ostinato  B: Alberti Bass  C: Waltz Bass  D: Walking Bass

45  A: Pui  B: Sempre  C: Simile  D: Senza

46  A: Telemann  B: Couperin  C: Shostakovitch  D: Purcell

47  A: More emotional  B: More complex harmonies  C: Lyric melodies  D: Sonata Form

48 Set Three

49  A: Tenuto  B: Accent  C: Slur  D: Tie

50  A: 2 nd  B: 3 rd  C: 4 th  D: 5 th

51  A: Root, 3 rd & 5 th  B: 1 st, 3 rd & 5 th  C: I, IV, V  D: Root, 1 st & 2 nd

52  A: 2  B: 3  C: 4  D: 6

53  A: 1 e&  B: 1e & a  C: 1 e& a  D: 1 e &a

54  A: c minor  B: bb minor  C: e minor  D: d minor

55  A: B#  B: C#  C: F#  D: E#

56  A: Motive  B: Repetition  C: Imitation  D: Sequence

57  A: dolce  B: Cantabile  C: Espressivo  D: Giocoso

58  A: 1 st  B: 3 rd  C: 5 th  D: 7th

59  A: Chopin  B: Grieg  C: Schumann  D: Mozart

60  A: Double Flat  B: Double Sharp  C: Bb  D: B Section

61  A: Meno  B: Pesante  C: Marcato  D: Allargando

62  A: Pui  B: Sempre  C: Senza  D: Simile

63  A: Tonic  B: Dominant  C: Relative Minor  D: A Related Key

64 Set Four

65  A: Bar Line  B: Measure  C: Grand Staff  D: Treble Clef

66  A: Diminuendo  B: Decrescendo  C: Crescendo  D: Ritardando

67  A: F Major  B: G Major  C: E Major  C: D Major

68  A: Double Flat  B: Double Sharp  C: Loud, then immediately soft  D: A sudden loud accent

69  A: Natural  B: Harmonic  C: Melodic  D: Pentatonic

70  A: f minor  B: bb minor  C: b minor  D: f# minor

71  A: Leading tone  B: Dominant  C: Mediant  D: Tonic

72  A: Trill  B: Mordent  C: Appoggiatura  D: Turn

73  A: Espressivo  B: Spiritoso  C: Leggerio  D: Arpeggio

74  A: Trill  B: Mordent  C: Appoggiatura  D: Turn

75  A: Leading Tone  B: Dominant  C: Mediant  D: Tonic

76  A: ii, III+, VI, vii (need degree signs)  B: II+, iii, vi, vii  C: II, III, VI, VII  D: ii, iii, vi, vii (need degree signs)

77  A: gb minor  B: f# minor  C: c minor  D: f minor

78  A: Pui  B: Sempre  C: Simile  D: Senza

79  A: Polyphonic texture  B: Ornamentation  C: Figured Bass  D: Alberti Bass

80 Set Five

81  A: Tenuto  B: Accent  C: Slur  D: Tie

82  A: Tenuto  B: Accent  C: Slur  D: Tie

83  A: 2  B: 3  C: 4  D: 5

84  A: F Major  B: G Major  C: E Major  D: D Major

85  A: 2  B: 3  C: 4  D: 5

86  A: fcgdaeb  B: beadgcf  C: gcfbead  D: facegbd

87  A: Eb Major  B: E Major  C: Bb Major  D: B Major

88  A: (need rests)  B: (8 th )  C: (16 th )  D: (half)

89  A: Ab Major  B: Eb Major  C: A Major  D: E Major

90  A: Quickly before the beat  B: Crushed on the beat  C: on the beat, give ½ the value of the main note to the small note  D: After the beat

91  A: I, IV, V  B: ii, iii, vi, vii (need degree sign)  C: i, iv, V  D: ii, iii+, VI, vii (need 2 degree signs)

92  A: Half  B: Authentic  C: Plagal  D: Deceptive

93  A: Polyphonic  B: Homophonic  C: Repetition  D: Sequence

94 A: con moto B: con pedal C: con fuoco D: con anima

95  A: Irregular rhythms  B: Lyric melodies  C: Polythonality  D: Quartal Harmony

96 Set Six

97  A: 2 nd  B: 3 rd  C: 4 th  D: 5th

98  A: G Major  B: C Major  C: F Major  D: D Major

99  A: Tenuto  B: Accent  C: Slur  D: Tie

100  A: Whole note  B: Quarter note  C: Half note  D: 8 th note

101  A: Alle breve  B: Vivace  C: Quick time  D: Common time

102  A: Molto  B: Poco  C: Spiritoso  D: Scherzando

103  A: Minor  B: Major  C: Augmented  D: Diminished

104  A: Allegretto  B: Andante  C: Moderato  D: Andantino

105  A: Bach  B: Handel  C: Clementi  D: Scarlatti

106  A: the Root  B: the 3 rd  C: the 5 th  D: the 7th

107  A: a little louder  B: loud, with pedal  C: Loud, then immediately soft  D: A sudden strong accent

108  A: Sku Code  B: Bar Code  C: Dewey Decimal  D: Opus

109  A: Doloroso  B: Marcato  C: Meno mosso  D: Pesante

110  A: Accelerando  B: meno mosso  C: animato  D: pui mosso

111  A: Quartal Harmony  B: Bi-tonality  C: Major & Minor Keys  D: Atonality

112 Set Seven

113  A: Hold the note longer  B: Repeat the note  C: Stress the note  D: Play the note short with an upstroke

114  A: Crescendo, cresc.  B: Diminuendo, dim.  C: Decrescendo, decresc.  D: Ritardando, ritard., rit.

115  A: C, F, G  B: D, A, E  C: Db, Ab, Eb  E: Bb, B, F#

116  A: repetition  B: Sequence  C: Imitation  D: D.C. al fine

117  A: D Major  B: A Major  C: E Major  D: F# Major

118  A: Half Cadence  B: Authentic Cadence  C: Plagal Cadence  D: Deceptive Cadence

119  A: 2 nd  B: 3 rd  C: 6 th  D: 5 th

120  A: 4  B: 8  C: 12  D: 16

121  A: A# Major  B: B Major  C: F# Major  D: C# Major

122  A: Moderato  B: Allegro  C: Andantino  D: Vivace

123  A: Organ  B: Harpisichord  C: Piano  D: Clavichord

124  A: Irregular Meter  B: Syncopation  C: Hemiola  D: Jazzy

125  A: Bartok  B: Kabalevsky  C: Schubert  D: Prokofiev

126  A: Slowly  B: Sadly  C: Expressively  D: Deeply

127  A: Tonic Key  B: Dominant Key  C: Relative Major or Minor  D: Parallel Key

128 Set Eight

129  A: Hold  B: Repeat  C: Return to the beginning and play to “fine”.  D: The End

130  A: Half note  B: Quarter note  C: Eight note  D: Whole note

131  A: 5 th  B: 6 th  C: 7 th  D: 8 th or Octave

132  A: C Major  B: F Major  C: G Major  D: Bb

133  A: fcgdaeb  B: beadgcf  C: gbdface  D: facegbd

134  A: Go up 3 half steps  B: Go down 3 whole steps  C: Go down 3 half steps  D: Go up 3 whole steps

135  A: Dolce  B: Cantabile  C: Expressivo  D: Giocoso

136  A: tre corda  B: senza pedal  C: una corda  D: con pedal

137  A: Submediant  B: Mediant  C: Leading tone  D: Supertonic

138  A: Sadly  B: Tranquilly  C: Largely  D: Somewhat Slowly

139  A: Trill  B: Mordent  C: Appoggiatura  D: Turn

140  A: Transposition  B: Composition  C: Modulation  D: Progression

141  A: Rallentando  B: Accelerando  C: Ritenuto  D: Ritardando

142  A: Doloroso  B: Sostenuto  C: Marcato  D: Expressivo

143  A: Homophonic texture  B: Sonata/ Allegro form  C: Figured Bass  D: Alberti Bass

144 Set Nine

145  A: Bar line  B: Measure  C: Grand Staff  D: Clef sign

146  A: F Major  B: G Major  C: E Major  D: D Major

147  A: Alle breve  B: Common Time  C: Cut Time  D: Irregular Meter

148  A: Half note  B: Quarter note  C: Eighth note  D: Sixteenth note

149  A: Motive (motif)  B: Imitation  C: Sequence  D: Repetition

150  A: Half note  B: Quarter note  C: Eighth note  D: Whole note

151  A: Submediant  B: Subdominant  C: Leading tone  D: Supertonic

152  A: Leading tone  B: Dominant  C: Mediant  D: Tonic

153  A: 8 th rest  B: 16 th rest  C: 32 nd rest  D: 64 th rest

154  A: Eb Major  B: Ab Major  C: Bb Major  D: Gb Major

155  A: Gb Major  B: Cb Major  C: Db Major  D: Ab Major

156  A: Mozart  B: Clementi  C: Kabalevsky  D: Haydn

157  A: Double Flat  B: Double Sharp  C: Cancels an accidental  D: Optional note

158  A: Augmented  B: Minor  C: Diminished  D: Perfect

159  A: Exposition  B: Development  C: Coda  D: Recapitulation

160 Set Ten

161  A: Bar line  B: Measure  C: Grand Staff  D: Bass Clef

162  A: Octave Higher  B: Octave Lower  1 st Ending  2 nd Ending

163  A: Half Cadence  B: Authentic Cadence  C: Plagal Cadence  D: Primary Cadence

164  A: 32 nd Note  B: Quarter Note  C: 16 th Note  D: 8 th Note

165

166  A: Tre corda  B: Ped. *  C: Una corda  D: Senza pedal

167  A: Gb  B: Cb  C: Db  D: Eb

168  A: Modulation  B: Transposition  C: Syncopation  D: Composition

169  A: Senza  B: Simile  C: Animato  D: Subito

170  A: B Major  B: C# Major  C: F# Major  D: G# Major

171  A: needs dotted 8 th /16 th notes and counts.  B:  C:  D:

172  A: Raise the 5 th  B: Raise the 3 rd and 5 th  C: Lower the 5th  D: Lower the 3 rd and 5 th

173  A: Purcell  B: Tchaikowsky  C: Schubert  D: Grieg

174  A: Dolce  B: Cantabile  C: Espressivo  D: Giocoso

175  A: V7  B: V6/5  C: V4/3  D: V2

176 Set Eleven

177  A: Major 2 nd  B: Major 3 rd  C: Perfect 4 th  D: Perfect 5th

178  A: Trouble clef  B: Bass clef  C: Tenor clef  D: Treble clef

179  A: Perfect 5 th  B: Major 6 th  C: Major 7 th  D: Perfect 8th

180  A: 1  B: 2  C: 4  D: 8

181  A: Moderato  B: Adagio  C: Andantino  D: Andante

182  A: Repetition  B: Sequence  C: D.C. al Fine  D: Imitation

183  A: Una corda  B: Tre corda  C: Ped. *  D: Senza Pedal

184  A: Eb Major  B: Bb Major  C: Db Major  D: Fb Major

185  A: Polyphonic  B: Homophonic  C: Stereophonic  D: Imitation

186  A: Lower the 3 rd  B: Lower the 5 th  C: Lower the 3 rd & 5 th  D: Raise the 5 th

187  A: Dolce  B: Cantabile  C: Espressivo  D: Giocoso

188  A: Con ped.  B: Con brio  C: Con moto  D: Con anima

189  A: A Major  B: Ab Major  C: D Major  D: Db Major

190  A: Kabalevsky  B: Tcherepnin  C: Prokofiev  D: Schumann

191  A: Pui  B: Sempre  C: Simile  D: Meno


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