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Questions based on The Music Teachers’ of California Certificate of Merit 2007 Keyboard Syllabus ©Copyright 2008 "Certificate of Merit™ is an evaluation program of the Music Teachers' Association of California. Reference to 'Certificate of Merit™' (CM) does not imply endorsement by MTAC of this product.“
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a.) very fast b.) expressively c.) lightly, delicately d.) sadly, sorrowfully
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a.) a IV chord followed by a I chord b.) a V or V7 chord followed by a I chord c.) a chord followed by a V or V7 chord d.) a V, (sometimes IV) chord followed by a vi chord
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a.) Harmonic structure easily recognizable b.) Polyphonic Texture c.) Terraced Dynamics d.) both b and c
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a.) when a piece of music is played or written in a key that is different from the original b.) when a musical composition changes from the original key to another key, and remains in the new key for a reasonable amount of time c.) a momentary contradiction of the meter or pulse, often by changing strong and weak beats within a measure d.) none of the above
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a. merrily; with humor b. Fast c. gradually louder d. gently
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a. imitation b. repetition c. canon d. sequence
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a. baroque b. classical c. romantic d. impressionist
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Set One
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a. Girolamo Frescobaldi b. Antonin Dvorak c. Sergei Prokofiev d. Claude Debussy
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1. The Ionian mode is a scale with a) half steps between 2-3 and 5-6 b) half steps between 1-2 and 6-7 c) half steps between 4-5 and 7-8 d) half steps between 3-4 and 7-8
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2. Which of the following is not one of the movements of a Baroque Suite a) Allemande b) Development c) Gigue d) Sarabande
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4) The courante is a) a dance in moderate 4/4 time with a short upbeat, and running figures in a semi- contrapuntal texture b) a French dance in 3/2 or 6/4 time, using hemiola; texture is free counterpoint with a shifting melody c) dance with a slow triple meter and dignified style, often with an accented or long note on the second beat d) dance in compound duple meter, with dotted rhythms and large intervals
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5) The standard order of a Baroque Suite is a) Gigue, Courante, Sarabande, Optional Dance(s), Allemande b) Sarabande, Gigue, Courante, Allemande, Optional Dance(s) c) Allemande, Courante, Sarabande, Optional Dance(s), Gigue d) Allemande, Sarabande, Courante, Optional Dance(s), Gigue
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a. Girolamo Frescobaldi b. Antonin Dvorak c. Sergei Prokofiev d. George Gershwin
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4. What is one of the characeristics of the Baroque Period? a. terraced dynamics b. polyphonic texture c. Alberti Bass
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A: hold B: repeat C: return to the original tempo D: play short and detached
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A: 5 th B: 6 th C: 7 th D: 8 th or Octave
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A: Half B: Authentic C: Plagal C: Primary
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A: Name the next to last sharp B: Name last sharp, then go down a half step C: Name next to last sharp, then go up a half step D: Name last sharp, then go up a half step to the next letter
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A: I, IV, V B: ii, iii, vi, vii C: I, VI, V D: i, iv, V
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A: Natural B: Harmonic C: Melodic D: Chromatic
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A: g B: db C: d D: gb
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A: Go down 3 half steps B: Go down 3 whole steps C: Go up 3 whole steps D: Go up 3 half steps
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A: Submediant B: Mediant C: Leading tone D: Supertonic
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A: Trill B: Mordent C: Appoggiatura D: Turn
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A: Harmonic notes B: Enharmonic notes C: Chromatic half steps D: Diatonic half steps
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A: i, IV, V B: i, iv, V C: I, IV, V D: I, vi, V
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A: Fiery B: Sadly C: Moderately D: Broadening
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A: 8 B: 16 C: 12 D: 32
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A: Sonata/Allegro Form B: Binary Form C: Ternary Form D: Rondo Form
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Set Two
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A: Hold B: Repeat C: Return to the original tempo D: Play short and detached
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A: Treble clef B: Octave higher C: Octave lower D: 1 st and 2 nd ending
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A: 1 B: 2 C: 4 D: 1/2
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A: Allegretto B: Vivace C: Allegro D: Andantino
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A: 4 th B: 6 th C: 5 th D: 8 th
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A: Progressions B: Inversions C: Roman numerals D: Cadences
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A: Molto B: Poco C: Spiritoso D: Scherzando
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A: Augmented B: Minor C: Diminished D: Perfect
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A: E B: Ab C: Db D: Bb
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A: 1 e&a B: 1e& a C: 1&a 2e&a D: 1e &a
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A: Submediant B: Mediant C: Leading tone D: Supertonic
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A: Ostinato B: Alberti Bass C: Waltz Bass D: Walking Bass
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A: Pui B: Sempre C: Simile D: Senza
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A: Telemann B: Couperin C: Shostakovitch D: Purcell
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A: More emotional B: More complex harmonies C: Lyric melodies D: Sonata Form
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Set Three
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A: Tenuto B: Accent C: Slur D: Tie
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A: 2 nd B: 3 rd C: 4 th D: 5 th
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A: Root, 3 rd & 5 th B: 1 st, 3 rd & 5 th C: I, IV, V D: Root, 1 st & 2 nd
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A: 2 B: 3 C: 4 D: 6
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A: 1 e& B: 1e & a C: 1 e& a D: 1 e &a
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A: c minor B: bb minor C: e minor D: d minor
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A: B# B: C# C: F# D: E#
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A: Motive B: Repetition C: Imitation D: Sequence
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A: dolce B: Cantabile C: Espressivo D: Giocoso
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A: 1 st B: 3 rd C: 5 th D: 7th
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A: Chopin B: Grieg C: Schumann D: Mozart
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A: Double Flat B: Double Sharp C: Bb D: B Section
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A: Meno B: Pesante C: Marcato D: Allargando
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A: Pui B: Sempre C: Senza D: Simile
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A: Tonic B: Dominant C: Relative Minor D: A Related Key
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Set Four
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A: Bar Line B: Measure C: Grand Staff D: Treble Clef
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A: Diminuendo B: Decrescendo C: Crescendo D: Ritardando
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A: F Major B: G Major C: E Major C: D Major
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A: Double Flat B: Double Sharp C: Loud, then immediately soft D: A sudden loud accent
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A: Natural B: Harmonic C: Melodic D: Pentatonic
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A: f minor B: bb minor C: b minor D: f# minor
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A: Leading tone B: Dominant C: Mediant D: Tonic
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A: Trill B: Mordent C: Appoggiatura D: Turn
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A: Espressivo B: Spiritoso C: Leggerio D: Arpeggio
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A: Trill B: Mordent C: Appoggiatura D: Turn
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A: Leading Tone B: Dominant C: Mediant D: Tonic
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A: ii, III+, VI, vii (need degree signs) B: II+, iii, vi, vii C: II, III, VI, VII D: ii, iii, vi, vii (need degree signs)
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A: gb minor B: f# minor C: c minor D: f minor
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A: Pui B: Sempre C: Simile D: Senza
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A: Polyphonic texture B: Ornamentation C: Figured Bass D: Alberti Bass
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Set Five
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A: Tenuto B: Accent C: Slur D: Tie
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A: Tenuto B: Accent C: Slur D: Tie
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A: 2 B: 3 C: 4 D: 5
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A: F Major B: G Major C: E Major D: D Major
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A: 2 B: 3 C: 4 D: 5
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A: fcgdaeb B: beadgcf C: gcfbead D: facegbd
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A: Eb Major B: E Major C: Bb Major D: B Major
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A: (need rests) B: (8 th ) C: (16 th ) D: (half)
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A: Ab Major B: Eb Major C: A Major D: E Major
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A: Quickly before the beat B: Crushed on the beat C: on the beat, give ½ the value of the main note to the small note D: After the beat
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A: I, IV, V B: ii, iii, vi, vii (need degree sign) C: i, iv, V D: ii, iii+, VI, vii (need 2 degree signs)
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A: Half B: Authentic C: Plagal D: Deceptive
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A: Polyphonic B: Homophonic C: Repetition D: Sequence
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A: con moto B: con pedal C: con fuoco D: con anima
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A: Irregular rhythms B: Lyric melodies C: Polythonality D: Quartal Harmony
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Set Six
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A: 2 nd B: 3 rd C: 4 th D: 5th
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A: G Major B: C Major C: F Major D: D Major
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A: Tenuto B: Accent C: Slur D: Tie
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A: Whole note B: Quarter note C: Half note D: 8 th note
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A: Alle breve B: Vivace C: Quick time D: Common time
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A: Molto B: Poco C: Spiritoso D: Scherzando
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A: Minor B: Major C: Augmented D: Diminished
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A: Allegretto B: Andante C: Moderato D: Andantino
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A: Bach B: Handel C: Clementi D: Scarlatti
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A: the Root B: the 3 rd C: the 5 th D: the 7th
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A: a little louder B: loud, with pedal C: Loud, then immediately soft D: A sudden strong accent
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A: Sku Code B: Bar Code C: Dewey Decimal D: Opus
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A: Doloroso B: Marcato C: Meno mosso D: Pesante
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A: Accelerando B: meno mosso C: animato D: pui mosso
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A: Quartal Harmony B: Bi-tonality C: Major & Minor Keys D: Atonality
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Set Seven
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A: Hold the note longer B: Repeat the note C: Stress the note D: Play the note short with an upstroke
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A: Crescendo, cresc. B: Diminuendo, dim. C: Decrescendo, decresc. D: Ritardando, ritard., rit.
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A: C, F, G B: D, A, E C: Db, Ab, Eb E: Bb, B, F#
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A: repetition B: Sequence C: Imitation D: D.C. al fine
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A: D Major B: A Major C: E Major D: F# Major
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A: Half Cadence B: Authentic Cadence C: Plagal Cadence D: Deceptive Cadence
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A: 2 nd B: 3 rd C: 6 th D: 5 th
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A: 4 B: 8 C: 12 D: 16
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A: A# Major B: B Major C: F# Major D: C# Major
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A: Moderato B: Allegro C: Andantino D: Vivace
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A: Organ B: Harpisichord C: Piano D: Clavichord
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A: Irregular Meter B: Syncopation C: Hemiola D: Jazzy
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A: Bartok B: Kabalevsky C: Schubert D: Prokofiev
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A: Slowly B: Sadly C: Expressively D: Deeply
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A: Tonic Key B: Dominant Key C: Relative Major or Minor D: Parallel Key
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Set Eight
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A: Hold B: Repeat C: Return to the beginning and play to “fine”. D: The End
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A: Half note B: Quarter note C: Eight note D: Whole note
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A: 5 th B: 6 th C: 7 th D: 8 th or Octave
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A: C Major B: F Major C: G Major D: Bb
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A: fcgdaeb B: beadgcf C: gbdface D: facegbd
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A: Go up 3 half steps B: Go down 3 whole steps C: Go down 3 half steps D: Go up 3 whole steps
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A: Dolce B: Cantabile C: Expressivo D: Giocoso
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A: tre corda B: senza pedal C: una corda D: con pedal
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A: Submediant B: Mediant C: Leading tone D: Supertonic
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A: Sadly B: Tranquilly C: Largely D: Somewhat Slowly
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A: Trill B: Mordent C: Appoggiatura D: Turn
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A: Transposition B: Composition C: Modulation D: Progression
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A: Rallentando B: Accelerando C: Ritenuto D: Ritardando
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A: Doloroso B: Sostenuto C: Marcato D: Expressivo
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A: Homophonic texture B: Sonata/ Allegro form C: Figured Bass D: Alberti Bass
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Set Nine
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A: Bar line B: Measure C: Grand Staff D: Clef sign
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A: F Major B: G Major C: E Major D: D Major
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A: Alle breve B: Common Time C: Cut Time D: Irregular Meter
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A: Half note B: Quarter note C: Eighth note D: Sixteenth note
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A: Motive (motif) B: Imitation C: Sequence D: Repetition
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A: Half note B: Quarter note C: Eighth note D: Whole note
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A: Submediant B: Subdominant C: Leading tone D: Supertonic
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A: Leading tone B: Dominant C: Mediant D: Tonic
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A: 8 th rest B: 16 th rest C: 32 nd rest D: 64 th rest
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A: Eb Major B: Ab Major C: Bb Major D: Gb Major
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A: Gb Major B: Cb Major C: Db Major D: Ab Major
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A: Mozart B: Clementi C: Kabalevsky D: Haydn
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A: Double Flat B: Double Sharp C: Cancels an accidental D: Optional note
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A: Augmented B: Minor C: Diminished D: Perfect
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A: Exposition B: Development C: Coda D: Recapitulation
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Set Ten
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A: Bar line B: Measure C: Grand Staff D: Bass Clef
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A: Octave Higher B: Octave Lower 1 st Ending 2 nd Ending
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A: Half Cadence B: Authentic Cadence C: Plagal Cadence D: Primary Cadence
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A: 32 nd Note B: Quarter Note C: 16 th Note D: 8 th Note
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A: Tre corda B: Ped. * C: Una corda D: Senza pedal
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A: Gb B: Cb C: Db D: Eb
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A: Modulation B: Transposition C: Syncopation D: Composition
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A: Senza B: Simile C: Animato D: Subito
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A: B Major B: C# Major C: F# Major D: G# Major
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A: needs dotted 8 th /16 th notes and counts. B: C: D:
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A: Raise the 5 th B: Raise the 3 rd and 5 th C: Lower the 5th D: Lower the 3 rd and 5 th
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A: Purcell B: Tchaikowsky C: Schubert D: Grieg
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A: Dolce B: Cantabile C: Espressivo D: Giocoso
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A: V7 B: V6/5 C: V4/3 D: V2
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Set Eleven
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A: Major 2 nd B: Major 3 rd C: Perfect 4 th D: Perfect 5th
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A: Trouble clef B: Bass clef C: Tenor clef D: Treble clef
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A: Perfect 5 th B: Major 6 th C: Major 7 th D: Perfect 8th
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A: 1 B: 2 C: 4 D: 8
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A: Moderato B: Adagio C: Andantino D: Andante
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A: Repetition B: Sequence C: D.C. al Fine D: Imitation
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A: Una corda B: Tre corda C: Ped. * D: Senza Pedal
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A: Eb Major B: Bb Major C: Db Major D: Fb Major
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A: Polyphonic B: Homophonic C: Stereophonic D: Imitation
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A: Lower the 3 rd B: Lower the 5 th C: Lower the 3 rd & 5 th D: Raise the 5 th
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A: Dolce B: Cantabile C: Espressivo D: Giocoso
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A: Con ped. B: Con brio C: Con moto D: Con anima
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A: A Major B: Ab Major C: D Major D: Db Major
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A: Kabalevsky B: Tcherepnin C: Prokofiev D: Schumann
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A: Pui B: Sempre C: Simile D: Meno
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