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Chapter 36: Rock Rock: Music of Rebellion. Antecedents of Rock Rhythm and Blues – Descended from a laid-back, riff-based bluesy swing – Small rhythm section.

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Presentation on theme: "Chapter 36: Rock Rock: Music of Rebellion. Antecedents of Rock Rhythm and Blues – Descended from a laid-back, riff-based bluesy swing – Small rhythm section."— Presentation transcript:

1 Chapter 36: Rock Rock: Music of Rebellion

2 Antecedents of Rock Rhythm and Blues – Descended from a laid-back, riff-based bluesy swing – Small rhythm section (piano, guitar, bass, and drums) accompany a few saxophones and other “horns” – Unambiguous duple meter – 12-bar blues over a walking bass style called boogie woogie

3 Rock and Roll Term coined by pioneering radio disk jockey Alan Freed (1921-1965) Music disseminated through radio broadcasts Freed’s broadcast’s were replayed in Europe “Rocking and Rolling”: old nautical term referring to the motion of boats – Term applied to movements during religious ecstasy and dance

4 Elvis Presley (1935-1977) – Career began performing “hillbilly music,” singing gospel music in church, and listening to blues and jazz in the black neighborhood of Memphis – Combined genres of indigenous American black and white rural music – 149 songs appeared on Billboard’s “Hot 100 Pop Chart” – 1956 recording and TV performance of “Hound Dog” – Movie roles Buddy Holly (and the Crickets) – 12-bar blues without the blue notes – Twangy guitar strumming and snareless locomotive drumming Pat Boone, “Fats” Domino, “Little Richard” Penniman

5 Rock The Beatles (1960-1970): John Lennon, Paul McCartney, George Harrison, Ringo Starr – Performance on The Ed Sullivan Show February 9, 1964 had profound effect on music and culture – Developed an unprecedented ability to create original, fresh sounds with radical experimentation in both songwriting and studio recording – Thematically unified concept album: Sgt. Pepper’s Lonely Hearts Club Band

6 British Invasion The Rolling Stones, Led Zeppelin, The Who, Cream Harder edge Lengthy instrumental improvisations Guitar Riff: An improvisatory flourish that becomes a motive Rhythmic ostinato – The Stone’s “I Can’t Get No Satisfaction” (1965) Use of 12-bar blues – Cream’s “Crossroads” (1969) Jimi Hendrix (1942-1970): The most original, influential rock guitarist – Wide range in harmonic variety – Expanded range of the amplified guitar, creating an assortment of noises, vocal effects, and electronic sounds

7 Soul, Motown, and Funk Stemmed from the political, social, and economical circumstances of black American during the 1950’s and 1960’s Motown – Stax record label (Memphis) – Motown Records (Detroit) founded by Berry Gordy – Martha and the Vandellas, The Supremes, The Temptations, the Four Tops Soul – Gospel-rooted style – Musical complexity found in the arrangements and musicianship – Spontaneity and improvisation in live performances – Ray Charles

8 Funk – Invented by “Godfather of Soul” James Brown – Blend of soul, jazz, and R&B – Brought black Pentecostal preaching, shouting, and freec conversational manner to pop music

9 Punk and New Wave Punk Rock – Highly politicized style, mid-1970’s – Fast, hard-edged music with short, simple songs – Musical escapism with a self-destructive and nihilistic approach – Basic verse-and-chorus form of earlier pop – Crude amplified sounds, fast driving rhythms, unassuming timbres, simple harmonies – The Ramones (1976), the Sex Pistols (1977) – The Clash combined punk aesthetic with Jamaican music (1979) – Helped renovate rock back to its working-class, garage band roots

10 Metal Introduction of the powerchord by the Kinks in “You Really Got Me” and “All the Day and All the Night” – Triad lacking the major or minor third Sliding of chords along the neck of the instrument in parallet motion Early 1970’s: Louder, chordal sound and high volume Surrealistic themes, paranoid delusions, and dark, dreary subjects; Adolescent angst Deep Purple and Black Sabbath Late 1980’s: Fresh sound of Metallica

11 Rap Originated as an African American style in the early 1970’s in New York’s South Bronx DJ Kool Herc (Jamaican-born Clive Campbell) developed imitation of Jamaican practice of using “sound systems’’ to play music at parties – Isolated choice portions of the tracks (the “break” and created loops and extended portions using two term tables “Break dancing” – MC (Master of Ceremonies) and DJ The Sugarhill Gang’s “Rapper’s Delight”: First recording with the work rap in the title Run DMC: First rap artists to achieved major commercial success Novel and authentic sound whose broad appeal crossed racial and social boundaries

12 Grunge Generation X: Born around 1975 Dark, brooding, introspective songs first arose in and around Seattle A type of alternative rock inspired by punk Kurt Cobain and Nirvana: Nevermind (1991) – Wide mix of rock and pop styles – Absurdist lyrics – “Smells Like Teen Spirit”: “A teen revolutionary song”


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