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MODULE 15: PHOTOGRAPHY 2. 12 3 Photography 2 Yearbooks depend on PHOTO- JOURNALISM, the art of telling stories with photos. PHOTOS SHOW WHO, WHAT, WHERE,

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Presentation on theme: "MODULE 15: PHOTOGRAPHY 2. 12 3 Photography 2 Yearbooks depend on PHOTO- JOURNALISM, the art of telling stories with photos. PHOTOS SHOW WHO, WHAT, WHERE,"— Presentation transcript:

1 MODULE 15: PHOTOGRAPHY 2

2 12 3 Photography 2 Yearbooks depend on PHOTO- JOURNALISM, the art of telling stories with photos. PHOTOS SHOW WHO, WHAT, WHERE, WHEN, WHY AND HOW. PHOTOS SHOW ENERGY. A VARIETY OF SHOTS ALL CONTRIBUTE INFORMATION TO A STORY.

3 12 3 Photography 2 FRAMED: The photographer eliminated the “noise” or the background interference.

4 12 3 Photography 2 EMOTION IN MOTION: Win or lose, there is plenty of human drama to photograph when shooting sports.

5 12 3 Photography 2 ACTION REACTION & DIMENSION: Smiles and embraces tell the story.

6 12 3 Photography 2 TIGHTLY FRAMED: Playground equipment frames the subject, who unaware of the photographer.

7 12 3 Photography 2 Strong photos are carefully COMPOSED. COMPOSITION REFERS TO THE ARRANGEMENT OF THE ELEMENTS IN A PHOTO. PHOTOGRAPHERS HAVE AN EYE FOR COMPOSITION TECHNIQUES. OTHER ELEMENTS ADD TO WELL-COMPOSED PHOTOS.

8 12 3 Photography 2 DETAILS: While faces are important, the lab equipment and hands are also a storytelling focal point.

9 12 3 Photography 2 SNAPSHOT & ACTION REACTION: Life is full of everyday moments that make priceless, storytelling photos.

10 12 3 Photography 2 RULE OF THIRDS: Visual “hot spots” are created where vertical and horizontal guides intersect.

11 1 3 2 Photography 2 The TECHNICAL QUALITY of photos is as important as the content. HIGH QUALITY PHOTOS DO A BETTER JOB OF STORYTELLING. TECHNICAL QUALITY IS RELATED TO THE PHOTOGRAPHER'S KNOWLEDGE OF TOOLS. PHOTO EDITING SOFTWARE OFFERS MORE OPTIONS.

12 1 3 2 Photography 2 REPETITION: The repeating colors and the same happy reaction add interest to the photo.

13 1 3 2 Photography 2 TEXTURE: The white cream adds texture and dimension to this image captured at a pie toss.

14 1 3 2 Photography 2 The rope acts as a LEADING LINE, pointing to the main subject as he struggles to avoid the water.

15 1 3 2 Photography 2 The photographer’s ANGLE allows for the paper and pen to be included for detail. This is a worm’’s eye view.


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