1. Videography: The Basics

2. Project 2 Timeline Instructional Design Report (January 3rd, Monday) Instructional Design Report (January 3rd, Monday) Final exam date (21st of January) Final exam date (21st of January) Presentations (each member of the group will present) Presentations (each member of the group will present) Instructional Materials (5 mins Video) Instructional Materials (5 mins Video) Paper based, color instructional material- Manual (** every group member**) Paper based, color instructional material- Manual (** every group member**) Final Report Final Report Peer Evaluations Peer Evaluations

3. Manual will be like this Sample Sample Sample

4. Contents Types of Shots Types of Shots Picture Composition Picture Composition Camera Angle Camera Angle Camera Techniques Camera Techniques Audio Audio

5. Detailed Info is Under Course web site Course web site How to make a movie (323-movie.pdf) How to make a movie (323-movie.pdf)

6. Types of Shots Extreme Long Shot (ELS or XLS) Extreme Long Shot (ELS or XLS) Long Shot (LS) Long Shot (LS) Medium Long Shot/Knee Shot (MLS) Medium Long Shot/Knee Shot (MLS) Medium Shot / Waist Shot (MS) Medium Shot / Waist Shot (MS) Medium Close Up / Bust Shot (MCU) Medium Close Up / Bust Shot (MCU) Close Up / Bust Shot (CU) Close Up / Bust Shot (CU) Extreme Close-Up (ECU) Extreme Close-Up (ECU)

7. Close Up

8. Medium Shot

9. Long Shot

10. Extreme Long Shot (ELS or XLS) A panoramic shot of the elements of a scene A panoramic shot of the elements of a scene To provide an overall view of a large scene To provide an overall view of a large scene

11. Long Shot / Full Shot (LS) To provide a complete view of a person or an object To provide a complete view of a person or an object To show the positional relationship of the actors and their settings To show the positional relationship of the actors and their settings

12. Medium Long Shot / Knee Shot A transitional shot from CU to LS or vice versa A transitional shot from CU to LS or vice versa

13. Medium Shot / Waist Shot (MS) To show the relationship between people in a shot or a scene To show the relationship between people in a shot or a scene To draw attention to the actor’s upper body movement To draw attention to the actor’s upper body movement A transitional shot A transitional shot

14. Medium Close-up / Bust Shot (MCU) To give full facial details on the subject but without the strong impact of the close-up To give full facial details on the subject but without the strong impact of the close-up

15. Close Up / Bust Shot (CU) To provide a close view of a face or and object To provide a close view of a face or and object To draw more intense interest To draw more intense interest

16. Extreme Close Up (ECU) To provide very intense viewing of a face or very small details of an object To provide very intense viewing of a face or very small details of an object To provide an extreme impact on the audience To provide an extreme impact on the audience

17. Picture Composition Use symmetrical division whenever possible Use symmetrical division whenever possible Place object on the center of the screen Place object on the center of the screen Provide headroom Provide headroom Provide noseroom or leadroom Provide noseroom or leadroom Avoid unnecessary objects Avoid unnecessary objects Include interesting objects Include interesting objects

18. Camera Angle Level Angle Level Angle High Angle High Angle Low Angle Low Angle

19. Level Angle

20. High Angle

21. Low Angle

22. Axis Camera Movement Zoom In/Out Zoom In/Out Pan Left / Right Pan Left / Right Pan Left Pan Left Tilt Up / Tilt Down Tilt Up / Tilt Down Tilt Up Tilt Down Tilt Up Tilt Down

23. Good shots, bad shots

27. Rule of Thirds

29. If there is a conversation Switch the camera from one side to the other Switch the camera from one side to the other

33. How to use camera? Tips from Sony Tips from Sony Tips from Sony Tips from Sony

34. Forms of Audio Narration (Voice Over) Narration (Voice Over) Dialog Dialog Music Music Sound Effect Sound Effect Noise and background sounds Noise and background sounds

35. Your Video Must Include Bars and colors: 3-5 secs Bars and colors: 3-5 secs Different shots – LS, MS, CU etc. Different shots – LS, MS, CU etc. Title page Title page Names of the producers Names of the producers Names of other contributors Names of other contributors Narration/music/sound effects Narration/music/sound effects Of course, quality shots Of course, quality shots And no more than 5mins And no more than 5mins

36. Warning Be ready for problems Be ready for problems Be patient Be patient Plan in advance, do not postpone your project to the last minute. Plan in advance, do not postpone your project to the last minute. Let us know, whether you have a camera or not! Let us know, whether you have a camera or not! Let your team coach know when you will start video recording! Let your team coach know when you will start video recording!

37. For a Detailed Video Course http://www.video101course.com/ http://www.video101course.com/ http://www.video101course.com/

39. A non-Example Procedure Learning Video How to make cig kofte? How to make cig kofte? How to make cig kofte? How to make cig kofte?

40. And Handouts