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FINDINGS FROM THE SURVEY OF PUBLIC PARTICIPATION IN THE ARTS RESEARCH REPORT #52 NATIONAL ENDOWMENT FOR THE ARTS Arts Education.

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Presentation on theme: "FINDINGS FROM THE SURVEY OF PUBLIC PARTICIPATION IN THE ARTS RESEARCH REPORT #52 NATIONAL ENDOWMENT FOR THE ARTS Arts Education."— Presentation transcript:

1 FINDINGS FROM THE SURVEY OF PUBLIC PARTICIPATION IN THE ARTS RESEARCH REPORT #52 NATIONAL ENDOWMENT FOR THE ARTS HTTP://WWW.NEA.GOV/RESEARCH/ Arts Education in America: What the Declines Mean for Arts Participation

2 Survey of Public Participation in the Arts Nation’s largest general pop. survey of arts participation trends  Asks about behavior, not attitudes Conducted 5 times by the NEA since 1982 in partnership with the United States Census Bureau  1982, 1985, 1992, 2002, 2008 82% response rate, for a total of 18,444 adults interviewed

3 Survey of Public Participation in the Arts Measures self-reported rates of participation over the past 12 months  Art museum or gallery visits; tours of parks or historical buildings; arts/craft fair attendance  Performing arts attendance: jazz; classical music; opera; musicals; non-musical plays; ballet; other dance; Latin music performances; outdoor performing arts festivals  Literary reading: poetry, plays, novels and short stories

4 Survey of Public Participation in the Arts Measures other arts activities, including:  Taking classes or lessons  Performing or creating  Participating through media Other measures included for:  Non-arts leisure activities  Music and reading preferences

5 Major SPPA Findings 35% of all adults (or 78 million Americans) attended a benchmark arts activity in the 2008 survey period Nearly 40% did so in 1982, 1992, and 2002

6 Proportionately fewer adults attend benchmark arts activities 1982199220022008 Jazz9.6%10.6%10.8% 7.8% Classical music13.0%12.5%11.6% 9.3% Opera3.0%3.3%3.2% 2.1% Musical plays18.6%17.4%17.1% 16.7% Non-musical plays11.9%13.5%12.3% 9.4% Ballet4.2%4.7%3.9% 2.9% Art museums22.1%26.7%26.5% 22.7%

7 The NEA commissioned the National Opinion Research Center (NORC) at the University of Chicago to conduct further analyses on arts education data collected through the SPPA Data on arts education in SPPA are limited, especially with regard to childhood arts education Study background

8 Our research questions: How have arts education rates fared over time? Have the trends been consistent for all groups of Americans? What do the findings mean for arts participation and personal creativity?

9 How have arts education rates fared over time?

10 Reports of childhood arts education declined from 1982 to 2008

11 Declines were substantial in childhood music, visual arts, and creative writing, while dance and theater increased slightly

12 Childhood arts education rose across most of the 20th century before declining in its final decades

13 Have the trends been consistent for all groups of Americans?

14 Childhood arts education has not been equally distributed by SES or race

15

16 What do the findings mean for arts participation and personal creativity?

17 1992 SPPA “Arts education was the strongest predictor of almost all types of arts participation. Those with the most arts education were also the highest consumers and creators of various forms of visual arts, music, drama, dance, or literature.” Bergonzi, L. and Smith, J. (1996). The effects of arts education on participation in the arts, NEA Report #36. Santa Ana, CA: Seven Locks Press

18 Arts education has a powerful effect on likelihood of arts attendance

19 Other variables with positive correlations to attendance: Age Race/ethnicity Socio-economic status Educational attainment Parental education Gender

20 Arts education has similar effects on likelihood of personal arts creation and performance

21 … and participation in the arts through media

22 Conclusion Childhood arts-education rates have declined in recent decades, especially in visual arts and music. The burden of the decline has been borne disproportionately by non-white, low SES children. Arts education is a strong predictor of benchmark arts participation and personal creativity in adulthood.


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