1. Final review 12/8 Play Protagonist Antagonist Narrator Symbol Key Prologue 26. Drama: a __________ The Miracle Worker 27. __________: Annie Sullivan 28. ___________: Helen Keller 29. _____________: Person telling the story and helping with stage directions and Prologues. 30. _____________: introduction to Acts/parts of play 31. _____________: an object represents an idea. 32. Symbol in the Miracle Worker __________ because it “represents” the unlocking of her mind to learn.

2. Final Review 12/9 Holocaust Selection Memoir Sighet (Transylvania) Wiesel 33. A _________________is a an account of one's personal life and experiences that revolves around a certain event. 34. Author and narrator of Night ____________________. 35. Purpose of _____________ was to separate the weak and the strong. 36. Many skeptics believe that the Holocaust never took place. The remains of Auschwitz, personal belongings left behind at the concentration camps, and stories past down from survivors are all evidence that the Holocaust took place. 37. Night is an account of the author’s experience during the _________ 38. The setting of the Memoir Night is ________.

3. Final Review 12/10 Night Vocabulary: # 39-50 Rabbi: Synagogue: Deportation: Ghetto: Gestapo: Truncheons: Monocle: Crematories: Liberated: Aryan: Refuge: Prophecy:

4. Final Review 12/11 Homeric Simile A detailed comparison in the form of a simile that is many lines in length in epic poetry. Example: "Think of a catch that fishermen haul in to a halfmoon bay in a fine meshed net from the white caps of the sea: how all are poured out on the sand, in throes for the salt sea, twitching their cold lives away in Helios' fiery air: so lay the suitors heaped on one another." (The Test of the Bow, Line 137-141).

5. Final Review 12/12 Hyperbole Is an over exaggeration in writing or poetry. For example: “Godsake, Captain! Why bait the beast again? Let him alone! That tidal wave he made on the first throw all but beached us!” (New Coasts and Poseidon’s Son, Lines 413-416). Metaphor: Comparing two unlike things in prose and poetry. “What evil wind blew in this pest! Nudge my table, will you? Egyptian whips are sweet to what you’ll come to here, you nosing rat, making your pitch to everyone!” (The Beggar at the Manor, Lines 3-8).