1. WALT – to identify the key musical features of three different recordings of the Rag Desh. WILF – good understanding of what each key feature is about i.e. structure, instrumentation. Did you know: The famous boardgame Chess was invented in India? TIB – You will need to be able to compare and contrast the three versions in the exam.

2. Performed by Anoushka Shankar. Sitar player, born in India, lives in the USA. Half-sister of Norah Jones, daughter of famous sitar playing Ravi Shankar who worked with The Beatles. WALT – to identify the key musical features of three different recordings of the Rag Desh. Instruments used are Sitar and Tabla. Did you know: Firewalking started in India as a way for people to purify themselves!

3. WALT – to identify the key musical features of three different recordings of the Rag Desh. The Structure has 3 movements : – Alap – Gat 1 – Gat 2 The Structure has 3 movements : – Alap – Gat 1 – Gat 2 There are two Tals used in Version 1. They are: Jhaptal (10 beats): (2 + 3 + 2 + 3) 1 2 3 4 5 6 7 8 9 10 Clap Clap Wave Clap Tintal (16 beats): (4 + 4 + 4 + 4 ) 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 X X W X Keywords: Tal: A type of beat pattern. Sam: The first beat of the pattern. Keywords: Tal: A type of beat pattern. Sam: The first beat of the pattern.

4. WALT – to identify the key musical features of three different recordings of the Rag Desh. 0.00 – 0.55 Alap – – This section is slow and has no pulse. The sitar plays on its own and explores the notes of the rag. Rhythms are fluid and free and sound like they are improvised. There is some decoration to the melody line. Did you know: McDonalds in India doesn’t serve beef, only chicken, mutton or fish. Listen Now!

5. WALT – to identify the key musical features of three different recordings of the Rag Desh. 0.55 – 9:27 Gat 1 – The sitar plays a fixed pattern (thought out beforehand rather than improvised). Decoration is added to this pattern. The tempo is a medium speed. The tabla enters playing the Jhaptal Tala. Keyword: Tihai – A short rhythm played three times to signal a change to another section of music. Listen Now!

6. WALT – to identify the key musical features of three different recordings of the Rag Desh. 0.58Sitar and Tabla improvise to each other. Tihai ends this at 3.01. 3:11Tihai. 3:27Tihai. 3:40Tihai. 3:55Sitar starts to improvise in triplets (this is called chand). Tihai. 5.02Improvisations with four notes per beat. Sitar and tabla alternate again. Tihai used to make end of solos. Keyword: Chand – The use of triplets …(three notes grouped together!). Listen Now!

7. WALT – to identify the key musical features of three different recordings of the Rag Desh. 9:27 – end, Gat 2 – This is faster than the first gat and uses tintal. – 10:10 in this final part of the rag the drone strings are strummed to create a rhythmic effect called jhalla. – Piece ends with a Tihai. Keyword: Jhalla– Rhythmic effect created by strumming the drone strings on the sitar. Listen Now! Keyword: Tihai – A rhythmic cadence used to mark the end of a piece.

8. Hands up – speed round! Who performed Version 1 of the Rag Desh? What are the 3 sections in the piece called? What is a Tihai? What are the two instruments used in Version 1 of the Rag Desh? What are the names of the two Tals used in Version 1? What is the word that describes using Triplets? Did you know: In India grasping ones ears means repentance or sincerity. WALT – to identify the key musical features of three different recordings of the Rag Desh.

9. Unscramble the keywords about Indian music we learned last week. P L A A H A L L J A S T A I R N A C D H T H A I I T A G L A B T A A L A P J H A L L A S I T A R C H A N D T I H A I G A T T A B L A

10. WALT – to identify the key musical features of three different recordings of the Rag Desh. Mhara Janam Maran performed by Chiranji Lal Tanwar (voice). Instruments Used: Voice Sarangi Sarod Pakhawaj Cymbals Tabla Fretless bowed instrument held in the lap. 3 main strings and up to 36 sympathetic strings. Fretless plucked instrument. Shorter than the sitar. Played with a big wooden plectrum. Large double headed drum. You know what these are… What am I?! Many Indians find toilet paper repellent and consider it cleaner to splash water with the left hand.

11. WALT – to identify the key musical features of three different recordings of the Rag Desh. Structure: 2 sections Alap Bhajan (song) The lyrics of the song translate to: You are my companion through life and death and I cannot forget you night and day. My heart pines for you and I feel totally restless when I am not able to see you. The song is a Hindu devotional song from Rajasthan and is known as bhajan. The song tells of tender waiting in longing anticipation of the arrival of Lord Krishana in the morning. India is the world's number one producer of vegetarian cheese.

12. WALT – to identify the key musical features of three different recordings of the Rag Desh. Tal (Rhythm) Used Keherwa Tal (8 beat) 12345678 XXWX Alap – 0.00 – 0.50 Opens with a short introduction where the sarod player and then voice vocalises the melody, exploring the notes of the rag. In free time. Taj Mahal in India is a gift of love.

13. WALT – to identify the key musical features of three different recordings of the Rag Desh. 0.50 Bhajan. This is a fixed composition (learnt by Master-Student tradition). The tabla joins in at 0.50. 1.10 Short Sarod solo. 1.22 Sarangai solo. Then the dynamics and tempo increase and the music becomes fast and exciting. A pattern is establised as follows:- 1.32 Verse, First line as Chorus, Sarod and Sarangai 3.04 Verse, First line as Chorus, Sarod and Sarangai 4.50 Verse, First line as Chorus, Sarod and Sarangai Piece ends with a short tihai. No Gat or Gat 2!

14. WALT – to identify the key musical features of three different recordings of the Rag Desh. Performed by: Steve Gorn, and Benjy Wertheimer. Instruments Used: Bansuri Esraj Tambura Tabla Bansuri is a bamboo flute with no keys. Esraj is a bowed string instrument played sitting on the floor like the sarangi, but with frets like a sitar has a number of sympathetic and drone strings A simple instrument with only four strings and a resonator. It is used to provide the drone. Me again!

15. WALT – to identify the key musical features of three different recordings of the Rag Desh. The Structure has 3 movements : – Alap – Gat 1 (slow) – Gat 2 (fast) The Structure has 3 movements : – Alap – Gat 1 (slow) – Gat 2 (fast) Tals Used: Rupak Tal (7 beats): (3 + 2 + 2) 12 3 4 5 6 7 W X X Ektel Tal (12 beats): (2 + 2 + 2 + 2 + 2 + 2) 12 3 4 5 6 7 8 9 10 11 12 X X W X W X

16. WALT – to identify the key musical features of three different recordings of the Rag Desh. 00.00 – 8.35 A slow and unmeasured section. The tambura plays a drone using the notes Sa (C – tonic) and Pa (G – Dominant). The bansuri then comes in, Exploring notes from the rag itself. Develops fragments into a more developed melodic part.

17. WALT – to identify the key musical features of three different recordings of the Rag Desh. 00.00 Gat 1. This is at a slow tempo. A lyrical unaccompanied melody for the bansuri. 0.31 Tabla enters. 0.43 Fixed composition starts. Improvisation starts and music becomes agitated. Bansuri plays gat and Tabla improvises. 3.32 They then swap over. Tihai’s are heard to mark out section ends. 4.41 Last Tihai leads into…….. Gat 2 (Part 3) 4.41 – End Gat 2 – A fast tempo (drut) in ektal Tala.