1. It’s on the Tip of My Fingers: Techniques for Memorization Texas Music Teachers Association Convention 2005 Dr. Dawn Harmon McCord, Presenter

2. Music Music Everywhere...... But not a sound to hear.

3. Multimodal Musical Experiences Auditory Visual Cognitive Affective Motor Memory Donald Hodges: Neurological Research and Music Education, 1996

4. Effective Teaching Strategies… …actively involve the student in the learning experience. This is the first step towards facilitating memorization.

5. Basic information is easy to talk about! You can tell that the: melody is mostly conjunct and diatonic form is ABA harmony is in a minor modality rhythm is compound duple Could you help them discover this information in ways other than lecture? If so, they will own the parameters of the repertoire.

6. Where to start with active learning and listening? Have student: Focus their attention to some specific detail in the music Listen for that detail as they play Respond to the discoveries that surface

7. There are many resources available to the teacher that will help the student focus on specific parameters necessary for memorization.

8. Learning and Memorization Activities Guidance Schumann “Papillons” from Carnaval, Op. 9 Is this piece: Fast or slow? Quiet or loud? Like a butterfly or an elephant? Guidance creates active listening which empowers the learner to access great hooks for memorization.

9. Learning and Memorization Activities Modeling Mini-teaching Moments Questioning

10. Learning and Memorization Activities Storytelling Visitation Rights American Idol

11. Learning and Memorization Activities Listening Maps A listening map is a visual image that highlights important stylistic parameters in a given composition. Examples of these images can include: Pictures Graphics Shapes Short musical themes or motifs Source for ideas is Rebecca Payne Shockley’s Mapping Music: For Faster Learning and Secure Memory

12. Learning and Memorization Activities Call Charts Visuals AAAACBB Robert Schumann: Frightening from Scenes from Childhood, Op. 15

13. Listening Map Example Domenico Scarlatti: Sonata in A Minor, K. 149; Longo 93

14. Now it’s your turn Select a piece to map On your blank paper provided, create a map for your selection. Let the following guide your choices for visualization: Form Melody Harmony Expression Rhythm Texture Style Sky’s the limit

15. Mapping Repertoire W. T. Skye Garcia: Cat Walk Susan Ogilvy: Toccatina Martha Mier: Morning Dew

16. Now it’s your turn Set your imagination free. Create a map for your selection. The following guide provides some of the ideas for mapping: Form Melody Harmony Expression Rhythm Texture Style Sky’s the limit

17. Coda and Overture Set ‘em up Let the learning begin Let the listening begin Begin appropriate and multimodal activities Memorize at all levels and modes of learning Where there are insecurities, expand the activities Learning activities will put it on the tip of your fingers!