1. a psychotic bitter end

3. http://www.nga.gov/feature/rothko/r othkosplash.shtm Look at the timeline of Rothkos life and work. Can you provide a rationale for his paintings? For him, eschewing representation permitted greater clarity "the elimination of all obstacles between the painter and the idea and between the idea and the observer." As examples of such obstacles, Rothko gave "memory, history, or geometry, which are swamps of generalization from which one might pull out parodies of ideas (which are ghosts) but never an idea in itself. To achieve this clarity is, inevitably, to be understood."

4. Turner "The fighting Temeraire Tugged to her Last Berth to be Broken Up" 1838

5. John Ruskin, The Pass of Faido 1845

6. Mondrian, Gray Tree, 1912

7. Kandinsky, Composition VII, (1913)Composition VII

8. Clyfford Still Mark Rothko Cy Twombly