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1 Chapter 9 The Etruscans AP Art History
2 Italy in Etruscan Times
3 Figure 9-1 Fibula with Orientalizing lions, from the Regolini-Galassi Tomb, Cerveteri, Italy, ca. 650–640 BCE. Gold, 1 1/2 high. Musei Vaticani, Rome.
4 Figure 9-2 Model of a typical sixth-century BCE Etruscan temple, as described by Vitruvius. Istituto di Etruscologia e di Antichità Italiche, Università di Roma, Rome.
5 Figure 9-3 Apulu (Apollo), from the roof of the Portonaccio temple, Veii, Italy, ca. 510–500 BCE. Painted terracotta, 5 11 high. Museo Nazionale di Villa Giulia, Rome.
6 Figure 9-4 Sarcophagus with reclining couple, from Cerveteri, Italy, ca. 520 BCE. Painted terracotta, 3 9 1/2 X 6 7. Museo Nazionale di Villa Giulia, Rome.
Figure 9-5 Tumuli in the Banditaccia necropolis, Cerveteri, Italy, seventh to second centuries BCE. 7
8 Figure 9-6 Plan of the Tomb of the Shields and Chairs, Cerveteri, Italy, second half of the sixth century BCE.
9 Figure 9-7 Interior of the Tomb of the Reliefs, Cerveteri, Italy, third century BCE.
10 Figure 9-8 Interior of the Tomb of the Leopards, Tarquinia, Italy, ca. 480–470 BCE.
11 Figure 9-9 Diving and shing, detail of a mural painting in the Tomb of Hunting and Fishing, Tarquinia, Italy, ca. 530– 520 BCE. Detail, 5 6 1/2 high.
12 Figure 9-10 Capitoline Wolf, from Rome, Italy, ca. 500–480 BCE. Bronze, 2 7 1/2 high. Musei Capitolini, Rome.
13 Figure 9-11 Chimera of Arezzo, from Arezzo, Italy, first half of fourth century BCE. Bronze, 2 7 1/2 high. Museo Archeologico Nazionale, Florence.
14 Figure 9-13 Porta Marzia (Gate of Mars), Perugia, Italy, second century BCE.
15 Figure 9-15 Aule Metele (Arringatore), from Cortona, near Lake Trasimeno, Italy, early first century BCE. Bronze, 5 7 high. Museo Archeologico Nazionale, Florence.
1 Chapter 9 The Etruscans Gardners Art Through the Ages, 13e.
Figure 9-2 Fibula with Orientalizing lions, from the Regolini-Galassi Tomb, Cerveteri, Italy, ca. 650–640 BCE. Gold, 1’ 1/2” high. Musei Vaticani, Rome.
Chapter 6: Etruscan: Italy before the Romans. Italy in Etruscan Times.
Chapter 09--The Etruscans Double-flute player, detail of a mural painting in the Tomb of the Leopards, Tarquinia, Italy, ca BCE.
( BCE) Etruscans = Ancient Italians who adopted much of he Greek Culture (was ETRURIA, now TUSCANY) Sculptures made from terra-cotta (Italian for.
E T R U S C A N S. H I S T O R Y Disputed origins: either from West Asia, Mediterranean and surrounding civilizations or were people indigenous to Ancient.
1 Chapter 17 Japan before Early Japan 3 Vessel, from Miyanomae, Nagano Prefecture, Japan, Middle Jomon period, 2500–1500 BCE. Earthenware, 1.
1 Chapter 24 Baroque, 1600 to 1700 (Italy and Spain) AP Art History.
Ms. Susan M. Pojer Horace Greeley H. S. Chappaqua, NY.
Chapter 21 Italy comparisons. Figure MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8”
Autobiographical Frieze. Figure 6-11 The life and death of the Buddha, frieze from Gandhara, Pakistan, second century CE. Schist, 2’ 2 3/8” X 9’ 6 1/8”.
Closer view of lions and heavy lintel © 2005 Saskia Cultural Documentation, Ltd.
1 Chapter 21 Italy, 1400 to 1500 Gardners Art Through the Ages, 13e.
1 Chapter 24 Italy and Spain, 1600 to 1700 Gardners Art Through the Ages, 13e.
Basic Definitions a 3 base exponent power a x a x a a as factor 3 times Power – is a product with repeated factor. Exponent – tells us how many times the.
1 Chapter 19 Italy, 14 th Century AP Art History.
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
Chapter 00--Introduction. Clyfford Still, 1948-C, PH-15, Oil on canvas, 68 7/8x510 ¾.
Lucca Cathedral facade. “Deposition” (lunette) “Nativity/Adoration of the Magi (architrave) Lucca Cathedral Nicola Pisano Before c
Unit: Ancient Rome. ITALY MAP QUIZ FOCUS CITIES Bari VeniceMilanBologna Genoa Rome TurinFlorence Palermo Reggio de Calabria LANDFORMS/NATIONS Sicily Switzerland.
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OLA Library Building Awards Centreton Branch Library 1 Original Community Centre & Library 2 Original Entrance 3 Original Community Centre & Library 4.
The Seven Days Of Creation By David McIntyre 9H The First Day God created light and darkness separated the light from the darkness calling light day.
Figures-Chapter 2. Figure 2.1 The waterfall model.
Title: Façade of Santa Maria Novella, Florence Artist: Leon Battista Alberti Date: Source/ Museum: n/a Medium: n/a Size: n/a.
1 Chapter 19 Italy, 1200 to 1400 Gardners Art Through the Ages, 13e.
Chapter 3 Appendix Object-Oriented Analysis and Design: Project Management Modern Systems Analysis and Design Seventh Edition Jeffrey A. Hoffer Joey F.
Чёрный Black Negro black negro чёрный Kazimir Malevich, Black Square, 1913, Oil on Canvas, State Russian Museum, St.Petersburg.
I Sistemi Positivi Grafi dinfluenza: irriducibilità, eccitabilità e trasparenza Lorenzo Farina Dipartimento di informatica e sistemistica A. Ruberti Università
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