Presentation on theme: "SOUTH AFRICA PART 3. BELLWORK: DEFINE TERMS Ibombing: the loud, almost shouting vocal style of early isicathamiya. Makwaya: mission-derived choral."— Presentation transcript:
SOUTH AFRICA PART 3
BELLWORK: DEFINE TERMS Ibombing: the loud, almost shouting vocal style of early isicathamiya. Makwaya: mission-derived choral performance. Overtones: tones produced by a resonant lower register fundamental tone, common in musical bow playing e-shaywayo nezim tambo: guitar; literally “the thing that is struck or sounded by means of strings or with a bone”.
ANNOUNCEMENTS Test on South Africa this Tuesday May 6 th. Reading Outline #23 is due today.
OUTCOMES Scholars Will: Grammar: Learn basic facts about South African music Logic: Learn how to sing in solfege
MIRIAM MAKEBA-IBOMBING VIDEO
MISSION STYLE CHOIR DRESS
RE-AFRICANIZED CHOIR DRESS
GUIDED NOTES Music is more than embellished speech. Melodies are derived from chords. These blocks of sound are contained in a single melody line. Phala: tonic Thakhula: leading tone The Leading tone lifts the melody back onto the tone center. This melodic movement corresponds with the raising, dipping and turning the body.
ACTIVE LISTENING #4 KUNGCONO KHONA What form is this song in? Do you think the singer is telling a story or singing a love song? What musical aspects influenced your decision?
JUST THE FACTS #4 KUNGCONO KHONA This song is used to accompany gumboot dance therefore it provides a basic rhythmic groove. In the story of this song, a young man leaves his home with his lover and finds her to be a bad choice.
TRANSLATION OF LYRICS I am alright as I am, Father Better than what I am seeing around me.
THE THREE PARTS OF A MASKANDA GUITAR AND VOICE SONG The maskanda guitar player included all of the following elements: a choral part A narrative part self-praises
CFU: THINK, PAIR, SHARE Quote analysis: One musician writes: “In the shared experience of music itself there is the possibility of reaching beyond the constraints of words and social role and cultural time, by extending tonal and harmonic structures in a special world of musical time.” Q: How does music create freedom? Is music separate from daily life?
CFU: SOUTH AFRICAN SONG
EXIT TICKET What is the name for mission-derived choral performance? Name two characteristics of Maskanda guitar performance: What is the song Kungcono Khona about? What is the difference between mission style and re-africanized choir dress?