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Introduction to French New Wave Cinema Presentation by Chris Schloemp Information Courtesy of Stephen Nottingham and the Contributing Editors of the Wikipedia.

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Presentation on theme: "Introduction to French New Wave Cinema Presentation by Chris Schloemp Information Courtesy of Stephen Nottingham and the Contributing Editors of the Wikipedia."— Presentation transcript:

1 Introduction to French New Wave Cinema Presentation by Chris Schloemp Information Courtesy of Stephen Nottingham and the Contributing Editors of the Wikipedia

2 Overview Group of French film critics who became filmmakers themselves Group of French film critics who became filmmakers themselves “La nouvelle vague” runs from 1958 to 1964 “La nouvelle vague” runs from 1958 to 1964 Disdained formulaic French films of the 1940s and 1950s Disdained formulaic French films of the 1940s and 1950s Forged a new cinema that broke all the rules Forged a new cinema that broke all the rules Developed a style that continues to influence films today Developed a style that continues to influence films today

3 Origins at the Cahiers du Cinema French film magazine, edited by Andre Bazin French film magazine, edited by Andre Bazin Most of the New Wave filmmakers began as critics, writing for Cahiers du Cinema Most of the New Wave filmmakers began as critics, writing for Cahiers du Cinema Francois Truffaut Francois Truffaut Jean-Luc Godard Jean-Luc Godard Jacques Rivette Jacques Rivette Claude Chabrol Claude Chabrol Eric Rohmer Eric Rohmer Others, such as Agnes Varda and Louis Malle became associated with the movement later Others, such as Agnes Varda and Louis Malle became associated with the movement later

4 Jean-Luc Godard Eric Rohmer Andre Bazin Francois Truffaut Claude Chabrol Jacques Rivette Agnes Varda

5 Socio-cultural Context: France, 1950s and 60s Europe still recovering from World War II Europe still recovering from World War II Still rebuilding infrastructure Still rebuilding infrastructure Financially insecure Financially insecure France had been an occupied country France had been an occupied country Tension between resistance and collaborators Tension between resistance and collaborators Cynicism about lingering vestiges of empire Cynicism about lingering vestiges of empire Algeria and Indochina Algeria and Indochina French film industry fell back on traditional narrative forms French film industry fell back on traditional narrative forms Cahiers critics inspired by other artistic and intellectual movements, such as Italian Neo-Realism and French Existentialism to rebel against these traditions Cahiers critics inspired by other artistic and intellectual movements, such as Italian Neo-Realism and French Existentialism to rebel against these traditions

6 Influence of Italian Neo-Realism Set among the poor and working class Set among the poor and working class Long takes Long takes Location shooting in poor neighborhoods and in the countryside Location shooting in poor neighborhoods and in the countryside Amateur actors, often featuring children Amateur actors, often featuring children Mundane scenes of everyday activities Mundane scenes of everyday activities Economic and moral conditions of post-war Italy Economic and moral conditions of post-war Italy Defeat, poverty, desperation Defeat, poverty, desperation Name recognition: Roberto Rosselini, Vittorio De Sica Name recognition: Roberto Rosselini, Vittorio De Sica

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8 French New Wave films deal with the ordinary and the commonplace French New Wave films deal with the ordinary and the commonplace Most favor Parisian streets and cafes for their mise- en-scene Most favor Parisian streets and cafes for their mise- en-scene Characters are often down-and-out Characters are often down-and-out Children often featured Children often featured

9 Influence of Existentialism Philosophy that develops in post- war France under Jean-Paul Sartre Philosophy that develops in post- war France under Jean-Paul Sartre Stresses individual accountability Stresses individual accountability Views freedom as a necessity Views freedom as a necessity Recognizes and accepts absurdity of life Recognizes and accepts absurdity of life Mandates authentic action Mandates authentic action Refusal to play roles laid out by society Refusal to play roles laid out by society

10 French New Wave protagonists… French New Wave protagonists… Are rebels, loners, and outcasts Are rebels, loners, and outcasts Have tenuous family ties Have tenuous family ties Behave spontaneously Behave spontaneously Act “immorally” Act “immorally” Are anti-authoritarian Are anti-authoritarian

11 More Than Just Subject Matter Deliberately conscious of making films that commented on the making of films Deliberately conscious of making films that commented on the making of films Films constantly remind viewers that they are watching a film Films constantly remind viewers that they are watching a film Films use technical and stylistic innovations to refashion an audience’s sense of what it means to go to the cinema Films use technical and stylistic innovations to refashion an audience’s sense of what it means to go to the cinema

12 Bazin and the Auteur Theory Belief that film should represent a director’s unique vision Belief that film should represent a director’s unique vision Some directors have an identifiable style from film to film Some directors have an identifiable style from film to film These directors should be considered the sole author—auteur—of their films These directors should be considered the sole author—auteur—of their films Term first appears in Cahiers article written by Truffaut, but is heavily influenced by Bazin Term first appears in Cahiers article written by Truffaut, but is heavily influenced by Bazin

13 Iconoclastic Editing These films deliberately break long-held editing conventions, notably... These films deliberately break long-held editing conventions, notably... Jump cuts as opposed to shot/reverse shot Jump cuts as opposed to shot/reverse shot Godard’s A Bout de Souffle Godard’s A Bout de Souffle Disregard of the 180 degree rule Disregard of the 180 degree rule Insertion of extraneous, non-diegetic clips Insertion of extraneous, non-diegetic clips Truffaut’s Tirez le Pianiste Truffaut’s Tirez le Pianiste Long takes Long takes Real-time Real-time Varda’s Cleo de 5 a 7 Varda’s Cleo de 5 a 7

14 Amateurs and Improvisors Frequent use of non-professionals Frequent use of non-professionals Spectators on set often wander into the shot Spectators on set often wander into the shot Actors encouraged to improvise lines Actors encouraged to improvise lines Lines of dialogue overlap and sometimes become unintelligible Lines of dialogue overlap and sometimes become unintelligible Attempt to get at an authentic picture of life as it is lived Attempt to get at an authentic picture of life as it is lived

15 Freedom of New Technology Experimentation and improvisation helped by new, cheap film equipment Experimentation and improvisation helped by new, cheap film equipment Lightweight, handheld cameras Lightweight, handheld cameras Faster film stock Faster film stock Portable sound equipment Portable sound equipment Lightweight lighting kits Lightweight lighting kits 1962 Éclair NPR

16 Mobile Camera Location filming and available light preferred Location filming and available light preferred Extensive panning and tracking Extensive panning and tracking Usually only one camera used Usually only one camera used Long, tracking shots Long, tracking shots Cinematographer in A Bout de Souffle follows characters in and out of buildings while pushed in a wheelchair Cinematographer in A Bout de Souffle follows characters in and out of buildings while pushed in a wheelchair Clever camera placement Clever camera placement Inside the carousel in Les Quatre Cents Coups Inside the carousel in Les Quatre Cents Coups

17 Grounded in Popular Culture Characters reference popular entertainers of their time period Characters reference popular entertainers of their time period Jeal-Paul Belmondo as Humphrey Bogart in A Bout de Souffle Jeal-Paul Belmondo as Humphrey Bogart in A Bout de Souffle Homages to Hollywood auteurs, such as Hitchcock Homages to Hollywood auteurs, such as Hitchcock Jazz music, popular in Paris at the time, featured often in film scores Jazz music, popular in Paris at the time, featured often in film scores Miles Davis Alfred Hitchcock Belmondo as Bogart

18 Lasting Impact New Wave techniques in Arthur Penn’s Bonnie and Clyde (1967) New Wave techniques in Arthur Penn’s Bonnie and Clyde (1967) “New Hollywood” directors all claim inspiration from French New Wave: Altman, Coppola, De Palma, Polanksi, and Scorsese “New Hollywood” directors all claim inspiration from French New Wave: Altman, Coppola, De Palma, Polanksi, and Scorsese Similar movements in Europe Similar movements in Europe “Nuberu bagu” in Japan in the 1960s “Nuberu bagu” in Japan in the 1960s

19 Contemporary Influences Linklater’s Waking Life has a vignette devoted to a discussion of Bazin’s film theory Linklater’s Waking Life has a vignette devoted to a discussion of Bazin’s film theory Tarantino dedicated Reservoir Dogs to Godard Tarantino dedicated Reservoir Dogs to Godard Opening scenes of Wes Anderson’s The Royal Tenenbaums mimic the opening of Varda’s Cleo de 5 a 7 Opening scenes of Wes Anderson’s The Royal Tenenbaums mimic the opening of Varda’s Cleo de 5 a 7 Soderbergh frequently uses jump cuts in the style of Godard Soderbergh frequently uses jump cuts in the style of Godard Eternal Sunshine of the Spotless Mind borrows heavily from Godard as well Eternal Sunshine of the Spotless Mind borrows heavily from Godard as well


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