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The Salon, or Paris Salon, beginning in 1725 was the official art exhibitionart exhibition of the Académie des Beaux-Arts in Paris, France. Académie des.

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Presentation on theme: "The Salon, or Paris Salon, beginning in 1725 was the official art exhibitionart exhibition of the Académie des Beaux-Arts in Paris, France. Académie des."— Presentation transcript:

1 The Salon, or Paris Salon, beginning in 1725 was the official art exhibitionart exhibition of the Académie des Beaux-Arts in Paris, France. Académie des Beaux-ArtsParisFrance Between 1748–1890 it was the greatest annual or biannual art event in the Western world. From 1881 onward, it has been organized by the Société des Artistes Français.Société des Artistes Français

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4 Jacques-Louis David. The Tennis Court Oath, 1791, pen washed with bistre with highlights of white

5 Jacques-Louis David. The Sabine Women, , oil on canvas

6 Jacques-Louis David. Napoleon at Saint Bernard Pass, 1800, oil on canvas

7 Jacques-Louis David. Madame Recamier, 1800, oil on canvas

8 Left: Jean-Auguste- Dominique Ingres. Self- Portrait, 1804, oil on canvas Below: Jean-Auguste- Dominique Ingres. Self- Portrait, 1858, oil on canvas

9 Jacques-Louis David. The Coronation of Napoleon, , oil on canvas

10 Jacques-Louis David. Napoleon in his Study, 1812, oil on canvas Napoleon Bonaparte/ tirelessly at work/ elaborate furniture in the Empire Style/ tucked away hand/ Plutarch’s Lives/ Napoleonic Code/ expression of republican virtue

11 Jean-Auguste-Dominique Ingres. Grande Odalisque, 1814, oil on canvas

12 Jean-Auguste-Dominique Ingres/ odalisque/ emphasis on linear forms without visible brushstrokes/ elongated vertebrae/ debt to Mannerism and to a new Romantic movement/ love of sensuous textures

13 Jean-Auguste-Dominique Ingres. Odalisque with a Slave, , oil on canvas

14 Jean-Auguste- Dominique Ingres. Bather of Valpincon, 1808, oil on canvas image of deceptive simplicity/ subtle distortions with erotic allusions/ flawless surface

15 Left: Jean-Auguste- Dominique Ingres. Louis Bertin, 1832, oil on canvas Right: Jean-Auguste- Dominique Ingres. Louis Bertin, 1832, pencil drawing (detail)

16 Jean-Auguste-Dominique Ingres. The Comtesse d’Haussonville, 1845, oil on canvas

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18 Jean-Auguste-Dominique Ingres. Napoleon Enthroned, 1806, oil on canvas

19 Oedipus and the Sphinx, Jean-Auguste- Dominique Ingres, 1808

20 Jean-Auguste- Dominique Ingres. Jupiter and Thetis, 1811, oil on canvas

21 Jean-Auguste-Dominique Ingres. The Apotheosis of Homer, 1827, oil on canvas

22 a doctrine of ideal form/ “sovereign geniuses”

23 Antonio Canova. Pauline Borghese as Venus, 1808, marble Antonio Canova/ Neoclassical taste in sculpture

24 Pierre Vignon. La Madeleine (Paris, France), Pierre Vignon/ a classical shell on a high podium/ a link between the Napoleonic and Roman empires

25 Jacques-Germain Soufflot. The Pantheon, or Sainte- Genevieve (Paris),


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