1. It Sifts from Leaden Sieves
By Emily Dickinson.

2. It sifts from Leaden Sieves By Emily Dickinson (1830-1886)
It sifts from Leaden Sieves — It powders all the Wood. It fills with Alabaster Wool The Wrinkles of the Road — It makes an Even Face Of Mountain, and of Plain — Unbroken Forehead from the East Unto the East again — It reaches to the Fence — It wraps it Rail by Rail Till it is lost in Fleeces —

3. It deals Celestial Vail To Stump, and Stack - and Stem — A Summer’s empty Room — Acres of Joints, where Harvests were, Recordless, but for them — It Ruffles Wrists of Posts As Ankles of a Queen — Then stills its Artisans — like Ghosts — Denying they have been —

4. Analysis

5. It sifts from Leaden Sieves — It powders all the Wood.
It is unidentified. What is “it”? Our guess for now is (snow).
Metaphor: clouds that produce the snow are likened to leaden sieves. Snowfall is likened to sifting.

6. Personification
Snow is given human characteristics in this poem: it sifts and powders and changes, though temporarily, the face of the earth.

7. Leaden
Definition of leaden in Oxford Dictionary adjective 1- Dull, heavy, or slow: his eyelids were leaden with sleep 2- Of the colour of lead: dull grey:a leaden sky

8. Snow is also likened to a powder: just like powder it is extra soft and can spread over things.

10. It fills with Alabaster Wool The Wrinkles of the Road — It makes an Even Face Of Mountain, and of Plain — Unbroken Forehead from the East Unto the East again —

11. Alabaster

13. Wool

14. Alabaster and wool
An oxymoron is a figure of speech that juxtaposes elements that appear to be contradictory.
“Alabaster Wool” seem contradictory, since one is a hard, heavy substance, while the other is soft and fluff.

15. Another contradiction
Snow is likened to wool, even though snow is cold, while wool is used in garments to maintain warmth.

16. Metaphor
The land is resembled to a face: “wrinkles”, “face”, “forehead”. Even the words alabaster comes in collocation with the word (skin), as in (alabaster skin).

17. Metaphor: Death?
Winter season comes after fall. In autumn, the earth loses its beauty with leaves of trees turning yellowish and falling. Trees are bare of leaves and fruits – with harvest-.
Can these line mean that after the “death” of the earth in fall, the sky –like a sister- shrouds earth in white – as in covering corpses?

18. Another metaphor: rejuvenation?
Nature wears a white suit of snow during winter. If by connotation of whiteness of snow, earth is an old woman, then the powdering process is to hide the earth’s decadent features. Winter becomes the first stage of the earth’s rejuvenation.

19. It makes an Even Face Of Mountain, and of Plain — Unbroken Forehead from the East Unto the East again — Comment: All the landmarks of the earth now are even and equal against the power of snow. East is emphasized as a point for the beginning of the snow cover: Is it because the east is connected to sunrise? The beginning of the day? All in all, winter is the first stage of transformation of nature back to youth.

20. An extended metaphor
The poem carries an extended metaphor of snow and fabric. Can you find the clues?

21. It reaches to the Fence — It wraps it Rail by Rail Till it is lost in Fleeces —
The snow works very attentively efficiently in covering the rails.

24. Punctuation
This poem is unique in the way sentences are ended not by a full-stop, but by a hyphen.
What is the significance of this on the meaning of the poem?

25. Capitalization

26. Sound
This poem utilizes assonance, consonance, and alliteration.

27. Assonance It is the repetition of vowel sounds in adjacent words.
Example:
It sifts

28. Consonance
It is the repetition of a consonant sound in words that are close to each other.
Example:
It sifts from Leaden Sieves.

29. Alliteration
It is the repetition of a consonant sound at the beginning of adjacent words. It is a type of consonance. Example from the poem: It sifts from Leaden Sieves

31. زهور
للشاعر المصري أمل دنقل

32. وسلالٌ منَ الورِد, ألمحُها بينَ إغفاءةٍ وإفاقه وعلى كلِّ باقةٍ اسمُ حامِلِها في بِطاقه ***

33. تَتَحدثُ لي الزَهراتُ الجميلهْ أن أَعيُنَها اتَّسَعَتْ - دهشةً - لحظةَ القَطْف, لحظةَ القَصْف, لحظة إعدامها في الخميلهْ!

34. تَتَحدثُ لي..
أَنها سَقَطتْ منْ على عرشِها في البسَاتين
ثم أَفَاقَتْ على عَرْضِها في زُجاجِ الدكاكينِ, أو بينَ أيدي المُنادين,
حتى اشترَتْها اليدُ المتَفضِّلةُ العابِرهْ
كيف جاءتْ إليّ..
(وأحزانُها الملَكيةُ ترفع أعناقَها الخضْرَ)
كي تَتَمني ليَ العُمرَ!
وهي تجودُ بأنفاسِها الآخرهْ!!

35. كلُّ باقهْ. بينَ إغماءة وإفاقهْ تتنفسُ مِثلِىَ - بالكادِ - ثانيةً
*** كلُّ باقهْ.. بينَ إغماءة وإفاقهْ تتنفسُ مِثلِىَ - بالكادِ - ثانيةً.. ثانيهْ وعلى صدرِها حمَلتْ - راضيهْ... اسمَ قاتِلها في بطاقهْ!