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Balenciaga & Charles James Sabrina Herzing The 50’s.

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Presentation on theme: "Balenciaga & Charles James Sabrina Herzing The 50’s."— Presentation transcript:

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2 Balenciaga & Charles James Sabrina Herzing

3 The 50’s

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7 Cristobal Balenciaga: Bio Balenciaga was born in Span in His mother was a seamstress who taught Balenciaga sewing and cutting. At 12, he was already working as an apprentice for a local tailor, where he caught the eye of local royalty who paid for his formal training in Madrid. He opened his first boutique in San Sebastián in 1919, where he had immediate success. Other stores soon followed in Barcelona and Madrid. His designs attracted high profile clients, including members of the royal family of Spain. During the Spanish Civil War, Balenciaga moved to Paris and opened his couture house on Avenue George V (1937). The French couturiers like Coco Chanel and Jeanne Lanvin considered his designs revolutionary, within a few years of his arrival in France. In 1968, Balenciaga retired and passed away in 1972, and is still regarded as the greatest couturier ever.

8 Cocktail Dress spring/summer 1948 Silk, suede

9 Evening Coat fall/winter 1950 Silk

10 Fall 1950 Cocoa colored

11 Evening Dress fall/winter 1950 Tulle

12 1950’s : day wear, wool, (1 st ) barrel line &volume, (2 nd ) 2piece tunic dress, (3 rd ) baby doll

13 Day Wear Fall 1952 Wool and blouse

14 Evening Wrap 1954–55 Pink silk faille

15 Day Dress 1955–56 Wool

16 Evening wear 1957 collection

17 1960’s Day dress: wool & silkDay cot: wool

18 Career Balenciaga’s work was influenced by historical styles: the costumes of the young Spanish princesses from portraits by Diego Velázquez and the "jacket of light" traditionally worn by bullfighters inspired a lot of his evening wear. During World War II, Balenciaga developed his iconic square coat: the sleeve was cut in one piece with the yoke. His designs became streamlined and linear after the war, and this contrasted the curvy hourglass shape from Christian Dior’s New Look. The utilization of fluid lines allowed Balenciaga to alter the way clothing related to a woman's body. Waistlines were dropped or raised, regardless of the natural waistline. He introduced the balloon jacket (1953): an sphere that encased the upper body. Then he created the high-waisted baby doll dress (1957), the gracefully draped cocoon coat, and the balloon skirt. The balloon skirt was shown as a single pouf or two; one on top of the other. Then came the sack dress (1957) and the chemise (1958) had indiscernible waists, but both were considered universally flattering. In these designs, he made a new feminine silhouette. He continued to work into the 1960’s.

19 Career Cont. In his work, Balenciaga’s use of fabric was innovative. He liked bold materials, heavy cloths, and ornate embroideries. Balenciaga developed his own unique color combinations like black and brown or black lace over bright pink. He frequently used silk, suede, wool, satin rhinestones, beads, and lace. With a Swiss fabric company, he developed silk gazar: a stiffer version of the pliable fabric that he used in suits, day dresses, and evening wear.

20 Vintage Show

21 Charles James Bio Charles James was born on July 18, 1906, in England. He began his career by sculpting hats right on his clients’ heads in the shop he named, Charles Boucheron. He began to have his hats merchandised through a large department store, in New York, and he began designing dresses there. London became his hew home in 1929 and for the next ten years he spent his time in London and Paris, with brief business trips to Chicago and New York. James married Nancy Lee Gregory in 1954, and they had one son named Charles James, Jr. After a life dedicated to his art, James died in New York in 1978.

22 "Ribbon" ball gown, 1947 Silk: cream, yellow, and gray satin; blue faille; gray and pale green taffeta

23 Wedding dress, 1948–49 Pink and ivory silk taffeta

24 Suit, 1950 Mulberry wool broadcloth

25 Dinner suit, 1950 Gray wool flannel, gunmetal gray silk

26 "Swan" evening dress, 1951 Ivory silk satin; black marquisette; black fringe; multiple layers of tulle in ombré tones of brown between layers of black tulle

27 Theater suit, 1951 Copper silk satin, black wool cashmere

28 Cocktail dress, 1952 Tobacco brown silk taffeta, brown jersey

29 "Four-Leaf Clover" ball gown, 1953 Silk: Ivory Duchesse satin; ivory faille; black velvet (velours de Lyon); synthetic: nylon mesh

30 Ball gown, 1954 Emerald green silk satin

31 "Butterfly" ball gown, 1955 Silk: smoke gray chiffon; pale gray satin; aubergine, lavender, and oyster; synthetic: white nylon

32 "Tree" evening dress, 1955 Silk: rose pink taffeta; white satin; synthetic: red, pink, and white tulle

33 "Diamond" evening dress, 1957 Silk: ivory satin: mushroom gros de londres; black velvet

34 Career In 1929, James designed his famous taxi dress with zippers on the torso. He also created produced the Corselette (L’Sylphide) evening dress and the two-pattern piece halter gown in La Sirene: evening dress with a pleated front panel, was created in Then the Figure-8 wrapped skirt followed in Charles James, Inc. opened at 64 East Fifty-Seventh Street, New York City, in He ignored wartime rationing with huge evening gowns and began designing collections for Elizabeth Arden in After leaving Arden, he established himself on Madison Avenue, most of the existing James couture pieces were created here. James began designing collections of dresses and separates for Seventh Avenue’s Samuel Winston in 1952, he designed and suits and coats for William Popper, James designed furs for Gunther Jaeckel and belts for Bruno Belt (1953), and he added a line of jewelry to be manufactured by Albert Weiss (1954). He is mainly remembered for his spectacular eveningwear, but his daywear was equally iconic.

35 Career Cont. James’ designs were iconic and detail oriented works of art, but he did not truly garnish his work with trims. He manipulated fabrics to create stunning silhouette. Throughout his career, he used rich fabrics. In the 1940’s, he used classic evening wear fabrics like taffeta and silk: crepe, satin, taffeta. In the 1950’s, James experimented with other rich fabrics for his evening and day wear. He used velvet, chiffon, tulle, nylon mesh, jersey, silk (satin, taffeta and faille), and wool (broadcloth, cashmere and flannel).

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