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**Pure Tones and the Sine Wave**

Need oscilloscope, signal generator, speaker, microphone. Cables Audition demo. Matlab demo (obsolete) Need springs and weights Wave generator with sine wave generator and poles and glowstring Worksheet #1 Show speaker moving, light candle, tuning fork in water, strobe Show traveling waves and standing waves on string Show speaker exciting sound in guitar and tuning fork speaker as mic strobe freeze speaker (do fast strobe and adjust speaker frequency) show 60cycle hum by touching mic cable Ready to record guitar and redo overtones Physics of Music PHY103 Lecture 2 Image from

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**Trig definition of a sine wave**

Period or wavelength amplitude From math learning service U. Adelaide

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**Harmonic motion From ecommons.uwinnipeg.ca/ archive/00000030/**

Show spring oscillating From ecommons.uwinnipeg.ca/ archive/ /

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**Velocity and Position Sine and Cosine**

From www2.scc-fl.com/lvosbury/AnimationsForTrigono...

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**Pythagorean theorem Conservation of Energy**

When the spring is extended, the velocity is zero. When the spring is in the middle, the velocity is maximum. The position is the sine wave, the velocity is the cosine wave. Kinetic energy (square of velocity) + Potential energy (square of position) is total energy is conserved. b=c Sin(θ) θ a=c Cos(θ)

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**Making a pure tone with Matlab**

Making a pure tone with mathematical. The matlab routine that makes this is called sinewave.m

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Sine Wave Period (units time or seconds) Amplitude

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Sine Wave Wavelength (units cm) Amplitude Position x For a wave on water or on a string spatial variation instead of temporal variation

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**Amplitude Angular frequency Units depend on what is measured**

Velocity, pressure, voltage? Angular frequency angular frequency radians per second frequency in Hz cycles per second

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**Relation between frequency and period**

Suppose the period is P=0.2s I need 5 cycles to add up to 1s So the frequency is f=5Hz. The number of periods/cycles that add up to 1 second is the frequency fP=1 f=1/P

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**Relation between frequency and period P=1/f**

1 second 12 cycles in 1 second The frequency is 12 Hz The period (time between each peak is 1/12 seconds or 0.083seconds

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**How does energy/power depend on the amplitude?**

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**How does energy/power depend on the amplitude?**

Energy depends on the sum of the square of velocity and square of position (from equilibrium) We expect that the energy or power (energy per second for a traveling wave) depends on the square of the amplitude. Power proportional to square of Amplitude

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Decay – loss of energy

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**Showing a sine wave on the oscilloscope**

Experiments: use signal generator attached to speaker Talk about dials on signal generator Test out hearing at low and high frequencies Discuss the way that sound is made with the speaker. Sound is moving air but moving at high frequencies Show the speaker moving at very low frequencies Discuss dials on the oscilloscope Attach microphone to oscilloscope Play a note and show both the signal from the signal generator and that measured by the oscilloscope. Make Lissajous figures (microphone + generator) Make Lissajous figures (2 generators) Talk into the microphone and see what is on the oscilloscope Use the speaker as a microphone

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**Signal or waveform generator**

Can adjust Shape of wave (sine, triangle, square wave) Voltage (amplitude of wave) Frequency of wave Oscilloscope Adjust voltage of display (y–axis) Adjust time shown in display (x-axis) Adjust trigger Can also place display in x-y mode so can generator Lissajous figures

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**Sine waves – one amplitude/ one frequency**

Sounds as a series of pressure or motion variations in air. Sounds as a sum of different signals each with a different frequency. Demo: adobe audition in real time or in frequency space

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**Clarinet spectrum Clarinet spectrum with only**

the lowest harmonic remaining Frequency clar_cut.mp3 Time

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**Waveform view Full sound Only lowest harmonic**

clar_cut.mp3 Complex tone Pure tone

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**Touching the string at a node after plucking**

guitar_harmonic3.mp3 harmonic

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**Decomposition into sine waves**

We can look at a sound in terms of its pressure variations as a function of time OR We can look at a sound in terms of its frequency spectrum This is equivalent to saying each segment is equivalent to a sum of sine waves. “Fourier decomposition” Some of the character or “timbre” of different sounds comes from its spectrum: which harmonics are present, how strong they are, and where they are exactly (they can be shifted from integer ratios)

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**Audition tutorial: Pulling up the spectral view**

show recording in audition show waveform and spectroscopic views zoom into waveform view to see oscillations

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**Zoom in horizontal axis**

Zoom in vertical axis Record Zoom in horizontal axis Loop Play

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**Right click and hold on the axes will also allow you to adjust the range**

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**Getting a linear frequency spectrum**

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**Harmonics or Overtones**

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**Wavelengths and frequencies of Harmonics**

And velocity v on the string

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**Relation between frequency and wavelength**

quantity wavelength frequency meaning distance cycles per second units cm Hz symbol λ f longer wavelengths slower motion wavelength of fundamental mode is inversely proportional to frequency

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**Wavelength/Frequency**

cm x 1/s = cm/s frequency is related to wavelength by a speed -- The speed that disturbances travel down a string

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Traveling waves

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Traveling waves Right traveling Left traveling Law of cosines

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**Sums of same amplitude traveling waves gives you standing waves**

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**Why the second mode has twice the frequency of the fundamental**

Exciting the fundamental. Excite a pulse and then wait until it goes down the string and comes all the way back. Exciting the second harmonic. When the first pulse gets to the end the string, you excite the next pulse. This means you excite pulses twice as often. You must drive at twice the frequency to excite the second mode

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**Adding two traveling waves one moving left one moving right**

Standing wave!

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**Traveling waves vs standing waves**

Can think of standing waves as sums of left traveling and right traveling waves The time to go from zero to max depends on the time for the wave to travel a distance of 1 wavelength smaller wavelengths have faster oscillation periods (frequencies) If the waves move faster on the string then the modes of oscillation (the standing waves) will be higher frequency

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**Wave speed dimensional analysis**

Only quantities we have available: String density (mass per unit length) ρ String length L Tension on string T Force = mass times acceleration F=ma (units g cm/s2) Tension on a string is set by the force pulling on the string So T is units of g cm/s2 mg

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**Wave speed dimensional analysis continued**

We want a velocity (cm/s). How do we combine the 3 physical quantities to get a velocity? String density ρ (g/cm) String length L (cm) Tension T (g cm/s2) T/ ρ has units cm2/s2 so a velocity is given by To get a quantity in units of frequency we divide a velocity by a length When we think about oscillating solids (copper pipes for example) the thickness is also important.

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**Spring/String Spring String Heavier weight Slower frequency**

Heavier mass string slower fundamental mode frequency Stronger spring Higher frequency Tenser string Higher fundamental frequency

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Copyright © 2010 Pearson Education, Inc. Lecture Outline Chapter 13 Physics, 4 th Edition James S. Walker.

Copyright © 2010 Pearson Education, Inc. Lecture Outline Chapter 13 Physics, 4 th Edition James S. Walker.

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