Presentation is loading. Please wait.

Presentation is loading. Please wait.

The Birth of Art What Genesis is to the biblical account of the beginning of the human race, early cave art is to the history of human intelligence, imagination,

Similar presentations


Presentation on theme: "The Birth of Art What Genesis is to the biblical account of the beginning of the human race, early cave art is to the history of human intelligence, imagination,"— Presentation transcript:

1 The Birth of Art What Genesis is to the biblical account of the beginning of the human race, early cave art is to the history of human intelligence, imagination, and creative power. In the caves of southern France and northern Spain, the first of which were discovered only a little over a century ago, as well as in central Europe, Asia, and Africa, where humankind seems to have had its origin, we may witness the birth of that unique capability that has made us masters of our environment---the making of images and symbols. The Birth of Art What Genesis is to the biblical account of the beginning of the human race, early cave art is to the history of human intelligence, imagination, and creative power. In the caves of southern France and northern Spain, the first of which were discovered only a little over a century ago, as well as in central Europe, Asia, and Africa, where humankind seems to have had its origin, we may witness the birth of that unique capability that has made us masters of our environment---the making of images and symbols.

2 Bison, detail of a painted ceiling in the Altamira cave (Santander, Spain), c. 14,000-12,000 BC, Each bison approx. 8 ’ long

3 Bison, detail of a painted ceiling in the Altamira cave (Santander, Spain)

4 Standing Bison, Altamira cave, Spain, c. 12,000 BC, 1.8x1.5 m

5

6 Left section of the lion panel, Chauvet cave, black pigment on limestone wall, Vallon-Pont-d ’ Arc, Ard è che Valley, France, ca. 27,000-17,000 BC, approx. half life-size.

7 Aurochs, horses, and rhinoceroses, wall painting in Chauvet Cave, Vallon-Pont-d ’ Arc, Ardèche, France, ca. 30,000-28,000 BC, approx. half life-size.

8

9

10

11 bank of the river V é z è re

12 Diagram of Lascaux cave system, Dordogne, France

13

14 Hall of Bulls, Lascaux caves, c. 15,000-13,000 BC. Paint on limestone.

15

16

17

18

19

20

21 “ Chinese Horse, ” Lascaux, Dordogne, France, c. 15,000-13,000 BC. Paint on limestone rock, horse 1.42 m long.

22 Bird-headed Man with Bison and Rhinoceros, Lascaux caves, paint on limestone, 2.75m

23 Cave engraving with figure of mythical beast, Mount Helan, Ningxia, China, Archaic hunter period (12th – 10th millennium BC).

24 Men and women hunting kangaroos, Unbalanya Hill, Arnhem Land, Northern Territory, Australia, Rock painting. Aboriginal artists used two relatively different styles, a naturalistic one for animals and a schematic one for humans---in common with those in Europe. The revolutionary finds (1996) challenged basic assumptions about when and where humans evolved. 75,000-50,000 BC. The stone tools and other finds suggest that Australia was inhabited as long ago as 174,000 BC.

25

26 Spotted horses and negative hand imprints, Pech-Merle, Lot, France, c. 22,000 BC

27 Two Bison, clay relief in cave at Le Tuc d ’ Audoubert (Ariège, France), c. 12,000 BC, L. 2’

28 Bison with turned head, from la Madeleine, Dordogne, France, c. 12,000 BC. Reindeer horn, 10.5 cm long, Musée des Antiquités Nationales.

29 Human with feline head, from Hohlenstein-Stadel, Germany, ca. 30,000 BC. Mammoth ivory, 11 ” h. Ulmer Museum, ULM.

30 Woman from Brassempouy, France, c. 28,000 BCE. Ivory, 3.5 cm. Some doubt its authenticity, since it was recovered at a dig where the workers were paid by what they discovered.

31 This is a reconstruction of what the original Venus of Brassempouy may have looked like. The artist has imagined a heavy net over the hair, giving the effect of both a hat and braided hair. Anyway, the miniature head is one of the few Ice Age figures with facial features and a detailed hairstyle.

32 Woman from Willendorf, Austria. c. 28,000-25,000 BC. Limestone, h. 11 cm, Naturhistorisches Museum, Vienna

33 The Venus of Hohle Fels is an Upper Paleolithic Venus figurine dated to between and years ago, belonging to the early Aurignacian, and is the oldest undisputed example of Upper Paleolithic art and figurative prehistoric art in general. The 2008 excavations at Hohle Fels Cave in the Swabian Jura of southwestern Germany. The figure, about 2.4 inches tall, was carved from a mammoth tusk. fertility totems?

34 Four views of the venus. Source: f79/totemc/_ _venus_jesen_ 466.jpg

35 The figurine, found in 2008 in a cave in Schelklingen, southern Germany is thought to be the world's oldest reproduction of a human.

36 The Venus of Hohle Fels in its protective casket.

37

38 Woman holding a bison horn, from laussel, Dordogne, France, c. 23,000-20,000 BC. Painted limestone, approx. 44cm high, Musee A ’ quitanine, Bordeaux.

39 Alignment of menhirs, Carnac, Brittany, France, c BC. Stone, cm high. The Carnac menhirs number almost three thousand, arranged in parallel rows nearly 4000 m long. A small village has grown up around the menhirs (The word is formed by two Celtic words: men meaning “ stone ” and hir meaning “ long ” ). They are unhewn or slightly shaped single stones (monoliths), indicating probably an important Neolithic religious center in what is now northern France. (Dolmens – dol means “ table ” )

40

41 Stonehenge, Salisbury Plain, Wiltshire, England, aerial view, ca BC, 24 ’ h. 97 ’ d

42 The Rise of Civilization The Art of the Ancient Near East When humans first gave up the dangerous and uncertain life of the hunter and gatherer for the more predictable and stable life of the farmer and herder, the change in human society was so astounding, so fundamental, that it justly has been called the Neolithic Revolution. This revolutionary change in the nature of daily life first occurred in Mesopotamia---a Greek word that means “ the land between the rivers. ” There humankind first learned how to use the wheel and the plow, how to control floods and construct irrigation canals. The land became an oasis--- and the presumed setting for the biblical Garden of Eden. The Mesopotamian society began to flourished along the Tigris and Euphrates rivers between 4000 and 3000 BC. They are credited not only with the invention of the wheel, but also with the invention of writing. They developed schools, libraries, and written law. Unlike Egypt, which was protected on all sides by sea and desert, Mesopotamian society was constantly threatened by invasion. Perhaps this explains why stories told in much Mesopotamian art are about the fighting.

43

44

45 Seated female, 7000 – 6000 BC Mesopotamia

46

47 Beaker, painted in brown glaze ca B.C., 28.6 cm, N.Y. Met. Mus.

48 CARVED VASE (one sided), from Uruk. c BCE.

49 Head of a ram, 3300 – 3100 B

50 Female head, from Uruk, Iraq, ca BC Marble, approx. 8 ” h. Iraq Museum, Baghdad.

51 White Temple and ziggurat, Uruk (modern Warka, Iraq, ca BC

52 Ur, Ziggurat, Entrance facade, Neo-Sumerian, B.C.

53 Ur-Nina and Family, B.C., Paris, Louvre

54 Banquet scene, cylinder seal, from the tomb of Pu-abi, Royal Cemetery, Ur (modern Muqayyar), Iraq, ca BC, Lapis lazuli, approx. 2 ” high, British Museum. By 3000 BC, Sumerians further simplified their pictographic signs and developed cuneiforms, which marked the beginning of writing.

55 Cylinder seal and modern impression hunting scene

56 Administrative tablet with cylinder seal impression

57 Cuneiform Writing. It was the Sumerians who developed the earliest known writing.

58 Lion Monster, c BC. Limestone, 8.9 cm Kneeling Bull, Iran, BC. Silver, 16.3 cm, MMOA

59 Statuettes of worshipers, from the Square Temple at Eshnunna (modern Tell Asmar), Iraq, ca BC. Gypsum inlaid with shell and black limestone, tallest 76 cm h. Baghdad and Chicago.

60 War side of the Standard of Ur, from Tomb 779, Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, ca BC. Wood inlaid with shell, lapis Lazuli, and red limestone, approx. 20 x 48 cm, British Museum, London.

61 Peace side of the Standard of Ur.

62 Bull-headed Lyre (restored) 165 cm h. Lyre soundbox, from the tomb of Queen Puabi, Ur. c BC. Wood with inlaid gold, lapis lazuli, and shell, approx. 33 cm high. University Museum, UP, Philadelphia

63 Harp of Shabad (gold and ivory), B.C., Phila., Univ. Mus.

64 Head of an Akkadian Ruler, from Nineveh (modern Kuyunjik), Iraq, c BC. Copper, 36.5 cm h, Iraq Museum, Baghdad.

65

66 Ziggurat (northeastern fa ç ade with restored stairs), Ur (modern Tell Muqayyar), Iraq, ca BC. This is one of the greatest ziggurats in Mesopotamia. (ziggurat---a high stepped platform)

67 Seated statue of Gudea holding temple plan, from Girsu (modern Telloh), Iraq, ca BC, Diorite, approx cm, Louvre.

68 Votive statue of Gudea (holding a vessel from which life-giving water flows in two streams filled with leaping fish), from Lagash (modern Telloh, Iraq), ca BC, Diorite, approx cm, Louvre, Paris.

69 Hammurabi, Head, Babylonian, B.C., Paris, Louvre

70 Stele with law code of Hammurabi, from Susa (Modern Shush, Iran), ca BC, Basalt, approx. 213 cm h. Louvre. In the introductory section of the stela ’ s long cuneiform inscription, Hammurabi declared that with this code of law he intended “ to cause justice to prevail in the land and to destroy the wicked and the evil, that the strong might not oppress the weak nor the weak the strong. ” Most of the 300 or so entries that follow deal with commercial and property matters. Only sixty-eight relate to domestic problems, and a mere twenty deal with physical assault. Punishments depended on the gender and social standing of the offender. Like the Stela of Naramsin, this stela was removed to Susa by Elamite invaders.

71 Stele of Hammurabi “ 汉谟拉比法典 ” 是世界上所发 现的最早的成文的法律条文, 是人们研究古代巴比伦经济制 度与社会法治制度的极其重要 的文物;同时,它还是古代巴 比伦艺术的代表,尤其因为古 巴比伦王国流传下来的艺术品 十分罕见,所以这个石碑就更 加显得格外珍贵,石碑的雕刻 比较精细,表面高度磨光。石 碑上刻满了楔形文字,全文 280 条,对刑事、民事、贸易、 婚姻、继承、审判制度等都作 了详细的规定。法典的上部是 巴比伦人的太阳神沙玛什向汉 谟拉比国王授予法典的浮雕。 太阳神形体高大,胡须编成整 齐的须辫,头戴螺旋型宝冠, 右肩袒露,身披长袍,正襟危 坐,正在授予汉谟拉比象征权 利的魔标和魔环;汉谟拉比头 戴传统的王冠,神情肃穆,举 手宣誓。太阳神的宝座很象古 巴比伦的塔寺,表示上面所坐 的是最高的神。

72 Portrait Head of a Ruler, from ancient Iran, c BC. Copper, 34 cm MMOA

73 Inscription on the queen ’ s skirt explicitly asks the gods to protect the statue: He who would seize my statue, who would smash it, who would destroy its inscription, who would erase my name, may he be smitten by the curse of [the gods], that his name shall become extinct, that his offspring be barren ….This is Napir-Asu ’ s offering.

74 Lamassu (winged, human-headed bull), from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca BC. Limestone, approx. 422 cm high, Louvre.

75 Winged Bull from Khorsabad, Louvre

76

77

78

79 Dead Lioness, Palace at Nineveh, Assyrian, B.C., London, Brit.Mus.

80 Assyrian bas-relief sculpture, Palace at Nineveh, , London, British Museum4

81 Dying lioness, detail of a relief from the palace of Ashurbanipal, Nineveh (modern Kuyunjik), Iraq, ca BC. Gypsum, figure approx. 1 ’ 4 ” h. British Museum.

82 City attacked with a battering ram, relief, palace of king Assurnasirpal II, from Nimrud. Approx. 99cm high. British Museum, London.

83 Ashurnasirpal II Drinking from Nimrud

84

85 Assyrian bas-relief sculpture, Palace at Nineveh, , London, British Museum

86

87

88

89 Warriors with Horse, Palace of Sargon, Assyrian, B.C., Paris, Louvre

90 Ishtar Gate, (restored), Babylon, Iraq, c. 757 BC. Glazed brick, Staatliche Museum, Berlin.

91 Ishtar Gate, (glazed brick) Neo-Babylonian, B.C., Berlin, Mus.

92 Lion from Ishtar Gate

93 Reconstruction drawing of Babylon in the 6th century BC. The Oriental Institute of the University of Chicago. In this view, the palace of Nebuchadnezzar II, with its famous Hanging Gardens, can be seen just behind and to the right of the Ishtar Gate, to the west of the processional Way. The marduk Ziggurat looms up in the far distance on the east bank of the Euphrates. This structure was at times believed to be the biblical Tower of Babel-Bab-il was an early form of the city ’ s name.

94 Royal Audience Hall and stairway, palace of Darius I and Xerxes I, Persepolis, Iran, ca BC. Decorated w/ 100 columns, 12.2 m high, originally painted, the shafts show influences from other cultures, including Egypt and Greece.

95

96

97 Royal guards, relief on the stairway to the Audience Hall of Darius, Persepolis, Iran, c. 500 BC.

98

99 Partially reconstructed column with complete capital.

100

101

102

103


Download ppt "The Birth of Art What Genesis is to the biblical account of the beginning of the human race, early cave art is to the history of human intelligence, imagination,"

Similar presentations


Ads by Google