Presentation on theme: "Nam June Paik’s Waiting For UfO’s And Its Analysis"— Presentation transcript:
1Nam June Paik’s Waiting For UfO’s And Its Analysis The Ultimate “What If”Nam June Paik’s Waiting For UfO’s And Its Analysis
2Background Info of the Artist Nam June Paik is the artist behind the threepart sculpture showcased at Storm King ArtCenter, Waiting for UFO, created in 1992.He was born in Korea and focused hisstudies on music, aesthetics and art historyin Tokyo. Paik later decided to move to NewYork which is where he lived for most of hislife, until he died in 2006 in Miami.He traveled the world which was a major inspiration for his artwork. His use of televisions and video in his work eventually gave him the name “Father of Video Art”.
3Background of the Artwork An example of Paik's use of technology is in one of his most famous pieces in which he put a statue of Buddha in front of a TV. He then put a camera on top of it and had Buddha watching himself on the TV.This was the start of a new era of his art where he would include one or more statues of Buddha in his pieces. He wouldoften use the Buddha'sand Televisions to give differentmessages about mankind.
4Background of the Artwork Paik used different materials in his artwork sometimes to show the modernization of humankind.He even considered where his sculptures were placed and how that affected the reactions they received. For example, he paid attention to if they were on flat land or a slope or what surrounded the sculpture.Lastly, he liked to leave people wondering when they look at his art. For example, thinking about how the title might relate to the sculpture or how the different aspects of the sculpture relate to each other. This is seen in the faces in the ground in Waiting for UFO and with the Buddha figures watching TV.
5Landscape of Waiting for UFO Placed between two trees, Waiting for UFO is a engaging sculpture at Storm King. For starters it is one of the very few sculptures that is placed in the ground interacting with its environment.Also, because it is placed on a slope, it almost looks as if the Buddha figures are about to fall any minute. Lastly this sculpture is engaging because it invites you to walk around it and look from any angle. It wants you to find different perspectives of it and notice details that might have been missed on the first look.
6Landscape of Waiting for UFOs Placing Waiting for UFObetween two trees is a veryinteresting thing for Nam JunePaik (the artist) to have done. Whenyou look up you see the branchescovering all three of the Buddhasand their TVs, but the trees don'tcover the faces, almost like the treesdon't care about them. An interestingthing to notice is that because thetrees aren't covering the faces thefaces are looking up at the sky likethey're waiting for a UFO.
7Landscape of Waiting for UFOs In Storm King there is a famous statue called Three-Legged Buddha. If you are at Waiting for UFO and walk straight and go up a path, you come across the Three-Legged Buddha sculpture. Having two unique Buddha sculptures near each other could not be a coincidence. Not only are these sculptures hidden in a wooded area, metaphorically describing the relationship between human and religion, they also rearrange the idea of Buddhism and religion to make us think about them in a different way.
8Faces in the EarthA detail that is surprising about Paik's Waiting for UFOs, is the inclusion if six solemn faces implanted in the ground. As a group and after careful consideration we came to the conclusion that we believe that the faces represent graves of followers of the Buddha who have died waiting for enlightenment and waiting for answers from their deities that have not come.
9Faces in the EarthOne reason this detail is revealing is the placement of the faces, they are buried on a hill, this provides the illusion that there is a body underneath the ground as well and only the face has been weathered. The weathering implies that these people have been buried for a very long time. This means that after years of waiting for answers from a God or Gods these people died. Their graves are planted in front of three Buddha figures proving that after years of spending time waiting while alive, these people are still devoted to their leaders.
10Interactions between Buddha and TV In all three parts of Waiting For UFOs, the main focus of the piece are the figures depicting Buddha facing old, beaten up televisions. Paik uses this theme within many of his works. As stated in the background information, Paik uses this to comment on aspects of human experience. When one thinks about it, religion and media are two major characteristics of modern human experience.
11Interactions Between Buddha and Television Since the figures are facing the television sets, they imply that they are watching the screens. The title, Waiting For UFOs, pushes the viewer in the direction of what Paik was trying to convey. It seems that Paik’s “project” is asking, “What if” to the development of religions such as Buddhism. The order of TVs, figures, then the faces may show how the followers of the Buddha think He is the one with the answers, while, in reality, the Buddha is receiving information from extraterrestrial life (UFOs).
12Interactions Between Buddha and Television Since the entire piece seems quite eroded, worn, and old, it seems that they have been waiting for centuries. This shows how the devoted followers, even though deceased, are still waiting at the hands of their religious leaders, while the religious leaders are still waiting for more information from extraterrestrials through transmissions from machines far too advanced for this era of man. All in all, Paik is conveying how religious ideas might come from the stars above, given to certain “prophets” to spread throughout the human civilization.