3Early churchWe can only guess at the music used by the church during the apostle’s time.We do know that a form of chant was well established by the 4th century.Chant was influenced by the Psalms but some hymn-type songs were beginning to be used.The move away from Psalms produced great conflict.
4Early churchIn the 2nd-3rd century, a more heated controversy arose over the use of instruments.Early church fathers, such as Origen, could not ignore the use of instruments in Scripture but were cautious in using them for church due to associations with lascivious amusements and performances.
5Early church Two trends began to appear: One utilized instruments seeking to be in the world but not of it.The other tended to practice self denial and seclusion.The latter resulted in monasticism in the Catholic ChurchIt eventually won the day and instrumental music was prohibited from the church for nearly 1,000 years.
6Early churchEven without music, songs were viewed as a great teaching tool.Heretical teachers recognized this as well (Gnosticism and Arianism).Likewise, Ambrose (4th century), inspired by the near-Eastern hymnic enthusiasm, introduced the metrical hymn into Western worship.
7Council of Laodicea (363-364) The Council of Laodicea laid down the law concerning music:Forbade all non-Scriptural hymns.Warned about the influence of the secular music style.Took the first step toward the ultimate elimination of congregational singing by designating specific singers to participate in the service.This was the beginning of additional controversies:Sacred vs. secular musicCongregational vs. professional singing
8Church takes over music As the true founder of papal power and authority, Pope Gregory I (6th century) laid the basis for the church's take-over of music as its sole possession.Music digressed to chant using only one part, but eventually started using multiple parts on special occasions.
9Church takes over music The use of multiple parts developed to the point that it became only for professionals.The common person was unable to participate even if the church allowed it.All songs were also sung in Latin.The church continued its domineering hold on music for the next years.
10Church loses its hold on music In the 13th -14th century, people began to view church as less important due in part to:Rival Popes in Avignon and RomeFailure of the CrusadesDivision of the West and EastPeasant uprisingsHundred Year’s WarCorruption of the clergyMan began to react and turn from the church.
11Church loses its hold on music The common people began to take back musicDeveloped religious folk songs for use outside of churchUsed familiar music to produce songs that expressed religious urges and feelings rather than teach.Italians utilized music of the troubadours.Likewise, other countries used music native to their countries.Was this a good development or was it a sign of a weakening and corruption of the church?
12The church’s reactionIn 1325, Pope John XXII sought to squelch this trend by issuing a bull that spoke against:“Figurated” music.Polyphony in new music.New styles of music.The people resented this legislation and continued to develop musicAristocratic courts became new developer of music.
13Reformation influence Began 100 years before reformation with the Czech, John Huss ( ).Utilized single-part songs for the congregation.Would not use instruments.Built a bridge between professional and congregational singing.Tore down the barrier between the secular and sacred.
14Reformation influence Built on the lively singing tradition of the Germans and gave them songs in their own language.Utilized music of the Catholic Church and non-sacred music.Used instruments.Used music with multiple parts.Martin Luther
15Reformation influence SwitzerlandFollowed Huss in reacting to the Catholic Church.Abolished musicDestroyed organsEradicated all other ornaments in worshipUlrich Zwingli
16Reformation influence Took over in Switzerland after Zwingli’s death.Believed only what God inspired should be used in worship.Thus, he only used the PsalmsPut to metrical form and sung to simple unaccompanied unison tunes.John Calvin
17Reformation influence As a result of the Reformation, Protestants stood with two musical positions:An emphasis on elaborate polyphonic music.An emphasis on unaccompanied, Psalm-only, simple songs set to simple metrical forms or folkish tunes.
18Catholic reactionThe Council of Trent ( ) critcized poor and irreverent singing in divine worship.They commissioned Jacobus de Kerle ( ) to write music according to their principles.It allowed no participation by the peopleIt was only for professional musicians and singers.
19English hymnody Isaac Watts 1674-1748 Called the father of English hymnody.Began writing hymns at the age of 16Advocated hymns of human composure rather than only Psalms.He also paraphrased Psalms in order to create a bridge for the Psalm-only people to feel more comfortable walking across.Isaac Watts
20Wesley brothersJohn and Charles Wesley (18th century) came out of the Church of England, which was instrumental in their accepting and using new music.Did not use the choir or organ but used more familiar music.Revivalistic, yet theological.Compared to Puritan Psalm tunes, their songs were characteristic of court songs and considered a radical change.
21Church music in america Watts’ and Wesley’s hymns were used widely along with Psalms.Singing schools were started in the 18th and 19th centuries which developed new tunes while using mainly European texts (All Hail the Power, Amazing Grace).Shape notes created by singing schools.Music in the 18th and 19th centuries was influenced by the camp meetings, Sunday School movement, and revival/tent meetings.Songs characterized by pleadings to come to Christ, lighter and more optimistic.
22Controversies Psalms/Hymns Instruments/No Instruments Simple/Elaborate Unison/Multiple PartsCongregational/ProfessionalSacred vs. Secular