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An Auditory Scene Analysis Approach to Speech Segregation DeLiang Wang Perception and Neurodynamics Lab The Ohio State University.

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Presentation on theme: "An Auditory Scene Analysis Approach to Speech Segregation DeLiang Wang Perception and Neurodynamics Lab The Ohio State University."— Presentation transcript:

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2 An Auditory Scene Analysis Approach to Speech Segregation DeLiang Wang Perception and Neurodynamics Lab The Ohio State University

3 Outline of presentation l Introduction l Speech segregation problem l Auditory scene analysis (ASA) approach l Voiced speech segregation based on pitch tracking and amplitude modulation analysis l Ideal binary mask as CASA goal l Unvoiced speech segregation l Auditory segmentation l Neurobiological basis of ASA

4 Real-world audition What? Source type Speech message speaker age, gender, linguistic origin, mood, … Music Car passing by Where? Left, right, up, down How close? Channel characteristics Environment characteristics Room configuration Ambient noise

5 Humans versus machines Source: Lippmann (1997) Additionally: Car noise is not a very effective speech masker At 10 dB At 0 dB Human word error rate at 0 dB SNR is around 1% as opposed to 100% for unmodified recognisers (around 40% with noise adaptation)

6 Speech segregation problem In a natural environment, speech is usually corrupted by acoustic interference. Speech segregation is critical for many applications, such as automatic speech recognition and hearing prosthesis Most speech separation techniques, e.g. beamforming and blind source separation via independent analysis, require multiple sensors. However, such techniques have clear limits Suffer from configuration stationarity Can’t deal with single-microphone mixtures or situations where multiple sounds arrive from close directions Most speech enhancement developed for monaural situation can deal with only stationary acoustic interference

7 Auditory scene analysis (Bregman’90) l Listeners are able to parse the complex mixture of sounds arriving at the ears in order to retrieve a mental representation of each sound source l Ball-room problem, Helmholtz, 1863 (“complicated beyond conception”) l Cocktail-party problem, Cherry’53 l Two conceptual processes of auditory scene analysis (ASA): l Segmentation. Decompose the acoustic mixture into sensory elements (segments) l Grouping. Combine segments into groups, so that segments in the same group are likely to have originated from the same environmental source

8 Computational auditory scene analysis l Computational ASA (CASA) systems approach sound separation based on ASA principles l Weintraub’85, Cooke’93, Brown & Cooke’94, Ellis’96, Wang & Brown’99 l CASA progress: Monaural segregation with minimal assumptions l CASA challenges l Broadband high-frequency mixtures l Reliable pitch tracking of noisy speech l Unvoiced speech

9 Outline of presentation l Introduction l Speech segregation problem l Auditory scene analysis (ASA) approach l Voiced speech segregation based on pitch tracking and amplitude modulation analysis l Ideal binary mask as CASA goal l Unvoiced speech segregation l Auditory segmentation l Neurobiological basis of ASA

10 Resolved and unresolved harmonics l For voiced speech, lower harmonics are resolved while higher harmonics are not l For unresolved harmonics, the envelopes of filter responses fluctuate at the fundamental frequency of speech l Our model (Hu & Wang’04) applies different grouping mechanisms for low-frequency and high-frequency signals: l Low-frequency signals are grouped based on periodicity and temporal continuity l High-frequency signals are grouped based on amplitude modulation (AM) and temporal continuity

11 Diagram of the Hu-Wang model

12 Cochleogram: Auditory peripheral model Spectrogram Plot of log energy across time and frequency (linear frequency scale) Cochleogram Cochlear filtering by the gammatone filterbank (or other models of cochlear filtering), followed by a stage of nonlinear rectification; the latter corresponds to hair cell transduction by either a hair cell model or simple compression operations (log and cube root) Quasi-logarithmic frequency scale, and filter bandwidth is frequency-dependent Previous work suggests better resilience to noise than spectrogram Spectrogram Cochleogram

13 l Mid-level representations form the basis for segment formation and subsequent grouping l Correlogram extracts periodicity and AM from simulated auditory nerve firing patterns l Summary correlogram is used to identify global pitch l Cross-channel correlation between adjacent correlogram channels identifies regions that are excited by the same harmonic or formant Mid-level auditory representations

14 Correlogram Short-term autocorrelation of the output of each frequency channel of the cochleogram Peaks in summary correlogram indicate pitch periods (F0) A standard model of pitch perception Correlogram & summary correlogram of a double vowel, showing F0s

15 Cross-channel correlation (a) Correlogram and cross-channel correlation of hair cell response to clean speech (b) Corresponding representations for response envelopes

16 Initial segregation l Segments are formed based on temporal continuity and cross-channel correlation l Segments generated in this stage tend to reflect resolved harmonics, but not unresolved ones l Initial grouping into a foreground (target) stream and a background stream according to global pitch using the oscillatory correlation model of Wang and Brown (1999)

17 Pitch tracking l Pitch periods of target speech are estimated from the segregated speech stream l Estimated pitch periods are checked and re-estimated using two psychoacoustically motivated constraints: l Target pitch should agree with the periodicity of the time-frequency units in the initial speech stream l Pitch periods change smoothly, thus allowing for verification and interpolation

18 Pitch tracking example (a) Global pitch (Line: pitch track of clean speech) for a mixture of target speech and ‘cocktail-party’ intrusion (b) Estimated target pitch

19 T-F unit labeling l In the low-frequency range: l A time-frequency (T-F) unit is labeled by comparing the periodicity of its autocorrelation with the estimated target pitch l In the high-frequency range: l Due to their wide bandwidths, high-frequency filters respond to multiple harmonics. These responses are amplitude modulated due to beats and combinational tones (Helmholtz, 1863) l A T-F unit in the high-frequency range is labeled by comparing its AM repetition rate with the estimated target pitch

20 AM example (a) The output of a gammatone filter (center frequency: 2.6 kHz) in response to clean speech (b) The corresponding autocorrelation function

21 AM repetition rates l To obtain AM repetition rates, a filter response is half- wave rectified and bandpass filtered l The resulting signal within a T-F unit is modeled by a single sinusoid using the gradient descent method. The frequency of the sinusoid indicates the AM repetition rate of the corresponding response

22 Final segregation l New segments corresponding to unresolved harmonics are formed based on temporal continuity and cross- channel correlation of response envelopes (i.e. common AM). Then they are grouped into the foreground stream according to AM repetition rates l Other units are grouped according to temporal and spectral continuity

23 Ideal binary mask for performance evaluation l Within a T-F unit, the ideal binary mask is 1 if target energy is stronger than interference energy, and 0 otherwise l Motivation: Auditory masking - stronger signal masks weaker one within a critical band l We have suggested to use ideal binary masks as ground truth for CASA performance evaluation l Consistent with recent speech intelligibility results (Roman et al.’03; Brungart et al.’05)

24 Ideal binary mask illustration

25 Voiced speech segregation example

26 Systematic SNR results l Evaluation on a corpus of 100 mixtures (Cooke, 1993): 10 voiced utterances x 10 noise intrusions (see next slide) l Average SNR gain: 12.3 dB; 5.2 dB better than the Wang-Brown model (1999), and 6.4 dB better than the spectral subtraction method Hu-Wang model SNR (in dB)

27 CASA progress on voiced speech segregation 100 mixture set used by Cooke (1993) 10 voiced utterances mixed with 10 noise intrusions (N0: tone, N1: white noise, N2: noise bursts, N3: ‘cocktail party’, N4: rock music, N5: siren, N6: telephone, N7: female utterance, N8: male utterance, N9: female utterance) Cooke (1993) Ellis (1996) Wang & Brown (1999) Hu & Wang (2004) + telephone + male + female Original mixture of voiced speech

28 Outline of presentation l Introduction l Speech segregation problem l Auditory scene analysis (ASA) approach l Voiced speech segregation based on pitch tracking and amplitude modulation analysis l Ideal binary mask as CASA goal l Unvoiced speech segregation l Auditory segmentation l Neurobiological basis of ASA

29 Segmentation and unvoiced speech segretation To deal with unvoiced speech segregation, we (Hu & Wang’04) proposed a model of auditory segmentation that applies to both voiced and unvoiced speech The task of segmentation is to decompose an auditory scene into contiguous T-F regions, each of which should contain signal from the same sound source The definition of segmentation does not distinguish between voiced and unvoiced sounds This is equivalent to identifying onsets and offsets of individual T-F regions, which generally correspond to sudden changes of acoustic energy The segmentation strategy is based on onset and offset analysis

30 Scale-space analysis for auditory segmentation From a computational standpoint, auditory segmentation is similar to image (visual) segmentation Visual segmentation: Finding bounding contours of visual objects Auditory segmentation: Finding onset and offset fronts of segments Onset/offset analysis employs scale-space theory, which is a multiscale analysis commonly used in image segmentation Smoothing Onset/offset detection and onset/offset front matching Multiscale integration

31 Example of auditory segmentation

32 Speech segregation The general strategy for speech segregation is to first segregate voiced speech using the pitch cue, and then deal with unvoiced speech To segregate unvoiced speech, we perform auditory segmentation, and then group segments that correspond to unvoiced speech

33 Segment classification For nonspeech interference, grouping is in fact a classification task – to classify segments as either speech or non-speech The following features are used for classification: Spectral envelope Segment duration Segment intensity Training data Speech: Training part of the TIMIT database Interference: 90 natural intrusions including street noise, crowd noise, wind, etc. A Gaussian mixture model is trained for each phoneme, and for interference as well which provides the basis for a likelihood ratio test

34 Example of segregating fricatives/affricates Utterance: “That noise problem grows more annoying each day” Interference: Crowd noise with music (IBM: Ideal binary mask)

35 Example of segregating stops Utterance: “A good morrow to you, my boy” Interference: Rain

36 Outline of presentation l Introduction l Speech segregation problem l Auditory scene analysis (ASA) approach l Voiced speech segregation based on pitch tracking and amplitude modulation analysis l Ideal binary mask as CASA goal l Unvoiced speech segregation l Auditory segmentation l Neurobiological basis of ASA

37 How does the auditory system perform ASA? l Information about acoustic features (pitch, spectral shape, interaural differences, AM, FM) is extracted in distributed areas of the auditory system l Binding problem: How are these features combined to form a perceptual whole (stream)? l Hierarchies of feature-detecting cells exist, but do not seem to constitute a solution to the binding problem

38 Oscillatory correlation theory for ASA l Neural oscillators are used to represent auditory features l Oscillators representing features of the same source are synchronized, and are desynchronized from those representing different sources l Originally proposed by von der Malsburg & Schneider (1986), and further developed by Wang (1996) l Supported by growing experimental evidence

39 Oscillatory correlation representation FD: Feature Detector

40 Oscillatory correlation for ASA l LEGION dynamics (Terman & Wang’95) provides a computational foundation for the oscillatory correlation theory l The utility of oscillatory correlation has been demonstrated for speech segregation (Wang-Brown’99), modeling auditory attention (Wrigley-Brown’04), etc.

41 Summary l CASA approach to monaural speech segregation l Performs substantially better than previous CASA systems for voiced speech segregation l AM cue and target pitch tracking are important for performance improvement l Early steps for unvoiced speech segregation l Auditory segmentation based on onset/offset analysis l Segregation using speech classification l Oscillatory correlation theory for ASA

42 Acknowledgment l Joint work with Guoning Hu l Funded by AFOSR/AFRL and NSF


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