Download presentation
Presentation is loading. Please wait.
Published bySydnie Hodgin Modified over 3 years ago
1
Week 10 | Date: 3/28/12 | Postwar/1960s | Reading: Short History of Film 6, 7, 8 Film History
3
Nouvelle vague/New Wave Bresson | Camus| Rohmer | Resnais | Godard | Truffaut | Malle
4
Nouvelle vague/New Wave
5
<- 400 Blows <- Jules and Jim Breathless
6
New Wave The impact of Alexandre Astruc: cinema as “the art of the age”; “camera-stylo” [camera-pen]. André Bazin’s influence [Cahiers du Cinema]. The break with literature. Location shooting. New approach to acting. Independence from studios. The centrality of the director (birth of the “auteur theory”). The French New WaveThe French New Wave | Another New Wave Site | Baseline Encyclopedia of Film on The New WaveAnother New Wave SiteThe New Wave
7
Robert Bresson (French, 1901-1999) Diary of a Country Priest (1950) Trial of Joan of Arc (1962) Film History
8
Marcel Camus (1912-1982) Black Orpheus French
9
Éric Rohmer(1920- ) La Collectionneuse (The Collector) Ma Nuit chez Maud (My Night with Maud) Le Genou de Claire (Claire's Knee) L'Amour l'après-midi (Chloe in the Afternoon, Love in the Afternoon) Die Marquise von O... (The Marquise of O) Le Signe du lion La Femme de l'aviateur (The Aviator's Wife) Le Beau marriage (A Good Marriage) Pauline à la plage (Pauline at the Beach) Le Rayon vert (The Green Ray) Conte de printemps (A Tale of Springtime) Conte d'hiver (A Winter's Tale) Conte d'été (A Summer's Tale) Conte d'automne (Autumn Tale) Film History
10
Alain Resnais (French, 1922- ) Hiroshima, Mon Amour (1959) Last Year at Marienbad (1961) Providence (1977) Film History Trailer for the Re-Release of Last Year at Marienbad
11
Jean-Luc Goddard (French, 1930- ) Breathless (1960) Alphaville (1965) Masculine/Feminine (1966) Weekend (1967) Two or Three Things I Know About Her (1967) Film History Watch the Finale of Breathless on the Film History Blog
12
Jean-Luc Godard “The cinema is not an art which filmslife: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.” “All you need for a movie is a gun and a girl.” "Movies should have a beginning, a middle and an end,’ harrumphed French filmmaker Georges Franju...." "Certainly," replied Jean-Luc Godard. "But not necessarily in that order." Film History
13
François Truffaut (French, 1932-1984) 400 Blows (1959) Shoot the Piano Player (1960) Jules and Jim (1961) Fahrenheit 451 (1966) Day for Night (1973) Film History On the Film History Blog: Watch the Finale of 400 Blows Watch a Scene from Jules and Jim A. O Scott on Jules and Jim Watch a Scene from Close Encounters on YouTube
14
Louis Malle (1932- 1995) The Lovers (1958) Murmur of the Heart (1971) Pretty Baby (1978) Atlantic City (1980) My Dinner with Andre (1981) Au revoir les enfants (1987) Film History
15
The Dreamers (Bernardo Bertolucci, 2003) Film History
16
Post-WW II Auteurs Aldrich | Antonioni | Ford | Hitchcock | Huston | Kazan | Kurosowa | Lean | Minnelli | Ozu | N. Ray | S. Ray | Reed | Sirk | Stevens | Wilder | Wood | Wyler Film History
17
Robert Aldrich (American, 1918- 1993) Kiss Me Deadly (1955) Whatever Happened to Baby Jane? (1962) The Dirty Dozen (1967) The Longest Yard (1974) Film History
18
Lindsay Anderson (British, 1923-1994) This Sporting Life (1963) If... (1968) O Lucky Man! (1972) Film History Watch the Ending of If... On the Film History Blog Lindsay Anderson Whack Malcolm McDowell Upside the Head
19
Lindsay Anderson with my British Film Class, London, 1992 Film History
20
Michelangelo Antonioni (Italian, 1912-2007) L’Avventura (1960) L’Notte (1961) L’Ecclise (1962) Blow-Up (1966) Zabriskie Point (1969) The Passenger (1976) Film History
21
Ingmar Bergman (Swedish, 1918-2007) Smiles of a Summer Night (1955) The Seventh Seal (1957) Wild Strawberries (1957) Through a Glass Darkly (1961) Persona (1966) Cries and Whispers (1972) Autumn Sonata (1978) Fanny and Alexander (1982) Film History
22
John Ford (American, 1895-1973) Stagecoach (1939) The Grapes of Wrath (1940) My Darling Clementine (1946) Fort Apache (1948) She Wore a Yellow Ribbon (1949) The Searchers (1956) The Man Who Shot Liberty Valance (1962) Film History Watch the Ending of The Searchers
23
Alfred Hitchcock (British-American, 1889-1980) The Man Who Knew too Much (1934, 1956) The Lady Vanishes (1938) 39 Steps (1935) Rebecca (1940) Saboteur (1942) Spellbound (1945) Notorious (1946) Film History
24
Alfred Hitchcock Rope (1948) Strangers on a Train (1951) Rear Window (1954) Dial M for Murder (1954) The Trouble with Harry (1954) Vertigo (1958) North by Northwest (1959) Psycho (1960) The Birds (1963) Film History Watch Psycho, High Anxiety Shower Scenes
25
John Huston (American, 1906-1987) The Maltese Falcon (1941) The Treasure of the Sierra Madre (1948) Key Largo (1948) The Asphalt Jungle (1950) African Queen (1952) Moby-Dick (1956) Chinatown (Roman Polanski, 1974)—as Noah Cross Film History End of Chinatown
26
Eliza Kazan (Turkish- American, 1909-2003) A Streetcar Named Desire (1951) On the Waterfront (1954) East of Eden (1955) A Face in the Crowd (1957) Film History
27
Akira Kurosowa (Japanese, 1910-1998) Rashomon (1950) The Seven Samurai (1954) Throne of Blood (1957) Kagemusha (1980) Ran (1985) Dreams (1990) Film History
28
David Lean (British, 1908- 1991) Bridge on the River Kwai (1957) Lawrence of Arabia (1962) Doctor Zhivago (1965) A Passage to India (1984) Film History
29
Vincent Minnelli (American, 1910-1986) Meet Me in St. Louis (1944) Madame Bovary (1949) An American in Paris (1951) The Band Wagon (1953) Brigadoon (1954) Lust for Life (1956) Film History
30
Yasujiro Ozu (Japanese, 1903-1963) Tokyo Story (1953) Film History
31
Nicholas Ray (American, 1911-1979) Knock on Any Door (1949) On Dangerous Ground (1951) Johnny Guitar (1953) Rebel Without a Cause (1955) Film History
32
Satyajit Ray (1902-1992) Pather Panchali (1955) Aparajito (1956) Film History
33
Carol Reed (British, 1906-1976) The Third Man (1949) Our Man in Havana (1959) The Agony and the Ecstasy (1965) Oliver! (1968) Film History The Third Man on Film History Blog
34
Douglas Sirk (German- American, 1910-1987) Magnificent Obsession (1954) All That Heaven Allows (1955) Written on the Wind (1956) Imitation of Life (1959) Film History
35
George Stevens (American, 1904-1975) Gunga Din (1939) A Place in the Sun (1951) Shane (1953) Giant (1956) Film History Watch the Trailer for Shane.
36
Billy Wilder (Hungarian- American, 1906-2002) Double Indemnity (1944) The Lost Weekend (1945) Sunset Boulevard (1950) Ace in the Hole (1951) Some Like It Hot (1959) The Apartment (1960) Film History Wilder Clips on the Film History BlogWilder Clips on the Film History Blog: Trailers for Double Indemnity and Sunset Boulevard; A.O. Scott on Sunset Boulevard
37
Ed Wood (American, 1924-1978) Glen and Glenda (1953) Plan 9 from Outer Space (1959) A Taste of Tim Burton’s Ed Wood Film History
38
William Wyler (American, 1902- 1981) Jezebel (1938) Wuthering Heights (1939) The Little Foxes (1941) The Best Years of Our Lives (1946) Roman Holiday (1953) Ben-Hur (1959) Film History
Similar presentations
© 2018 SlidePlayer.com Inc.
All rights reserved.
Ppt on blood stain pattern analysis crime scene Ppt on astronomy and astrophysics journals Ppt on difference between product and service marketing Ppt on gas metal arc welding Ppt on computer malwares free Ppt on nutrition in hindi Ppt on cognizant technology solutions Ppt on active directory services Ppt on javascript events click Ppt on c++ programming language