Presentation on theme: "Post-Impressionists Late 1800s followed rejected their ideas emotion in paint it described the artists who followed the Impressionists and to some extent."— Presentation transcript:
Post-Impressionists Late 1800s followed rejected their ideas emotion in paint it described the artists who followed the Impressionists and to some extent rejected their ideas. They considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint. Vincent Van Gogh, Starry Night Over the Rhone, 1888.
Toulouse-Lautrec Toulouse-Lautrec Disabled poster artist known as one of the first Graphic Designers Paul Cezanne Paul Cezanne Large block-like brushstrokes; Still lifes, Landscapes Vincent Van Gogh Vincent Van Gogh Distrurbed painter of impasto and bright, vivid colors George Seurat George Seurat Founder of Pointillism Auguste Rodin Auguste Rodin Bronze sculptor; inspired by Michelangelo. “The Thinker” Paul Gauguin Paul Gauguin Rejected Urban Life and chose Tahitian women as subject Post-Impressionism
Henri de Toulouse-Lautrec Because of his disabilities, he focused only on his art. He lived in the tawdry part of Paris with outcasts, entertainers and prostitutes who became his models.
Henri de Toulouse-Lautrec ” At the Moulin Rouge” 1895 1895 Because of his disabilities, he focused only on his art. He lived in the tawdry part of Paris with outcasts, entertainers and prostitutes who became his models.
Henri de Toulouse-Lautrec Toulouse-Lautrec ” At the Moulin Rouge” 1895 Inspired by Degas. His work had an almost caricature look. He popularized the poster as an art form
Paul Cezanne Son of a wealthy banker Post Impressionists did not have much commercial success. Cézanne's art was misunderstood and discredited by the public during most of his life Saw himself as a failure Left many works unfinished and destroyed others By the time of his death in 1906 he attained legendary status.
Paul Cezanne, Still Life with Apples, 1890. Condenses themes of apples to structured abstraction
Paul Cezanne, Still Life with Apples, 1890. The structure of the apples reduced to a cone, a supports his belief that the natural world can be “ reduced to a cone, a sphere, and a cylinder”
Paul Cezanne, Still Life with Peppermint Bottle, 1894
Edvard Munch The Scream Oil and pastel on cardboard 1893. “The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell…" Edvard Munch
The Scream Norwegian painter -A moody guy. -Called his paintings his children. -He expresses modern anguish- extreme emotions. -Forerunner of EXPRESSIONISM- astyle that portrayedemotions through distorting form and color
Edvard Munch EXPRESSIONISM -Forerunner of EXPRESSIONISM a style that portrayed emotions through distorting form and color Kandinsky, 1915
Edvard Munch, The Dance of Life, 1899-1900. Tension….eerie
Gauguin, Self Portrait, 1888. Paul Gauguin Extensive world travel Lived as apainter in Tahiti Known for arbitrary use of color Arrogant, obnoxious Inspired by Japanese prints
flattens his picture plane much like the Japanese printmakers. Tahiti. He used exotic people to represent biblical characters. Madonna scene Paul Gauguin Ia Orana Maria (Hail Mary), 1891.
Paul Gauguin Self Portrait With Halo, 1889 Self Portrait With Halo, 1889. He felt himself a visionary His self portrait alludes to his divinity. (halo, apples, snake)
Tahitian Women on the Beach, 1891 Paul Gauguin, Woman With a Flower, 1891
George Seurat No line Interested in the science of color theory- how does the eye perceive color? POINTILLISM POINTILLISM Optical Mixture He felt he could take Impressionism to a higher level using Optical Mixture
Stare at the red dot on the next slide for a slow count to 10…
Art Nouveau international style an international style of art, architecture and design ( glass, furniture, jewelry) A response against industrialization that peaked in the beginning of the 20th century.
Art Nouveau highly-stylized, flowing, curvilinear designs floral plant- inspired motifs. highly-stylized, flowing, curvilinear designs often incorporating floral and other plant- inspired motifs.
Tiffany Louis Comfort Tiffany, Glass Vase, 1910.
Hotel Tassel, 1890s Hotel Tassel, 1890s. Victor Horta 1 st Art Noveau building
Art Nouveau Gaudi Spanish Architect Building was considered sculptural as well., or organically-shaped. biomorphic, or organically-shaped. a rejection to the coldness of the geometric industrial world Casa Milà, 1907.
Gustav Klimt, Kiss 6’x6’. 1908 The couple “blends “ in with the design. They are submerged by the intricate gold pattern
Aubrey Beardsley Salome with the Head of John the Baptist, 1893 Salome with the Head of John the Baptist, 1893 He was an illustrator who was denounced for decadence
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