Presentation on theme: "Designing in the Wild Bill Buxton Microsoft Research www.billbuxton.com."— Presentation transcript:
Designing in the Wild Bill Buxton Microsoft Research www.billbuxton.com
Details from Taccola’s Notebook (from first half of C15) Several sketches of ships are shown exhibiting different types of protective shields, and one with a “grappler.” (Figure: From McGee, 2004; Detail of Munich, Bayerishe Staatsbibliothek. Codex Latinus Monacensis 197 Part 2, fol. 52’)
We are deluding ourselves if we think that the products that we design are the "things" that we sell, rather than the individual, social and cultural experience that they engender, and the value and impact that they have. From a Materialist to Experiential Perspective of Design
Case Study: Lance Armstrong’s Time Trials Bike Michael Sagan Trek Bicycles
The Anatomy of Sketching Quick/Timely Inexpensive / Disposable Plentiful Clear vocabulary. You know that it is a sketch (lines extend through endpoints, …) No higher resolution than required to communicate the intended purpose/concept Resolution of the rendering does not suggest a degree of refinement of the concept that exceeds its actual state Ambiguous
If you want to get the most out of a sketch, you need to leave big enough holes. There has to be enough room for the imagination.
Sketching in Interaction Design Analogous to traditional sketching Shares all of the same key attributes More feel than look Must accommodate time & dynamics Phrasing
Exploration of Alternatives … a designer that pitched three ideas would probably be fired. I'd say 5 is an entry point for an early formal review (distilled from 100's). … if you are pushing one you will be found out, and also fired. … it is about open mindedness, humility, discovery, and learning. If you aren't authentically dedicated to that approach you are just doing it wrong! Alistair Hamilton VP Design Symbol Technologies
www.billbuxton.com In Situated Practice: The Social Life of Sketches
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