1. CRITICAL WORKSHOP - Archive and Documentary CRITICAL WORKSHOP Archive and Documentary Jane Dickson Title

2. CRITICAL WORKSHOP - Archive and Documentary Title

3. CRITICAL WORKSHOP - Archive and Documentary Title Navigating a sea of archive and documentary…

4. CRITICAL WORKSHOP - Archive and Documentary Title Navigating a sea of archive and documentary… Critical and selection skills

5. CRITICAL WORKSHOP - Archive and Documentary Title Navigating a sea of archive and documentary… Critical and selection skills Research, plan and create a short documentary

6. CRITICAL WORKSHOP - Archive and Documentary Title Man on Wire (Marsh, 2008)

7. CRITICAL WORKSHOP - Archive and Documentary Title Iraq in Fragments (Langley, 2007; ICA Films)

8. CRITICAL WORKSHOP - Archive and Documentary Title An Inconvenient Truth (Guggenheim, 2006; Paramount Pictures )

9. CRITICAL WORKSHOP - Archive and Documentary Title The Lie of the Land (Dineen, 2007; Channel4)

10. CRITICAL WORKSHOP - Archive and Documentary Title Nanook of the North, (Flaherty, 1922; Les Freres Revillon/Pathe Exchange)

11. CRITICAL WORKSHOP - Archive and Documentary Title

12. CRITICAL WORKSHOP - Archive and Documentary Title

13. CRITICAL WORKSHOP - Archive and Documentary Title The Documentary Genre

14. CRITICAL WORKSHOP - Archive and Documentary Title

15. CRITICAL WORKSHOP - Archive and Documentary Title Events in the films should be authentic and unstaged

16. CRITICAL WORKSHOP - Archive and Documentary Title Events in the films should be authentic and unstaged That the world depicted is real and not imaginary

17. CRITICAL WORKSHOP - Archive and Documentary Title Events in the films should be authentic and unstaged That the world depicted is real and not imaginary That the filmmaker is simply observing and recording events

18. CRITICAL WORKSHOP - Archive and Documentary Title L’Arrivee d’un Train a la Ciotat (Lumiere Brothers, 1885))

19. CRITICAL WORKSHOP - Archive and Documentary Title Moana (Flaherty, 1926; Paramount Pictures)

20. CRITICAL WORKSHOP - Archive and Documentary Title ‘The creative interpretation of actuality…’ John Grierson

21. CRITICAL WORKSHOP - Archive and Documentary Title Selection and Construction

22. CRITICAL WORKSHOP - Archive and Documentary Title Deutsche Wochenschau (1944; Imperial War Museum)

23. CRITICAL WORKSHOP - Archive and Documentary Title * Institution - who made the film and why * Selection of archive * Technological considerations * Editing * Music * Commentary * Sound effects * What is shown * What isn’t shown * Audience expectations * Faking and Improvers

24. CRITICAL WORKSHOP - Archive and Documentary Title The Battle of the Somme (1916; Imperial War Museum)

25. CRITICAL WORKSHOP - Archive and Documentary Title The Battle of the Somme (1916; Imperial War Museum)

26. CRITICAL WORKSHOP - Archive and Documentary Title The Battle of the Somme (1916; Imperial War Museum)

27. CRITICAL WORKSHOP - Archive and Documentary Title The Battle of the Somme (1916; Imperial War Museum)

28. CRITICAL WORKSHOP - Archive and Documentary Title The Battle of the Somme (1916; Imperial War Museum)

29. CRITICAL WORKSHOP - Archive and Documentary Title The Battle of the Somme (1916; Imperial War Museum)

30. CRITICAL WORKSHOP - Archive and Documentary Title The Battle of the Somme (1916; Imperial War Museum)

31. CRITICAL WORKSHOP - Archive and Documentary Title The Battle of the Somme (1916; Imperial War Museum)

32. CRITICAL WORKSHOP - Archive and Documentary Title * A very patriotic documentary two months after the attack. You wish to encourage belief that the events of that day would help shorten the war. * You are a pacifist film maker who wishes to show the pointlessness of the attack. * A documentary for Channel Four showing the strategic importance of the 1st July attack. The Task

33. CRITICAL WORKSHOP - Archive and Documentary Title Research

34. CRITICAL WORKSHOP - Archive and Documentary Title Research Moving Images

35. CRITICAL WORKSHOP - Archive and Documentary Title Research Moving Images Music

36. CRITICAL WORKSHOP - Archive and Documentary Title Research Moving Images Music Script

37. CRITICAL WORKSHOP - Archive and Documentary Title CRITICAL WORKSHOP - Archive and Documentary Title * A very patriotic documentary two months after the attack. You wish to encourage belief that the events of that day would help shorten the war. * You are a pacifist film maker who wishes to show the pointlessness of the attack. * A documentary for Channel Four showing the strategic importance of the 1st July attack. The Task

38. CRITICAL WORKSHOP - Archive and Documentary Title What critical questions did you ask of the material? Did you have enough material? What questions should people be asking of your documentary?

39. CRITICAL WORKSHOP - Archive and Documentary Title Thank you jane@filmeducation.org