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Reclaiming the Symbols? A Look at Victorian Art. Reinforcing the Symbols The art that I looked at seemed, for the most part, to be reinforcing the feminine.

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Presentation on theme: "Reclaiming the Symbols? A Look at Victorian Art. Reinforcing the Symbols The art that I looked at seemed, for the most part, to be reinforcing the feminine."— Presentation transcript:

1 Reclaiming the Symbols? A Look at Victorian Art

2 Reinforcing the Symbols The art that I looked at seemed, for the most part, to be reinforcing the feminine symbols. The women were all either weak or seemed to be alluring and seductive in a dangerous way. The art that I looked at seemed, for the most part, to be reinforcing the feminine symbols. The women were all either weak or seemed to be alluring and seductive in a dangerous way. A few examples stuck out that exhibited the traces of actual reclaiming symbols. A few examples stuck out that exhibited the traces of actual reclaiming symbols.

3 “Helen” – Sir Edward John Poynter As exhibiting the infamous Helen of Troy, this piece seems to be portraying her less as a seductress and more as an innocent maiden. Her hand is over her heart and her cloak is fully covering her. It seems in this piece the woman is being put into the position of a helpless maiden, completely at the whim of Paris. Her gaze is almost fearful and the pose she takes is one of weakness.

4 “Helen of Troy”- Rossetti This Helen is distinctly different from the previous. This Helen is distinctly different from the previous. Use of red. Use of red. Fingering necklace. Fingering necklace. Burning in background. Burning in background. Sensuous lips and wavy hair; seductress. Sensuous lips and wavy hair; seductress.

5  Women can be seductive; to completely dispense of all representations as such would be more destructive than beneficial. However, in the dual paintings of Helen of Troy, one is clearly portraying a different side than the other.  Perhaps rather than portray Helen as a seductress who beguiled Paris to take her, we can view her as a victim of abduction and kidnapping, not just “The face that launched a thousand ships”. Therefore, it is not her vain or greed that causes a war, rather the squabbles of men.  Personality of women is key.

6 “Circe Offering the Cup to Ulysses” Wand - Phallic, masculine symbol. Wand - Phallic, masculine symbol. Cup - Feminine Symbol Cup - Feminine Symbol Sheer fabric/clothing Sheer fabric/clothing Able to see naked body Able to see naked body Negative Symbolism: She who attracts to destroy. Negative Symbolism: She who attracts to destroy. Destroyer – Bones on floor? Destroyer – Bones on floor?

7 “Nymph and Satyr” Nakedness – He is not fully but she is. Nakedness – He is not fully but she is. She is pressing him in closer to her. She is pressing him in closer to her. He is looking at her nakedness; as if her nakedness is what is alluring him to her. He is looking at her nakedness; as if her nakedness is what is alluring him to her. Seductress Seductress

8 How to Reclaim Femme Fatale: Nudity and clothing is one example of how a woman can control a man. Women as seductresses are portrayed as naked or alluring in sheer or revealing clothing. Femme Fatale: Nudity and clothing is one example of how a woman can control a man. Women as seductresses are portrayed as naked or alluring in sheer or revealing clothing. Red lips, long wavy hair, elongated neck, and powerful stature are characteristic of the femme fatale. Red lips, long wavy hair, elongated neck, and powerful stature are characteristic of the femme fatale.

9 “The Delphic Oracle” Reclaiming the Symbols: She is in perfect form, almost draws the viewer in with her attentive eyes. Reclaiming the Symbols: She is in perfect form, almost draws the viewer in with her attentive eyes. Naked without being overtly sexual; powerful and proud. Naked without being overtly sexual; powerful and proud. She IS the Oracle. She IS the Oracle.

10 “A Pastoral” He is in a position of comfort and stability, locking his arms around while she falls against him helplessly He is in a position of comfort and stability, locking his arms around while she falls against him helplessly Position of his and her hands, as well as their feet are very sensual and dance-like. Position of his and her hands, as well as their feet are very sensual and dance-like.

11 “Ariadne” She lies on a bed contemplating her future. She lies on a bed contemplating her future. Helpless amidst the men who control her life. Helpless amidst the men who control her life. Story of Theseus and she puts a sense of abandonment on the painting. Story of Theseus and she puts a sense of abandonment on the painting.

12 “Penelope and the Suitors” Shows woman as the loyal wife; while her husband is away she refuses all urges and denies the suitors and their gifts. Shows woman as the loyal wife; while her husband is away she refuses all urges and denies the suitors and their gifts.  Taking her company with other women and doing womanly duties: sewing and such.  Back is turned: Is she ignoring the men or not facing temptation?

13 The Weak Woman Women are shown as defenseless and depicted as uncaring of their fates; rather, men decide what is to be done with them. Women are shown as defenseless and depicted as uncaring of their fates; rather, men decide what is to be done with them. Key symbol: Andromeda Key symbol: Andromeda Reclaim through ACTION of women, not just contemplation. Reclaim through ACTION of women, not just contemplation.


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