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1 English Learning Portfolios in the Secondary Curriculum: Concepts and Design 27 May 2006 Juliana Chau Hong Kong Polytechnic University.

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Presentation on theme: "1 English Learning Portfolios in the Secondary Curriculum: Concepts and Design 27 May 2006 Juliana Chau Hong Kong Polytechnic University."— Presentation transcript:

1 1 English Learning Portfolios in the Secondary Curriculum: Concepts and Design 27 May 2006 Juliana Chau Hong Kong Polytechnic University

2 2 Outline: Portfolio-based learning / assessment Definition Concept Trend Examples References

3 3 Definition A portfolio is a purposeful collection of student work that exhibits the student's efforts, progress, and achievements in one or more areas of the curriculum. (Paulson, Paulson & Meyer, 1991, pp.60-61) Portfolios are –purposefully organised documentation –represent connections between actions and beliefs, thinking and doing, and evidence and criteria –are a medium for reflection through which the builder (student) constructs meaning. (Jones and Shelton, 2006, p.18) Characteristics: –product (end result) –process (developmental, personal change) –reflection (insight, future direction)  Collect …. Select …. Reflect

4 4 Definition of Evidence All of the components supporting the student’s claim of competence regarding knowledge, skills, dispositions and accomplishments. Two types of evidence –Personal documents (i.e. who the student is) –Artifacts (i.e. what the student knows and can do) Examples of evidence Personal documentsArtifacts____ reflectionsstudy plans awardsprogress reports certificatesaudio or video tapes aims/ objectiveswork samples (Jones & Shelton, 2006, pp.65-66)

5 5 Portfolio type Documentation Portfolio –shows growth and improvement over time –e.g. drafts, finished products Process portfolio –documents all phases of the learning process –emphasises students’ reflection upon their learning process –shows how students integrate specific knowledge or skills and progress towards both basic and advanced mastery –e.g. reflective journals, think logs Showcase portfolio –is best for summative evaluation –includes student’s very best completed work –e.g. audio-visual artifacts: photos, electronic records of students’ work; written analysis and reflections

6 6 Concept Activity theory –routinised operations conscious goal-directed actions if the conditions change Language learning strategies cannot be directly taught and implemented by learners with uniform success…Rather….to encourage the learner to adopt a new, more strategic conception of the task at hand… Three levels of activity –object-oriented learning activity ( why the learner is using a particular strategy) –goal-directed action (how the learner is going about this task) –the operational composition of these actions under particular conditions (how the situation shapes strategic action) (Donato & McCormick, 1994)

7 7 Portfolio vs diary/journal Diary / journal –Rather disconnected, dependent on isolated introspection Portfolio –Reflective, concrete self-selected evidence of student’s growing language abilities required –Directly connected to material products of student’s learning –Benchmark for thinking about performance, planning future courses of action, monitoring accomplishments (Donato & McCormick, 1994)

8 8 Trend (1) Use of portfolios –Primary education (e.g. Australia, U.S, HK) –Primary/Secondary education (e.g. Israel, HK) –Tertiary education (e.g. U.K.,U.S., Australia, Taiwan, HK) Purpose of portfolio use –Language learning, assessment, personal or professional development –‘a learning and assessment portfolio’ a) formative (ipsative, self-referenced) b) summative (achievements, criterion-referenced) (Dysthe & Engelsen, 2004)

9 9 Trend (2) E-portfolio in Hong Kong universities –December 2004 – to create an e-portfolio to document university students’ achievements and language development 2005/06 (HKU and UST) 2006/07 ( trials at other universities) 2008/09 ( all eight universities) –Learning and exit portfolios –Aims: Presentation of a professional image; artifacts showcasing students’ personal qualities and skills responsibility for learning; ability to self-assess, reflect and set goals *http://projects.edtech.sandi.net/staffdev/tpss99/myw ebquest/index.htm

10 10 Reading/Writing Sample Contents (1) Arlington County Public Schools, Virginia Reading –Teacher observation log –Examples of what students can read –Books/materials –Audiotape of student reading –Test results, formal and informal –Conferencing forms –Examples of skills mastered Writing –First piece of writing each year –Learning log, dialogue log –Drafts and final products from different genres( personal narratives, letters, poems, essay reports) –Graphics (illustrations, diagrams)

11 11 Reading/Writing Sample Contents (2) Orange County Public Schools, Florida Core elements –Reading development checklist –Three writing samples –List of books read independently Optional elements –Student self-assessment –Reading journals –Audiotapes of student reading –‘Things I can do ‘ List –Test results, formal and informal –Reading comprehension tests –Running records and anecdotal records

12 12 Reading/Writing Sample Contents (3) Arlington –Reading and writing entries Orange County –Core (required) and optional items Benefits of the latter Required items- to communicate students’ progress to other teachers; can include students’ ‘best’ work; Optional items- drafts of work in progress, ongoing ratings of performance, occasional pieces Use of required items introduces an element of consistency in the evaluation of student portfolios Optional and obligatory items –a) give teachers information for making instructional decisions –b) encourage students to participate actively in portfolio design and use (Pierce & O’Malley, 1992)

13 13 Vermont: Example (1) Writing portfolio- ‘best piece’ + others of specified types Five assessment dimensions: –Purpose –Organisation –Details –Voice/tone –Usage/mechanics/grammar Four-level scale for each dimension (Klenowski, 2002, p.74)

14 14 Kentucky: Example (2) Writing portfolio: a personal narrative; a poem/play/piece of fiction; one informative/persuasive piece; one piece from any subject area other than English; a best piece; a letter to the reviewer about the piece Six dimensions : –Purpose/approach –Idea development –Organisation –Sentences –Wording –Surface features Four levels of performance: –Novice –Apprentice –Proficient –Distinguished One single grade for the entire portfolio (Klenowski, 2002, p.74)

15 15 French Class: Example (3) University of Pittsburgh, French class Performance-based, portfolio assessment Students to provide evidence, every three weeks, of their ability to recognise and use the language functions Evidence submitted: cassette recordings, reports on French films, reports on the use of French out of class, an in-class project End of semester: –A written activity – review of previous submissions/reflections deemed as significant in language learning Themes emerge: self-assessment (can, can’t); goal-setting ( want, desire); strategy use (action taken); reference to evidence( link between past achievements and future attainments, catalyst for reflection) (Donato & McCormick, 1994, p.458)

16 16 University in Taiwan: Example 4 Using Portfolio as a Learning Tool in Freshman English Courses Application 1

17 17 General Procedures

18 18 Learning Strategy-Based (LSB) Instruction A learner-focused approach to teaching that emphasizes both explicit and implicit integration of language learning strategies in the language classroom.language learning strategies LSB instruction helps students –become more aware of available strategies –understand how to organize and use strategies systematically and effectively –learn when and how to transfer the strategies to new contexts –(Yang, 2005)

19 19 Finally… Like all beneficial innovations, its greatest benefits come when it is not entered into lightly or unquestioningly, but when critical eyes are brought to bear upon it, demanding enlightenment and thereby helping to ensure excellence. (Hamp-Lyons & Condon,1993, p.177)

20 20 References (1) Donato, R. & McCormick, D. (1994). A socio-cultural perspective on language learning strategies: the role of mediation. The Modern Language Journal, 78(4), 453-464. Dysthe, O. & Engelsen, K.S. (2004). Portfolios and assessment in teacher education in Norway: a theory-based discussion of different models in two sites. Assessment and Education in Higher Education, 29(2), 239 -258. Hamp-Lyons, L. & Condon, W. (1993). Questioning assumptions about portfolio-based assessment. College Composition and Communication, 44(2), 176-190. Hamp-Lyons, L. & Condon, W. (2000).Assessing the portfolio: principles for practice, theory, and research. Cresskill, NJ: Hampton Press. Jones, M. & Shelton, M. (2006). Developing your portfolio: enhancing your learning and showing your stuff. New York: Routledge.

21 21 References (2) Klenowski, V. (2002). Developing portfolios for learning and assessment. London: Routledge Falmer. Paulson F.L., Paulson, P.R. & Meyer, C. (1991). What makes a portfolio a portfolio? Educational Leadership, 48(5), 60-63. Pierce, L.V. & O’Malley, J.M. (1992). Performance and portfolio assessment for language minority students. NCBE Program Information Guide Series, 9, 1-38.URL:www.ncbe.gwu.edu (Accessed 10 April 2006). Prince George’s County Public Schools. URL: www.pgcps.pg.k12.md.us/~elc/portfolio.html. (Accessed 15 April 2006) www.pgcps.pg.k12.md.us/~elc/portfolio.html Yang, N.D. (2005).Using portfolios for teaching English.


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