Presentation on theme: "Nigeria: Culture and Customs Created by: Andrew Tolly Talon Davis Corie Melaugh."— Presentation transcript:
Nigeria: Culture and Customs Created by: Andrew Tolly Talon Davis Corie Melaugh
Foods and Festivals!
Mmuo Festival Masks and Masquerades known in Igbo language as "Mmanwu na Mmuo" Mmuo are the spirits of the dead persons of a town. These spirits are classified into good & evil ones. The good spirits are placed in a hierarchy as follows: the spirit of ALL Ozo titled men, which are regarded as the Collective Royal Ancestors called Ndi Ndushi, these are great ancestors. (http://www.oraifite.com/masks- and-masquerades)http://www.oraifite.com/masks- and-masquerades ss/people/awduche/images/agbog bo_mmuo.jpeg
“’Look at this,’ Papa-Nnukwu said. ‘This is a woman spirit, and the women mmuo are harmless…’ The mmuo he pointed to was small; its carved wooden face had angular, pretty features and rouged lips.” Pg. 85 afia-olu.jpg jpg
For the children lucky enough to afford it, their parents would take them off to a private Catholic school. Others attended a local public school. Catholic schools were extremely strict and required a uniform be worn. When it came to play time after school was let out, however shorts became the standard issue clothing. “I was at my study desk when Mama came into my room, my school uniforms piled on the crook of her arm.” pg 19 “Obiora took off a dark pair of sunglasses and slipped them in the pockets of his shoes as they came in.” pg 116 can%20schoolkids.JPG
Akara (Blackeyed Pea Cakes) 2 cups dried blackeyed peas 1 medium onion 1/2 tsp. red pepper or Tabasco to taste 1 egg, beaten 1 tsp. salt Oil to deep fry Soak peas 30 minutes or longer, then rub briskly to remove skins (Some people don’t remove the skins, but all Nigerian cooks would). Grind peas in blender with just enough water for the blender to operate smoothly. Grind onion and pepper. Add to the pea mixture with egg and seasoning. Mix thoroughly and drop by teaspoon into hot oil. Fry until golden. Remove from oil and drain on paper towels. Tastes best while hot. Makes an excellent hors d’oevres or side with meal. Submitted by Lou Daniel Suya Some other traditional favorite foods mentioned in the book include Akara, Yams and Suya. Yams g
Literature and Language
Effects of Literacy “ Let me play with the whiteman ’ s ways. Let me work with the blackman ’ s brains ” -Denis Osadebey, 1951 -The Arrival of the English Language and Western Education in Nigeria in the past half century has led to its exploitation by the writers of the country. -Said exploitation, while not necessarily negative, has given Nigerians, and all Africans for that matter, a voice in a world that they rapidly fell out of sorts with, given their lack of technological and political progress. -In an interesting contrast to the overt Christianity expressed throughout the book, the presence of Islam throughout Nigeria has promoted a great deal of writing, and enterprises in education. Falola, Toyin. Culture & Customs of Nigeria. Westport, CT, USA: Greenwood Publishing Group, Incorporated, p 140.
Literacy (cont.) Developments among the Igbo parallel that among the Yoruba, although with a somewhat slower beginning. Efforts to create an acceptable written form of the Igbo language began in the second half of the nineteenth century,but it was not until 1933 that the first major work, Omenuko, was published. Written by Pita Nwana, the book dominated the market for almost thirty years and was widely read as a morality story. In the 1960s, the Varsity Press at Onitsha released Leopold Bell-Gam ’ s Ije Odumodu Jere and D. N. Achara ’ s Ala Bingo, both important works, but not as successful as Omenuko. Falola, Toyin. Culture & Customs of Nigeria. Westport, CT, USA: Greenwood Publishing Group, Incorporated, p 61.
Igbo In-depth Igbo is one of the four official languages of Nigeria and is a member of the Niger-Congo family of languages. It is spoken by about 18 million people in Nigeria and Equatorial Guinea. G. C. A. Oldendorp, a German missionary, was the first person to produce a book containing material written in Igbo, which consisted of a few words and phrases. There are numerous Igbo dialects. The standard written form of Igbo is based on the Owerri and Umuahia dialects and has been in use since It is a tonal language, based both on normal speaking and varying pitch levels, both high and low.
Modern Igbo History The British colonizers withdrew from Nigerian territory in 1960, after arbitrarily imposing national boundaries that pushed together three large and numerous smaller ethnic groups, each with its own ancient customs, traditions, languages and clannish loyalties. There followed an outmigration of Igbo from the crowded southeast into the more sparsely populated Muslim north. Generally, the Igbo had embraced western education while the northerners (Hausa-Fulani) had resisted it. Following the Biafrin War ( ), amongst competing factions of Nigerian citizens and government bodies, the Igbo in the North (already hated by rival tribe members) relocated back to the southeast portion of Nigeria. The sorry post-war conditions in Nigeria led to a significant diaspora that continues to this day. 1961: A committee, with the help of the Society for Promoting Igbo Language and Culture (SPILC), established a new orthography for the Igbo language, ending a 32 year controversy.
History (cont.) 1961: A committee, with the help of the Society for Promoting Igbo Language and Culture (SPILC), established a new orthography for the Igbo language, ending a 32 year controversy. 1968: Two significant Igbo reference texts are published: Igbo, a Learner’s Manual and Igbo, a Learner’s Dictionary, both meant for U.S. Peace Corps members coming to provide aid in Igboland. 1972: The SPILC establishes a Standardization Committee meant to continually change and monitor the various dialects spoken throughout Igboland, attempting the nearly impossible task or creating uniformity. : Various universities in Igboland establish departments devoted entirely to the studies of Igbo Language and Culture. 1999: Prominent Igbo speaker Chinua Achebe denounces the SPILC’s attempts at standardization, saying it is representative of the oppressive rule of the British who once controlled their land.
Igbo Music Udu - Pottery Drum Igba - Cylinder Drum Ekwe or Ufie - Slit-Drum Ogene - Gongs Oja - Flute
Traditional Igbo Instruments (Macintosh%3b+U%3b+Intel+Mac+OS+X%3b+en)+AppleWebKit%2f419+(KHTML%2c+like+Gecko)+Safari%2f419.3 Igba Oja
(Macintosh%3b+U%3b+Intel+Mac+OS+X%3b+en)+AppleWebKit%2f419+(KHTML%2c+like+Gecko)+Safari%2f419.3 Ogene - Gongs One of the most important metal instruments used by the Igbo Used to be made of Bronze, now made of any common metal available. It is played by hitting the rim with a stick to produce different tones.
wc_booklet/discovery.shtml Igbo Drumming
This is what a common Udu looks like. It is played by placing one hand over the open hole in the side and hitting the body with the other hand. Traditional Igbo Instrument that is used today in Modern Western Culture
Ekwe - Slit Drum (Macintosh%3b+U%3b+Intel+Mac+OS+X%3b+en)+AppleWebKit%2f419+(KHTML%2c+like+Gecko)+Safari%2f419.3 This is made by hollowing out a tree stump into two chambers that are connected by a slit in the drum. It is played by banging on it with sticks
Ufie - Slit Drum AnimalDrum01.html
Court Music The more traditional Igbo continue to use Royal traditions such as using the Ufie, or slit drum, to wake the Chief, call him to meals, and communicate important village happenings to him.
Igbo Dancing and Music Dp48bZEA /nkwa_group/idighi_ajo_njo.mp3
Ollie Gee Oliver Okolo, High Life Reggae King #1 selling CD in Nigeria International Hit: “Daddy Moh”
Modern Igbo Duo: RESONANCE Music Video XvNEiIJ8S3Y&mode=related&search=