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Photography. Introduction - Recap Can anyone tell me what is the meaning of ‘photography’? Photo means light and Graphis means to draw. To take a picture.

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Presentation on theme: "Photography. Introduction - Recap Can anyone tell me what is the meaning of ‘photography’? Photo means light and Graphis means to draw. To take a picture."— Presentation transcript:

1 Photography

2 Introduction - Recap Can anyone tell me what is the meaning of ‘photography’? Photo means light and Graphis means to draw. To take a picture is to draw with light. What a beautiful thought. The camera is our canvas and light is our brush.

3 Overview for this lesson Students will learn : -3 main Lighting terms -How light can manipulate mood and tone of photograph’s atmosphere -The different techniques of how light is used to create various effects in photography -4 different studio lighting techniques for portraiture

4 3-Point Lighting 3-Point Lighting: Key light Fill light Backlight/ Rim light Does anyone know what are they are?

5 3-Point Lighting Key light Also called a main light, the key light is usually placed to one side of the subject's face, between 30 and 60 degrees off centre and a bit higher than eye level. The key light is the brightest light in the lighting plan.

6 3-Point Lighting The Fill light The Fill Light softens and extends the illumination provided by the key light, and makes more of the subject visible. Fill Light can simulate light from the sky (other than the sun), secondary light sources such as table lamps, or reflected and bounced light in your scene.

7 3-Point Lighting Rim light/Backlight Also called hair light, the rim light (the third main light in the three-point lighting plan) is placed behind the subject, out of the picture frame, and often rather higher than the Key light or Fill. The point of the rim light is to provide separation from the background by highlighting the subject's shoulders and hair. The rim light should be just bright enough to provide separation from the background, but not as bright as the key light.

8 3-Point Lighting

9 Without backlightWith backlight

10 Mood and Atmosphere Some factors that affect a photograph’s mood/atmosphere: The light Source Light direction and angle Intensity of Light Colour

11 Mood and Atmosphere The Child, by Edmund Byrne Sombre atmosphere (Horror, dark)

12 Mood and Atmosphere Mystery

13 Mood and Atmosphere Passion, Drama

14 Types of Light Soft Lighting

15 Types of Light Dynamic Lighting

16 Types of Light Dramatic Lighting

17 Studio Lighting for Portraiture Four Types: Butterfly Lighting Rembrandt Lighting Broad Lighting Short Lighting

18 Broad Lighting Broad lighting is when the main light is positioned in such a way that it illuminates the side of the face that is turned toward the camera. This technique is used mainly for corrective purposes. It will de- emphasize facial features and is used mostly to make thin, narrow faces appear wider.

19 Short Lighting Short Lighting is when the main light illuminates the side of the face that is turned away from the camera. This technique is used when the subject has an average oval face. Short lighting emphasizes facial contours more than broad lighting. This style can be adapted for a “strong” or “weak” look by using a weaker fill light. Because short lighting has a narrowing effect, it is great for use with subjects that have particularly round or plump faces.

20 Butterfly Lighting Butterfly Lighting is achieved by positioning the main light directly in front of the subjects face and adjusting the height to create a shadow directly under, and in line with, the nose. This style is best suited for subjects with a normal oval face and is considered to be a glamour style of lighting best suited for women. It is not recommended for use with men because it has a tendency to highlight the ears – crating an undesirable effect.

21 Rembrandt Lighting Rembrandt lighting is obtained by combining short lighting and butterfly lighting. The main light is positioned high and on the side of the face that is away from the camera. This technique produces an illuminated triangle on the cheek closest to the camera. The triangle will illuminate just under the eye and not below the nose.

22 Eye Light The positioning of the main light is usually about 45 degrees from the camera-subject axis and should be slightly higher than the subject. A good method to determine proper placement of the main light is to look at the catchlights in the subject’s eyes. The catchlights should be at either the one o’clock or eleven o’clock position. Depending on your subject, the height of the light may need to raised or lowered to get the catchlights in the eyes. Without catchlights the eyes look too dark and recessed; giving the eyes a lifeless look.

23 Eye Light

24 Soft Lighting The purpose of the fill light is to add just enough light to soften the shadows created by the main light. The fill light is used to control contrast. By increasing the power of the fill you reduce the contrast in the photo. By decreasing the amount of light from the fill, you will increase contrast.

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