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American Romanticism 1800 - 1860 We will walk with our own feet we will work with our own hands we will speak our own minds -Ralph Waldo Emerson.

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Presentation on theme: "American Romanticism 1800 - 1860 We will walk with our own feet we will work with our own hands we will speak our own minds -Ralph Waldo Emerson."— Presentation transcript:

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2 American Romanticism We will walk with our own feet we will work with our own hands we will speak our own minds -Ralph Waldo Emerson

3 Political and Social Milestones The Louisiana Purchase The Gold Rush Education and Reform

4 Rationalism vs. Romanticism The rationalists believed the city to be a place to find success and self-realization The romantics associated the countryside with independence, moral clarity, and healthful living.

5 Characteristics of American Romanticism Values feeling and intuition over reason Places faith in inner experience and the power of the imagination Shuns the artificiality of civilization and seeks unspoiled nature Prefers youthful innocence to educated sophistication Champions individual freedom and the worth of the individual Contemplates nature’s beauty as a path to spiritual and moral development

6 Characteristics (continued) Looks backward to the wisdom of the past and distrusts progress Finds beauty and truth in exotic locals, the supernatural realm, and the inner world of the imagination Sees poetry as the highest expression of the imagination Finds inspiration in myth, legend, and fold culture

7 Rising to higher truths Belief of obtaining higher truths through the exploration of the past and of exotic, even supernatural, realms--the Gothic novel--old legends and folklore through the contemplation of the natural world--lyric poetry--its underlying beauty and truth

8 New American Novelists Herman Melville - (ex-sailor) wrote Moby Dick Nathaniel Hawthorne - wrote The Scarlet Letter More a “coming of age” not a renaissance

9 The Fireside Poets Opposite of novelists - worked within European literary traditions Used English themes, meter, imagery with American settings and subjects Henry Wadsworth Longfellow, John Greenleaf Whittier, Oliver Wendel Holmes, James Russell Lowell

10 Transcendentalism The idea that in determining the ultimate reality of God, the universe, the self, and other important matters, one must transcend, or go beyond, everyday human experience in the physical world. Ralph Waldo Emerson influenced by ancient Greek - Plato Also based on Puritan belief and Romantics Based on intuition; optimistic Henry David Thoreau Emerson’s close friend

11 The Realm of Darkness Edgar Allen Poe with Hawthorne and Melville known and anti- Transcendentalists Had much in common with Trascendentalists Explored conflicts between good and evil, psychological effects of guilt and sin, and madness

12 American Gothic Literature Edgar Allan Poe Author Study

13 The Dark Side of Individualism American Gothic

14 Gothic Literature Gothic Literary tradition came to be in part from the Gothic architecture of the Middle Ages. Gothic cathedrals with irregularly placed towers, and high stained-glass windows were intended to inspire awe and fear in religious worshipers.

15 Gargoyles—carvings of small deformed creatures squatting at the corners and crevices of Gothic cathedrals—were supposed to ward off evil spirits, but they often look more like demonic spirits themselves. Think of the gargoyle as a mascot of Gothic, and you will get an idea of the kind of imaginative distortion of reality that Gothic represents.

16 Gothic vs. Romanticism Romantic writers celebrated the beauties of nature.  Romanticism developed as a reaction against the rationalism of the Age of Reason. The romantics freed the imagination from the hold of reason, so they could follow their imagination wherever it might lead. For some Romantics, when they looked at the individual, they saw hope (think “A Psalm of Life”). Gothic writers were peering into the darkness at the supernatural.  For some Romantic writers, the imagination led to the threshold of the unknown—the shadowy region where the fantastic, the demonic and the insane reside.  When the Gothic's saw the individual, they saw the potential of evil.

17 Gothic Movement in America The Gothic Tradition was firmly established in Europe before American writers had made names for themselves. By the 19 th century, Edgar Allan Poe, Nathanial Hawthorne, and to a lesser extent Washington Irving and Herman Melville were using the Gothic elements in their writing. Edgar Allan Poe was the master of the Gothic form in the United States.

18 Edgar Allan Poe  His stories have: Settings that featuring ○ Dark, medieval castles ○ Decaying ancient estates Characters that are ○ Male—insane ○ Female—beautiful and dead (or dying) Plots that include ○ Murder ○ Live burials ○ Physical and mental torture ○ Retribution from beyond the grave

19 The Gothic dimension of Poe’s fictional world offered him a way to explore the human mind in these extreme situations and so arrive at an essential truth

20 Nathanial Hawthorne He also used Gothic elements in his work to express what he felt were essential truths Instead of looking at the mind for its dysfunction, Hawthorne examined the human heart under conditions of fear, vanity, mistrust, and betrayal.

21 Southern Gothic After the real horrors of the Civil War, the Gothic tradition lost its popularity. During the 20 th century, it made a comeback in the American South. Authors like William Faulkner, Carson McCullers, Truman Capote, and Flannery O’Connor are grouped together because of the gloom and pessimism of their fiction.

22 Edgar Allan Poe During a life marked by pain and loss, Edgar Allan Poe wrote haunting tales in which he explored the dark side of the human mind. A well-read man with a taste for literature, Poe was cursed with a morbidly sensitive nature and made his feelings of sadness and depression the basis of a distinctive body of literary work. The following is a look at the life and work of a mysterious American master.

23 Marked by Loss  Poe was born in Boston, Massachusetts in 1809, one of three children born to a couple who toured the East as actors.  Before he was three years old, his father had abandoned the family, and his mother had died of tuberculosis.  John and Francis Allan, took Poe to their home in Richmond, Virginia and became his foster parents. With the Allan’s he briefly lived in England, and continued his education in the United States.

24 A Restless Spirit  This period in Poe’s life was full of high’s and lows. 1826, he started at the University of Virginia, where his reckless habits led to heavy debt, forcing him to leave school. He moved to Boston, where he published his first book, Tamerlane and Other Poems in In 1828, he was flat broke and enlisted into the army. John Allan got him an appointment at West Point, but he found the school confining and made sure he was expelled.

25 A Man of Letters  After leaving West Point, he moved to Baltimore to live with his aunt Maria Clemm and her young daughter Virginia. There he began writing short stories.  In 1834, he moved to Richmond to work for the Southern Literary Messenger. His reviews in the Messenger led to increased in the magazine’s circulation.  In 1836, Poe married his cousin. Soon after, a disagreement led to him leaving the Messenger and moving again, this time to New York City.  After publishing another short novel, he moved again searching for work, this time to Philadelphia.

26 Poe in Philadelphia  His years in Philadelphia would be Poe’s most productive. In 1839 he was the editor of Burton’s Gentlemen’s Magazine, to which he contributed both reviews and stories. His first collection of short stories was published, Tales of the Grotesque and Arabesque. He was then fired from Burton’s in He attempted to begin his own literary magazine, but it failed. He accepted an offer as editor of Graham’s Magazine, where he published his groundbreaking story The Murders in the Rue Morgue” ○ The was considered groundbreaking because it was the first detective story.

27 The real trouble begins Poe was awarded a $100 prize for his short story “The Gold Bug” published in This brought his the recognition and success that he had always wanted. With the success, he was hit with a major personal blow; Virginia, who had been battling illness since 1842, died. In the years following Virginia’s death, Poe struggled with despair as well as his own failing health. He moved back to Baltimore in 1849, where his health declined quickly. He collapsed on a Baltimore street where he was taken to a hospital. He died a few days later.

28 Poe’s Reputation  Poe’s work generated strong responses. Critics either loved his work, or they hated it.  Shortly after his death, a one-time friend published a biography on Poe. This work established the view of Poe as a gifted, but socially unaccepted writer. This tainted his reputation in America for many years. Eventually in the United States, his reputation was regained.  Today, Poe is recognized as a master of poetry, a superb writer of short stories, and a profound explorer of the torments of the human soul.  He wrote only one novel, around 50 poems, and 70 short stories.

29 Timeline of Poe’s Work 1809 Poe was born on January 19 th 1827 Poe published Tamerlane and Other Poems 1831 Expelled from West Point Publishes Poems 1839 Poe published Tales of Grotesque and Arabesque including “The Fall of the House of Usher” 1841 Poe wrote “The Murders of Rue Morgue” 1845 Poe published “The Raven” 1847 Poe dies in Baltimore on October 7 th 1836 Poe married Virginia Clemm


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