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1 2 b C Melodic Minor = C D Eb F G A B C Solfege: Do Re Me Fa So La Ti Do
Diatonic Chords in Melodic Minor Imin(Maj7)C min(Major 7) 1 –b IImin7D minor 71 –b3 – 5- b7 bIII Maj7Eb Major7# #5 – 7 IV7F b7 V7G b7 VImin7b5A minor 7b51 – b3 – b5 – b7 VIImin7b5B minor 7b5 1 – b3 – b5 – b7
Modes in Melodic Minor C min(Major 7) Melodic Minor D7sus b9Dorian b2 (Phrygian nat. 2) Eb Major7#5 Lydian #5 (Lydian Augmented) F7 (9/#11/13)Lydian b7 Cmin(maj7)Mixolydian b6 (doesn’t really exist in tunes) A minor 7b5 (9)Locrian 9 B7alt Altered Dominant (1 – 3 - b7 - b5/#5 - b9/#9
Diatonic Chords in Melodic Minor C min(Major 7) 1 –b D7sus(b9)1 – 4 – 5- b7 – b9 Eb Major7# #5 – 7 F7 (9/#11/13) b7 – 9 -# C min(maj7)/G A minor 7b5 (nat 9)1 – b3 – b5 – b7 B7 alt 1 – b3 – b5 – b7 Truth about
1 2 b3 4 5 b6 7 8 C Harmonic Minor = C D Eb F G Ab B C Solfege: Do Re Me Fa So Le Ti Do
Diatonic Chords in Harmonic Minor Imin(maj7)C min(Major 7) 1 b3 5 7 IIm7b5D min7b51 b3 b5 b7 bIIImaj7#5Eb Major7#5 1 3#5 7 IVmin7F min71 b3 5 b7 V7G b7 bVImaj7Ab maj VIIdim7B dim71 b3 b5 bb7
Modes in Harmonic Minor I-(Maj7)Harmonic Minor II-7b5Locrian Natural 6 bIII Maj#5Ionian Augmented IV-7Dorian #4 V7 Phrygian Major/Phryian Dominant / Mixolydian b9/b13 bVI Maj7Lydian #9 VII dim7Altered Dominant bb7
Resources Modern Harmony, Vic Juris Jazz Theory, Mark Levine The Advancing Guitarist, Mick Goodrick
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Know: Triads Be able to: Compose in a whole tone scale like Debussy Understand: Augmented chords Whole tone scale Play as pupils enter.
1 te 2 1 te 2 1 te-- 1 te-- 1 te 2 1 te 2 1 te 2 te ta 2-- ta 1 te-- 1 te-- 1 te ta 2-- ta 1 te-- 1 te 2 te 1-2.
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SOL MI LA SOL MI SOL SOL MI LA SOL MI. Do, I make my cookies of dough Re, like on a sunny sunny day.
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