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Pietro Lombardo Tomb of Doge Antonio Roselli c S. Antonio (Il Santo) Padua
Desiderio da Settignano, Tomb of Carlo Marsuppini, after 1453, (white and colored marbles, traces of gilding and paint), S. Croce, Florence
Pietro or Tullio Lombardo, Miracle of the Speaking Babe, marble relief, c.1467, Chapel of St. Anthony, S. Antonio (Il Santo), Padua
Pietro Lombardo Monument of Doge Pietro Mocenigo Istrian stone and marble Basilica dei Santi Giovanni e Paolo, Venice
Pietro Lombardo Tomb of Doge Pietro Mocenigo, Detail of Relief: Three Marys at the Tomb
Detail of Doge Mocenigo flanked by two youthful angels
Detail of putto from Desiderio da Settignano’s Marsuppini Tomb
Detail of supporting figures
Detail of Caryatid figure from Michelozzo’s Brancacci Monument, Naples
Detail of Warrior figure In niche
Detail of relief: Hercules battling the Hydra
Detail of warrior figure in niche
Pietro Lombardo, Tomb of Doge Pasquale Malipiero, Late 1460s SS. Giovanni e Paolo, Venice
Pietro Lombardo, Tomb of Doge Pietro Marcello, c SS Giovanni e Paolo, Venice
Il Santo (Basilica of Sant’Antonio), Padua. Donatello, High Altar of il Santo (reconstruction) , Bronze Basilica di Sant'Antonio, Padua.
Chapter 21 Italy comparisons. Figure MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8”
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
Title: Façade of Santa Maria Novella, Florence Artist: Leon Battista Alberti Date: Source/ Museum: n/a Medium: n/a Size: n/a.
Portrait of Andrea del Verrocchio from Vasari’s Vite.
Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.
POLLAIUOLO, Antonio del Battle of Ten Nudes 1470s Engraving, 428 x 618 mm Galleria degli Uffizi, Florence.
1 Chapter 21 Italy, 1400 to 1500 Gardners Art Through the Ages, 13e.
Jacopo della Quercia, Ferrara Madonna (Silvestri Madonna) Marble, 1403 Museo dellOpera del Duomo, Ferrara.
Church, State and Lay Piety Florence and Venice in the Renaissance HI320.
Renaissance - A revival or rebirth of cultural awareness and learning that took place during the fourteenth and fifteenth centuries, particularly in Italy,
Paolo Uccello (born Paolo di Dono) (Italian, ), Perspective Study of a Chalice, pen and ink on paper, 29 x 24.5 cm, Gabinetto dei Disegni, Uffizi,
1 Chapter 22 Italy, 1500 to 1600 AP Art History. 2 Rome with Renaissance and Baroque Monuments.
1 Chapter 22 Italy, 1500 to 1600 Gardners Art Through the Ages, 13e.
Lucca Cathedral facade. “Deposition” (lunette) “Nativity/Adoration of the Magi (architrave) Lucca Cathedral Nicola Pisano Before c
The cathedral of Santa Maria del Fiore complex. The cathedral complex - including the Baptistery and Giottos bell tower - are part of the Unesco World.
Antonio del Pollaiuolo Battle of the Nudes engraving A.
IMPRESSIONS FROM VENICE SHORT TRIP FROM 14 th TO 15 th OF APRIL 2008.
Limbourg Brothers (Paul, Herman, Jean) Tres Riches Heures
Element of Art - Shape How artists utilize figure and ground.
Raffaello Sanzios Real Life Experience By R E. Paintings Raphael the artists real name was Raffaello Sanzio. His most famous painting is the School of.
Italy is a republic and the president is Carlo Azeglio Ciampi. The language in Italy is Italian. Italy is a nice place to see: here you can visit cultural.
Renaissance art review. Masaccio Developed the rules for perspective Distributing of Alms and the Death of Ananias.
Roman architecture is possible because of what amazing discovery?
This slide presents the work done by the class 3E about the Venetian Renaissance: With our teacher Maria Chiara Rossi we found some pictures painted by.
Fontana Maggiore, Perugia Sculptors: Nicola and Giovanni Pisano Bronze and marble 1278.
The Renaissance. Renaissance Italy Basilica de Santa Maria del Fiore Duomo - Brunelleschi Florence Italy – Birthplace of the Renaissance.
San Lorenzo, Florence. Palazzo Medici San Lorenzo.
Portrait of Brunelleschi after a medal by A.Cavalcanti,
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