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Published byShelby Butrum
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All art used with permission from Web Gallery of Art
ALTDORFER, Albrecht Christ on the Cross between Mary and St John c Limewood, Staatliche Museen, Kassel
ANDREA DA FIRENZE Crucifixion Tempera on wood, Pinacoteca, Vatican
ANTONIO DA FIRENZE Crucifixion with Mary and St John the Evangelist Tempera on wood, The Hermitage, St. Petersburg
BREU, Jörg the Elder Crucifixion 1524 Museum of Fine Arts, Budapest
GIOTTO di Bondone Crucifixion 1310s Fresco North transept, Lower Church, San Francesco, Assisi
RAFFAELLO Sanzio Crucifixion (Città di Castello Altarpiece) National Gallery, London
VERONESE, Paolo Crucifixion c Musée du Louvre, Paris
MICHELANGELO Buonarroti Pietà 1499 Marble, height 174 cm, width at the base 195 cm Basilica di San Pietro, Vatican
MICHELANGELO Buonarroti Christ Carrying the Cross 1521 Marble, height 205 cm Santa Maria sopra Minerva, Rome
Renaissance art review. Masaccio Developed the rules for perspective Distributing of Alms and the Death of Ananias.
1 Chapter 22 Italy, 1500 to 1600 AP Art History. 2 Rome with Renaissance and Baroque Monuments.
Renaissance Art By: Carly Cassady Block: 6. The renaissance was a period of great creativity and intellectual activity, during which artists broke away.
Paolo Uccello (born Paolo di Dono) (Italian, ), Perspective Study of a Chalice, pen and ink on paper, 29 x 24.5 cm, Gabinetto dei Disegni, Uffizi,
1 Chapter 22 Italy, 1500 to 1600 Gardners Art Through the Ages, 13e.
San Lorenzo, Florence. Palazzo Medici San Lorenzo.
Title: Façade of Santa Maria Novella, Florence Artist: Leon Battista Alberti Date: Source/ Museum: n/a Medium: n/a Size: n/a.
POLLAIUOLO, Antonio del Battle of Ten Nudes 1470s Engraving, 428 x 618 mm Galleria degli Uffizi, Florence.
RUBLYOV, Andrey Trinity c Tempera on panel Tretyakov Gallery, Moscow.
Antonio del Pollaiuolo Battle of the Nudes engraving A.
Renaissance - A revival or rebirth of cultural awareness and learning that took place during the fourteenth and fifteenth centuries, particularly in Italy,
Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.
Il Santo (Basilica of Sant’Antonio), Padua. Donatello, High Altar of il Santo (reconstruction) , Bronze Basilica di Sant'Antonio, Padua.
Chapter 21 Italy comparisons. Figure MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8”
The Renaissance. Renaissance Italy Basilica de Santa Maria del Fiore Duomo - Brunelleschi Florence Italy – Birthplace of the Renaissance.
Renaissance Art The influence of humanism during its first two hundred years transformed much of Europes intellectual and creative activity. New inspirations.
Core Slide List Renaissance Italian and Northern.
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
Agenda for 12/02/2010 Goal: Analyze the components of Renaissance Art Notes: Renaissance Art Art Stations Exit Slip.
Greek and Roman Art The ancient Greeks created sculptural works with a beauty that has never been surpassed. The Romans, who came to dominate the Greeks,
Baroque Architecture & Sculpture Bernini and Ribera Can you discuss the specific formal characteristics of work? Can you explain why the work is Baroque?
Arte Paleocristiano. Marble portrait bust of Memnon the African philosopher, A.D. (Berlin: Stadtl. Mus.) 0.27 meters tall.
REMBRANDT(törzsanyag) Rembrandt Harmenszoon van Rijn ( ) (3. Csoportképek, önarcképek)
What is the political purpose of a work of art?.
The Four Tetrarchs, Venice c. 300 CE. Arch of Constantine, Rome, c. 312 – 15 CE.
Petrus Christus (c ), Exeter Madonna, c ½ X 5 ½”. Berlin, Gemäldegalerie, Staatliche Museen.
Mathematical Perspective Linear Perspective One-Point Perspective.
HEMESSEN, Jan Sanders van (Brunswick Monogrammist) (b. ca. 1500, Hemishem, d. 1556, Haarlem)
Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.
Autobiographical Frieze. Figure 6-11 The life and death of the Buddha, frieze from Gandhara, Pakistan, second century CE. Schist, 2’ 2 3/8” X 9’ 6 1/8”.
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