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Beth Pei-Fen Chen K. 616 [Berlin, 1810], Reconstructed 1860.

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Presentation on theme: "Beth Pei-Fen Chen K. 616 [Berlin, 1810], Reconstructed 1860."— Presentation transcript:

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2 Beth Pei-Fen Chen K. 616 [Berlin, 1810], Reconstructed 1860

3 Articulation, legato Technical guidance for players Other functions

4 Bowing : French viol player Jean Rousseau in Traité de la viole (1687); Georg Muffat -Florilegium secundum (1698); Italian violinist Francesco Geminiani The Art of Playing on the Violin (1751); Leopold Mozart (1756) Tonguing : Jean-Pierre Freillon Poncein La Véritable Maniere d'Apprendre à jouer en Perfection du Haut-bois, de la Flûte et du Flageolet, (1700); Jacques Hotteterre Principes de la Flute Traversière, de la Flute á Bec, et du Haut-bois (1707) ;Quantz (1752) ; Oboist Amand Vanderhagen (1792); Flautist François Devienne (1794) Finger Pedaling - French harpsichordist Saint Lambert (1702) Linking notes - C. P. E. Bach (1753); Daniel Gottlob Türk (1789)

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6 Practicability Important element in the presentation of his music tended to indicate every slur (avoided omitting slurs), since the middle of the 1770s.

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8 Works for Joseph Leutgeb (1732 – 1811)

9 Salzburg Stier Barrel Organ

10 NICKELODEON Co.Ltd

11 Menuetto Pastorello 1753

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13 1753

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15 K. 67 (Salzburg 1772?) K. 68 (Salzburg 1772?) K. 69 (Salzburg 1772?) K. 144 (Salzburg 1772) K. 145 (Salzburg 1772) K. 212 (Salzburg, 1775) K. 241 (Salzburg 1776) K. 224 (Salzburg 1776?) K. 225 (Salzburg 1776?) K. 244 (Salzburg 1776) K. 245 (Salzburg 1776) K. 263 (Salzburg Dec 1776) K. 274 (Salzburg 1777) K. 278 (March/April1777) K. 329 (Salzburg 1779?) K.328 (Salzburg 1779?) K. 336 (Salzburg 1780)

16 Ogan Sonatas for Violins, Organ and Bass K 336

17 Organ Bass Sonatas for Violins, Organ and Bass K 328 Organ Bass Violin 1 Violin 2 Composed c Edited by Minos E. Dounias K. 67 in1772 already indicated slurs and dots in the organ part

18 K. 593a in d minor (fragment) K. 594 in f minor (1790) K. 608 in f minor (1791) K. 616 in F major (1791) Herr M üller - Joseph count Deym von Střítež

19 K. 593a Adagio Facsimile from the Bibliotheca Mozartiana, Stiftung Mozarteum Salzburg Big Registrationsmall

20 The Incipit from Mozart Eigenhändiges Werkverzeichnis, f. 24v (Dec 1790)

21 Mozart Eigenhändiges Werkverzeichnis, f. 26v (3 March 1791)

22 Mozart Eigenhändiges Werkverzeichnis, f. 27v (5 May 1791) Autograph

23 Could challenge the limits of human organ-playing Could apply different organ registration for inner voices which is not possible if played by an organist

24 StringQuartet Op. 71 No. 2 Father Primitivus Niemecz ( )

25 1793 Clock Haydn

26 Grafen Josef DeymStaatsbibliothek zur Berlin

27 10 Heyer Collection – Museum of Musical Instruments of the University of Leipzig (reconstruction period around 1860) flute sound for the top and bottom lines; diapason sound for the middle line Bars 1-53, end

28 10 Heyer Collection – Museum of Musical Instruments of the University of Leipzig (reconstruction period around 1860 flute sound for the top and bottom lines; diapason sound for the middle line mm =

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30 Piano version Artaria, 1791

31 Edited by Christoph-Hellmut Mahling, NMA, 1983 K. 261 Adagio for Violin and Orchestra, 1776

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33 K. 593a Adagio Facsimile from the Bibliotheca Mozartiana, Stiftung Mozarteum Salzburg Big Registration small

34 K. 594 Facsimile from the New York Public Library - a manuscript

35 Slur Tie

36 K. 594 First Edition Breotkopf & H ärtel Leipzig (1800)

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38 Staatsbibliothek zur Berlin. Mus.mu.autogr. W. A. Mozart 608

39 Mozart’s slurs in his music for mechanical clock organ show the importance of slurs as his musical guidance, and these details reveal a new stage in Mozart's musical intentions.

40 Thank You

41 K. 593a Fragment in D minor: small registration: top line: Swell Lieblich Gedackt 8', Flageolet 2' middle line: Great Hohl Flote 8 (German umlaut over the 'o' in 'Flote'), Harmonic Flute 4' bottom line: Choir Stopped Diapason 8', Flute Harmonique 4', Piccolo 2‘ K594: big registration top line: Swell Violin Diapason 8', Gemshorn 4', Flageolet 2', Mixture II 2nd line down: Great Open Diapason, Principal 4', Fifteenth 2' 3rd line down: Choir Open Diapason 8', Principal 4', Fifteenth 2' bottom line: Pedal Violone 16', Octave 8', Bass Flute 8', Flute 8', Flute 4',


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