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Ch 7 Multimedia Security Arini, ST, MT Com

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1 Ch 7 Multimedia Security Arini, ST, MT Com

2 Contents  Motivation  Goals  Ways  Authentication : Data Hiding (watermarking & Steganography), Digital Fingerprint /signature  Confidentiality : Encryption  Integrity : hash (Digital Fingerprint /signature)  Access Control :  Non repudiation : third party  Digital Rights Management (DRM).

3 I. Motivation  The recent growth of networked multimedia systems has increased the need for the protection of digital media  Digital media Audio Video Documents (including HTML documents) : Images Graphic or Scene Models Programs (executable code)

4 I. Motivation  Electronic/digital media Record conditions : 1.Very easy to make copies : ??? 2.Very fast distribution 3.Easy archiving and retrieval 4.Copies are as good as original : ??? 5.Easily modifiable : ??? 6.Environmental Friendly

5 I. Motivation  Without such methods, placing images, audio or video sequences on a public network puts them at risk of theft and alteration.  Techniques are needed to prevent the copying, forgery and unauthorized distribution of multimedia elements  This is particularly important for the protection and enforcement of intellectual property rights. Copyright protection involves the authentication of media ownership, and the identification of illegal copies of the (possibly media.

6 II. Goals  Goals of Multimedia streams (Multimedia Security)  Secure communications  Secure delivery : Copyright protection (originality) Prevent forgery, illegal copying, illegal distribution (Integrity) Tamper proofing, Access control visual encryption  Secure Internet/Network :

7 III. Ways (Approaches)  Cryptography Techniques :  Multimedia Authentication Multimedia Signature & Watermark  Multimedia Confidentiality (Encryption)  Multimedia Identifications and Access Control  Multimedia Integrity  Multimedia Non-repudiations  Implemented into : Digital Right Management  Watermarking, steganography, digital signature, fingerprint

8 3.1. Cryptography Techniques 1.Authentication: providing assurance of the identity of the multimedia data sender (assure the credibility of multimedia content)  Primary tool: Digital signatures (data hiding : watermarking, steganography) 2.Confidentiality: protecting multimedia data from unauthorized disclosure ( Secure content transmission privacy)  Primary tool: Encryption (DES, AES, RSA, Diffie Hellman, ….., ) 3.Integrity: providing assurance that multimedia data has not been altered in an unauthorized way ( Assurance that data received is as sent)  Primary tool: Hashing 4.Access Control  Prevention of unauthorized use of a resource (Protect multimedia data from illegal distribution and theft) 5.Non-repudiation: preventing a party from denying a previous action. (Protection against denial by the parties in a communication)  Primary tool: Trusted third party service

9 Authentication  Authentication techniques :  Passive Authentication Three Image tampering (Enhancing, Compositing, Copy/Move)  Active Authentication Data Hiding : –Watermarking (Embedding techniques, Application, Types (Visible&Invisible), Alliance Member –Steganography Digital Signature/Digital Fingerprint

10 Passive Authentication  No requirement of knowledge of original image.  Does not rely of presence of watermark or fingerprint.  Identify media tampering methods.  Example : Three image tampering (enhancing, compositing & copy/move)

11 a. Three Image Tampering  There are three main categories of image tampering:  Enhancing  Compositing  Copy/Move

12 1. Enhancing  Changing the color of objects  Changing the weather conditions  Blurring out objects

13 2. Compositing Combining two or more images to create a new image

14 Compositing / Re-sampling Detection Original ImageTampered Image Periodic pattern in Fourier Transform of altered region Fourier Transform of unaltered region

15 3. Copy-Move Copying regions of the original image and pasting into other areas. The yellow area has been copied and moved to conceal the truck.

16 Copy-Move Detection Original ImageTampered Image Original Image Tampered Image PCA Detection

17 Active Authentication  Assess methods available for protecting media.  Require knowledge original image  Rely on :  Data Hiding : Watermarking/Digital watermarking Steganography  Digital Fingerprint/signature  Algorithm/key used to embed the watermark or fingerprint.

18 Active Authentication Data Hiding  Watermarking  Steganography Digital Signature/Fingerprint

19 Extraction function M(L)M(L) Channel Retrieved information M(L)M(L) Key Original data Information to embed Embedding function ^ Data Hiding

20 A. Watermarking/Digital Watermarking  Watermarking is a concept of embedding a special pattern into the Audio, video, image and text  a given piece of information, such as the owner ’ s or authorized consumer ’ s identity, is indissolubly tied to the data.  This information can later : prove ownership, Identify a misappropriating person, Trace the marked document ’ s dissemination through the network, Or simply inform users about the rights-holder or the permitted use of the data

21  Allows users to embed some data into digital contents  When data is embedded,  It is not written at header part but embedded directly into digital media itself by changing media contents data A. Watermarking/Digital Watermarking Original Information Watermarked Information

22 a. Embedding Techniques  Spatial domain  Watermark embedded by directly modifying the pixel values.  Usually use spread spectrum approach.  Original needed (Non Blind)  Original not needed (Blind)  Frequency domain  Original needed (Non Blind)  Original not needed (Blind)  Usually use Transform domain watermarking- Watermark embedded in the transform domain e.g., DCT, DFT, wavelet by modifying the coefficients of global or block transform.

23 Spatial Domain

24 Spatial watermarking example Original image Watermarked image

25 Spread Spectrum

26

27 Frequency Domain  Watermarking signal to embed  Host signal  Frequency components  Embedding  Extraction

28 Frequency Domain

29 DCT phase modulation (embed m bits)  Embedding algorithm  Randomly select a group of low frequency DCT coefficients using a key.  Generate a binary message as a watermark.  Set the phase of the selected coefficients in accordance with the embedded watermark.  Decoding algorithm  Use the same key to select the coefficient.  Extract the sign of the selected coefficients and decode according to the embedding rule.

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31 b. Application of Watermarking  Rights management : copyright  Owner Identification  Proof of Ownership  Transaction Tracking and serialization product  Linking, E-Commerce  Contents management  Copy Control  Access/copy control  Authentication&Integrity  Content Authentication  Monitoring  Filtering & Classification

32 b1. Copyright Audio/Video Master Embed Copyright and Content ID DWM Content Owner Provider Index Database Location (Centralized or Distributed) User’s PC Rip Software Compressed Audio/Video File (e.g. MP3 file) User Software Detect Copyright and Content ID DWM for Secure and Enhanced content Rights & Info Database Content ID linked to rights, information and related content

33 b2. Serialization & Tracking Identifies content owners and rights while communicating copyright information Awareness of watermarked content by consumer creates deterrent against unauthorized copying and distribution Provides accurate identification of source of unauthorized content discovered on the Internet and/or physical media Protected for privacy (1) At Point of Distribution (2) At point of copying/re- distribution Recordable Media Embed Serial # (2) Embed Serial # (1) Content ID Retail Content Content Provider Track and take proper action Detect Serial Number

34 b2. Connected Content/Linking Captured CD e-logo links to web and music downloads DOWNLOAD  Ring tones  Buy tickets  Reviews  Tour dates  Samples  Band info  Promoting & Facilitating M-Commerce  Location based services  Multimedia access  Streaming audio  Music  Multimedia  Bookmarking

35 b3. Filtering & Classification  Filtering can occur at the whole content level and/or at a more granular level identifying copyrighted, sensitive and/or questionable material for the given audience  May be key element of identifying copyrighted content to support legitimate P2P distribution  Copyrighte d Non-Copyrighted Content Filter Access Legitimate Copy or License

36 c. Types of Watermark  Visible  A visible information which is overlaid on the primary media  Invisible  The information which cannot be seen, but which can be detected algorithmically

37 c1. Visible Watermark  Logo or seal of the organization which holds the rights to the primary media  It allows the primary information to be viewed,  But still marks it clearly as the property of the owning organization.  Overlay the watermark in a way which makes it difficult to remove, if the goal of indicating property rights is to be achieved.

38 Visible Watermark

39 c2. Invisible Watermark  Embedding level is too small to notice  Can be retrieved by extraction software  Applications: Authentication, Copyrighting

40 c2.1. Fragile Watermarks  Designed to detect every possible change in pixel values.  Variety of Techniques  Most cases, the watermark is embedded in the least significant bit (LSB) of the image.  Advantages:  Pick up all image manipulations – malicious and non-malicious  Disadvantages: Too sensitive  Break very easily under any modification of the host signal  Used for tamper detection or as a digital signature.

41 c2.2. Semi-Fragile Watermarks  They are robust, to a certain extent, and are less sensitive to pixel modifications.  Techniques:  Divide image into blocks and utilize bits from each block to calculate a spread spectrum noise like signal which is combined with DCT coefficients and inserted as a watermark. Review slide number :  Advantage: less sensitive than fragile watermarks  Used for data authentication.  Disadvantage : brake very easily to other attacks.

42 Example : Video  Raw video watermarking  DFT  DCT  DWT : DWT-based Video Watermarking Scheme with Scramble Watermark  Watermarking I-frame (Mpeg-1,2)  Video object watermarking (Mpeg-4)

43 Example : Digital Cameras  Watermarking based on secret key, block ID and content.  The image is divided into blocks and each block watermarked using a frequency based spread spectrum technique incorporating the secret key, block ID and block content.  Image of photographers iris is combined with the camera ID, the hash of the original image and other details specific to the camera.

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45  The previous techniques will only detect and localize areas of interest when authentication is carried out.  The watermark should be permanently intact to the host signal  Used for copyright protection.  Advantage: Potential for original data to be retrieved.  Disadvantage:  Removing the watermark result in destroying the perceptual quality of the signal (lost information c2.3. Robust /Self Embedding

46 d. Digital Watermarking Alliance

47 e. Limitations of digital watermarking  Digital watermarking does not prevent copying or distribution.  Digital watermarking alone is not a complete solution for access/copy control or copyright protection.  Digital watermarks cannot survive every possible attack.

48 f. Watermark attacks  Robustness attacks:  Intended to remove the watermark. JPEG compression, filtering, cropping, histogram equalization additive noise etc.  Presentation Attacks:  Rotation, scaling, translation, change aspect ratio, line/frame dropping, affine transformation etc.  Counterfeiting attacks:  Render the original image useless, generate fake original, dead lock problem.  Court of law attacks:  Take advantage of legal issues.

49  Steganography is the science of hiding information in such a way that no one suspects the information exists both perceptually and statistically (the only the recipient knows of its existence)  Steganography is usually combined with cryptography.  With cryptography the information is known to exist,  but it is encoded in such a way that only the intended recipient can read it.  The word Steganography is of Greek origin and means “covered, or hidden writing.”  Steganographic messages will generally appear as something else such as a picture or a text file.  Provide security B. Steganography

50  What to hide  Texts  Images  Sound  How to hide  embed text in text/images/sound files  embed image in text/image/sound files  embed sound in text/image/sound files

51 a. History of Steganography  Dates back to 440 BC  Heredotus and wax tablets  Histiaeus and his tattooed slave  Later in the 1500’s Johannes Trithemius  Steganographia  World War II  Micro Dots  Doll Woman  Pueblo Incident in 1968  Sign Language Photos

52 b.How does it work now? Data Encrypt Encrypted Data Carrier Media Steganogram

53 Application  Hiding in text, images, audio, video  Hiding data in unused/reserved disk space  Hiding data in software and circuitry  Hiding in network packets in TCP headers for example by utilizing the reserved bits

54 C. Example : LSB  Hidden messages can also be implemented into audio files using the LSB method.  Sounds and noises at the LSB level can not typically be heard by the human ear.  Therefore when playing the original file it sounds just like a normal.wav or.mp3 file  However it can be decrypted to reveal another sound file or any file for that matter.  The File must be big enough to hold hidden message (avoid the information existence)

55 1. Image LSB  Least significant bit (LSB) encoding  Replace the LSB of each pixel with the secret message  Pixels may be chosen randomly according to a key  Comments:  The simplest and most common steganographic tech.  Premise = change to the least significant bit will be masked by noise commonly present in images.

56  The one’s bit of a byte is used to encode the hidden information.  Suppose we want to encode the letter A (ASCII 65 or binary ) in the following 8 bytes of a carrier file becomes  Typical.wav file uses 16 bit sampling. 2. Text LSB

57  Variations of LSB  Use password as a seed for pseudo random number generator.  Use only those bytes separated by the value of the next random number to hide data.  Advantages - More difficult to detect and decode.  Disadvantage – Limits the number of bytes that are available for holding the payload.

58  Cryptography usually used in conjunction with steganography  Provides an extra layer of security.  Makes the existence of a hidden message more difficult to detect.  The LSB of a digital audio or video file tends to resemble noise.  The most significant bits tend to be grouped in blocks. For example, the ocean background has a large block of bits where r = 0110xxxx g = 1010xxxx b = 1110xxxx  Thus when encoding this data in the LSB there will be a repeating pattern: 0110xxxx1010xxxx1110xxxx.  Encryption randomizes this data so it looks like noise again.

59 c. Example : Popular Programs  S-Tools  Image  Steghide .bmp .wav .au  MP3Stego .mp3  Snow  Text files 

60 1. S-Tools  One of the most reliable tools for steganography is S-tools  This program was created in 1994 by Andy Brown  There has been no updates since then because of its encryption algorithm, Nearly impossible to break  Includes programs that process GIF and BMP images, process audio files and will even hide information in the unused areas of the floppy diskettes

61 Why S-tools is so good for this!  4 different types of encryptions to choose from  IDEA, DES, Triple DES, MDC  The password is entered and confirmed by the user and then is encrypted using the desired algorithm  To reveal any image one must know the password along with the encryption algorithm  This makes it extremely difficult to break even using a brute force attack.

62 Digital Fingerprint/signatures  Basic functionality  Processes  Asymmetric encryption  Certification  User’s realisation

63 A. Basic Functionality  Digital Fingerprinting is an emerging technology to protect multimedia from unauthorized redistribution.  It embeds a unique ID into each user's copy, which can be extracted to help identify culprits when an unauthorized leak is found, that identifies the originator of a document.  It utilizes asymmetric encryption, where one key (private key) is used to create the signature code and a different but related key (public key) is used to verify it.

64 A. Basic Functionality  A powerful, cost-effective attack is the collusion attack from a group of users,  where the users combine their copies of the same content but with different fingerprints to generate a new version.  If designed improperly, the fingerprints can be attenuated or even removed by the collusion attack.

65 B. Processes Message + Signature Message + Signature Hash Decrypt Signature With Sender’s Public Key Decrypt Signature With Sender’s Public Key SIGN hash With Sender’s Private key SIGN hash With Sender’s Private key Message + signature Message + signature COMPARE Calculated Hash Calculated Hash Message Sender Receiver Hash Signed Message Sent thru’ Internet if OK Signatures verified Hash function : algorithm which creates a digital representation in the form of a hash result of a standard length which is usually much smaller than the message but substantially unique to it

66  Generally :  Each individual generates his own key pair a pair of keys, namely a private key and a public key  [Public key known to everyone & Private key only to the owner]  Private Key – Used for making digital signature (ie. has to be saved, e.g. using a chip card with a PIN )  Public Key – Used to verify the digital signature  Public key can be accessible for everyone, but its owner’s identity has to be identifiable without problems to guarantee authentication (certificate)  Not possible to generate the Private key by knowing someone’s Public key B. Processes

67 RSA Key pair (including Algorithm identifier) [2048 bit] Private Key a b1 d311 e ccb e2 0d83 463d e493 bab6 06d3 0d59 bd3e c1ce a 21a8 efbc ccd0 a2cc b da d854 0aa ed 6356 ff70 6ca3 a119 d278 be68 2a44 5e2f cfcc 185e 47bc 3ab1 463d 1ef0 b92c 345f 8c7c 4c08 299d 4055 eb3c 7d83 deb5 f0f7 8a83 0ea1 4cb4 3aa5 b35f 5a22 97ec 199b c105 68fd e6b7 a c e a25 193a eb95 9c39 0a8a cf42 b2f0 1cd5 5ffb 6bed b39 2c72 38b0 ee93 a9d3 7b77 3ceb 7103 a938 4a16 6c89 2aca da c255 8ced 9cbb f2cb 5b10 f82e 6135 c629 4c2a d02a 63d b4f8 cdf9 f400 84b d 32a8 f92a 54fb ff78 41bc bd71 28f4 bb90 bcff e3 459e a Public Key e4 f f61 dd12 e f08 4ccb e2 0d83 463d e493 bab d59 bf3e c1ce a 11a8 efbc ccd0 a2cc b da d8b4 0aa ed 6356 ff70 6ca3 a119 d278 be68 2a44 5e2f cfcc 185e 47bc 3ab1 463d 1df0 b92c 345f 8c7c 4c08 299d 4055 eb3c 7d83 deb5 f0f7 8a83 0ea1 4cb4 3aa5 b35f 5a22 97ec 199b c105 68fd e6b7 a c e a25 193a eb95 9c39 0a8a cf42 b250 1cd5 5ffb 6bed b39 2c72 38b0 ee93 a9d3 7b77 3ceb 7103 a938 4a16 6c89 2aca da c255 8ced 9cbb f2cb 5b10 f82e 6135 c629 4c2a d02a 63d b4f8 cdf9 f400 84b d 32a8 f92a 54fb ff78 41bc bd71 28f4 bb90 bcff de 45de af f1 0001

68 B. Processes  Digital signature creation (Sender Side) :  Generating message’s digest (hash result) and a given private key Result of the encryption: digital signature  Sender send : Message with digital signature and certificate to receiver

69 B. Processes  Digital signature verification (Receiver Side) :  Receiver wants to check Integrity –Generating hash result, compare it to the sender’s hash result and decrypting the message with the sender’s public key Authenticity –Can be checked by means of the certificate

70 C. Digital Signature Features  Signer Authentication :  A signature should indicate who signed a document, message or record, and should be difficult for another person to produce without authorization.  Message Authentication:  The digital signature also identifies the signed message, typically with far greater certainty and precision than paper signatures. Verifi­ca­tion reveals any tampering, since the comparison of the hash results  Affirmation Act :  Signatures are legally binding  Efficiency :  Allows for automation of modern Electronic Data Interchange (EDI).

71 D. Advantages of Digital Signatures  Data integrity  Digital signatures provide proof that the document or message has not been altered or tampered with.  Authentication of Identities  Digital signatures make it easier to verify the identity of senders and recipient.  Concept of non-repudiation  This means that neither the sender nor the recipient can deny having sent or received the document.  Includes an automatic date and time stamp, which is critical in business transactions.  Increase the speed and accuracy of transactions

72 E. Disadvantages of Digital Signatures  Technological Compatibility  Refers to standards and the ability of one digital signature system to "talk" to another. It is difficult to develop standards across a wide user base.  Security Concerns  These efforts are perpetually hampered by lost or borrowed passwords, theft and tampering, and vulnerable storage and backup facilities.  Legal Issues  There is clear consensus that digital signatures should be legally acceptable. However, many questions remain unanswered in the legal arena

73 F. Challenges  Institutional overhead  The cost of establishing and utilizing certification authorities, repositories, and other important services, as well as assuring quality in the performance of their functions.  Subscriber and relying Party Costs  A digital signature will require software, and will probably have to pay a certification authority some price to issue a certificate. Hardware to secure the subscriber’s private key also be advisable.

74 G. Digital Signatures Example : Text Promissory Note I, Mary Smith, promise to pay to the order of First Western Bank five thousand dollars and no cents ($5,000) on or before June 10, 1998, with interest at the rate of fifteen per cent (15%) per annum. Mary Smith, Maker 2AB CC18946A29870F40198B240CD2302B DE B212990BA C1D20774C1622D39

75  Based on the concept of public key encryption.  Hashed version of image is encrypted using a private key.  Encrypted file provides a unique signature/fingerprint of the image which can be used to authenticate by decryption with public key.  Mainly used in transmission of images. H. Example : For Image

76 I. Example : Digital Cameras  Epson Image Authentication System (IAS)  The IAS software in the camera instantly seals the captured images with an invisible digital fingerprint.  Verification of image is achieved by any PC with Image Authentication System software installed

77 Confidentiality  Encryption is a powerful tool for access control and confidentiality protection

78 A. Encryption Algorithym  Data Encryption Standard (DES)  The most widely used encryption scheme  DES is a block cipher – the plaintext is processed in 64-bit blocks  The key is 56-bits in length  Based on Feistel Cipher Structure  Triple DES  Effective key length of 112/168 bits  Advanced Encryption Standard (AES)  128-bit data, 128/192/256-bit keys  Stronger & faster than Triple-DES

79 Others  RSA  RC4  RC6  IDEA  PGP  PEM  Kerberos

80 B.Multimedia Encryption Approach  Signal scrambling  Historical approach  Not compatible with modern multimedia compression  Fast speed but low security  Total encryption with cryptographic ciphers  Trivial solution  High security but slow speed  Selective encryption  Most popular approach today  Limited in its range of application  Integrating encryption into entropy coding  Complementary to selective encryption  Very fast computation speed

81 Selective Encryption  Select the most important coefficients and then encrypt them with traditional ciphers such as DES  Advantages  Lower complexity  High security level provided by traditional cryptology  Less error correction coding redundancy  Compatible with existing software and hardware modules Media Compression System Coefficient Selection Cryptographic Cipher Error Correction Coding Digitized Audiovisual data Coefficients Selected Coefficients Non-selected Coefficients Transmission channel or storage media

82 Integrity  Hashing process have discussed a little bit at the confidentiality materials  Hash algorithm :

83 Access Control  See Encryption

84 Non repudiation  Third party : search by yourself

85 3.2. Digital Rights Management  A broad term used to describe a number of techniques for restricting the free use and transfer of digital content.  DRM is used in a number of media, but is most commonly found in video and music files.  They therefore reinterpret DRM to stand for Digital Restrictions Management.

86  The identification and description of intellectual property, rights pertaining to works and to parties involved in their creation or administration (digital rights management)  The (technical) enforcement of usage restriction (digital management of rights) A functional definition of DRM

87  Requirements  Identification (unique identifier of the work)  Clear description (Metadata)  Usage rules  DRM tools  Identify the work, the right holder  Describe the content  Allow use according to the rules Requirement & Tools

88 DRM Technical Solution  CONDITIONAL ACCESS (CA) SYSTEMS FOR SATELLITE, CABLE AND TERRESTRIAL TELEVISION NETWORKS  DIGITAL RIGHTS MANAGEMENT (DRM) SYSTEMS FOR THE INTERNET  COPY PROTECTION (CP) SYSTEMS FOR DIGITAL HOME NETWORKS  DVD PROTECTION  DIGITAL TAPE PROTECTION  DIGITAL INTERFACE PROTECTION  IP MULTICAST SECURITY  SECURE MULTICAST APPLICATIONS  CORE PROBLEM AREA IN MULTICAST SECURITY  EVALUATION CRITERIA  CLASSIFICATION OF KEY MANAGEMENT SCHEMES  PERIODIC BATCH REKEYING  WIRELESS NETWORKS AND MOBILE MEMBERS  TWO-TIER SERVER ARCHITECTURE  DESIGN CRITERIA  MOBILE MEMBER JOIN AND LEAVE  MOBILE MEMBER TRANSFER  SECURITY OF WIRELESS LANS  WIRED EQUIVALENT PRIVACY (WEP)  WHAT’S WRONG WITH WEP?  IMPROVEMENTS ON WEP  LEGAL SOLUTIONS  WORLD INTELLECTUAL PROPERTY ORGANIZATION (WIPO)  DIGITAL MILLENIUM COPYRIGHT ACT (DMCA) OF 1998  CONSUMER BROADBAND AND DIGITAL TELEVISION PROMOTION ACT (CBDTPA) OF 2002  CONSUMERS, SCHOOLS, AND LIBRARIES DIGITAL RIGHTS MANAGEMENT AWARENESS ACT OF 2003

89 Content Scrambling System (CSS)  One of the first and most widely contested DRM, used to encode DVD movie files.  This system was developed by the DVD Consortium as a tool to influence hardware manufacturers to produce only systems which didn't include certain features.  By releasing the encryption key for CSS only to hardware manufacturers who agreed not to include features such as digital-out, which would allow a movie to be copied easily, the DVD Consortium was essentially able to dictate hardware policy for the DVD industry.  Very quickly after the CSS DRM was implemented, its algorithm was broken.

90 DeCSS  Tools for making copies of CSS-encrypted movies and playing them on systems that otherwise would not be able to, such as some alternative operating systems.  The Digital Millennium Copyright Act in the United States makes it illegal to use systems such as DeCSS to bypass DRM limitations.  Similar acts have since been passed in many countries.  Many advocates in the computer science world see the DMCA as a major blow against creative freedom because of its overly harsh restrictions.

91  Game consoles (Nintendo, Sony Playstation, …)  Microsoft software (Genuine certificate verification)  Trial use of a software for a limited period of time  Online registration to activate the software Software Example


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