Presentation on theme: "The Red Wheelbarrow BY WILLIAM CARLOS WILLIAMS"— Presentation transcript:
1The Red Wheelbarrow BY WILLIAM CARLOS WILLIAMS so much depends upona red wheel barrowglazed with rain waterbeside the white chickens.
2Stopping by Woods on a Snowy Evening BY ROBERT FROST Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow.My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake.The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleepThe Tiger BY WILLIAM BLAKETiger! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry?
3dog BY VALERIE WORTHUnder a maple tree The dog lies down, Lolls his limp Tongue, yawns, Rests his long chin Carefully between Front paws; Looks up, alert; Chops, with heavy Jaws, at a slow fly, Blinks, rolls On his side, Sighs, closes His eyes: sleeps All afternoon In his loose skin.Blue car, blue car, shining brightin the darkness of the night:who could see you speeding bylike a comet in the sky?I could see you in the night,blue car, blue car, shining bright.I could see you speeding bylike a comet in the sky.AnonymousSo much dependsupona blue carsplattered with mudspeeding down the roadAnonymous
4and especially I liked the dog in the dog poem small poems dog BY VALERIE WORTHUnder a maple tree The dog lies down, Lolls his limp Tongue, yawns, Rests his long chin Carefully between Front paws; Looks up, alert; Chops, with heavy Jaws, at a slow fly, Blinks, rolls On his side, Sighs, closes His eyes: sleeps All afternoon In his loose skin.I liked thoseand especially I liked the dog in the dog poemsmall poemswe read today.because that’s just how my yellow dogWhen they’re smallused to lie down,like thatwith his tongue all limpyou can readand his china whole bunchbetween his pawsin a short timeand how he’d sometimesand then in your headchomp at a flyare all the picturesand then sleepof all the small thingsin his loose skinfrom all the small poems.just like that poetMiss Valerie Worth,I like how the kitten leapedsaysin the cat poemin her smalland how you could seedog poemthe long head of the horse in the horse poem
5The Pasture BY ROBERT FROST I'm going out to clean the pasture spring; I'll only stop to rake the leaves away (And wait to watch the water clear, I may): I sha'n't be gone long.--You come too.I'm going out to fetch the little calf That's standing by the mother. It's so young, It totters when she licks it with her tongue. I sha'n't be gone long.--You come too.You Come TooBY ANYONYMOUSAnd that’s where we sawthe yellow dogstanding against the cagewith paws curledaround the wireand his long red tongue hanging outand his big black eyeslooking a little sadand his long tailwag-wag-waggingas if he were sayingMe me me! Choose me!And we did.We chose him.
6Street Music BY ARNOLD ADOFF T h i s c i t y: t h e a l w a y s n o i s e g r i n d i n g up from the s u b w a y s u n d e r g r o u n d: slamming from bus tires and taxi horns and engines of cars and trucks in allv o c a b u l a r i e s of clas flash screechinghot metal l a n g u a g e c o m b i n a t i o n s: as p l a n e s o v e r h e a d r o a r an o r c h e s t r a of rolling drums and battle blasts assaulting my ears w i t h t h e a l w a y s n o i s e of t h i s c i t y:street music.