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Conceptual Art. John Baldessari. I Will Not Make Any More Boring Art. 1971 MoMA Learning Conceptual Art Theme.

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Presentation on theme: "Conceptual Art. John Baldessari. I Will Not Make Any More Boring Art. 1971 MoMA Learning Conceptual Art Theme."— Presentation transcript:

1 Conceptual Art

2 John Baldessari. I Will Not Make Any More Boring Art MoMA Learning Conceptual Art Theme

3 Language and Art MoMA Learning Conceptual Art Theme

4 Joseph Kosuth. One and Three Chairs MoMA Learning Conceptual Art Theme

5 John Baldessari. I Will Not Make Any More Boring Art MoMA Learning Conceptual Art Theme

6 Let’s compare each artist’s approach to making art. MoMA What is Modern Art? Joseph Kosuth. One and Three Chairs John Baldessari. I Will Not Make Any More Boring Art. 1971

7 John Baldessari. What Is Painting. 1966–68. MoMA Learning Conceptual Art Theme “I think the wonderful irony about this piece is that it's text. But in fact it is a painting, because it's done with paint on canvas. So I'm really being very slyly ironic here in saying, ‘Well, this is what painting is.’” – John Baldessari

8 Richard Serra. To Lift MoMA Learning Conceptual Art Theme

9 Sol LeWitt and Instruction-based Art MoMA Learning Conceptual Art Theme

10 “The idea becomes a machine that makes the art.” – Sol LeWitt Sol LeWitt. Untitled from Squares with a Different Line Direction in Each Half Square

11 MoMA Learning Conceptual Art Theme

12 Outside the Museum MoMA Learning Conceptual Art Theme

13 Daniel Buren. D’une impression l’autre MoMA Learning Conceptual Art Theme What are some of the locations where you typically encounter works of art? What are the unexpected places where you have seen art? How do your reactions to works of art differ in relation to where you encounter them? Do you agree or disagree with Buren’s belief that context or location affects the interpretation of a work of art. Why or why not?

14 Daniel Buren, Untitled (Wide White Space Gallery Announcements), MoMA Learning Conceptual Art Theme

15 Gordon Matta-Clark. Bingo MoMA Learning Conceptual Art Theme “Why hang things on the wall when the wall itself is so much more a challenging medium? A simple cut or series of cuts acts as a powerful drawing device able to redefine spatial situations and structural components.” – Gordon Matta-Clark

16 Let’s compare each artist’s approach to making art. MoMA What is Modern Art? Joseph Kosuth. One and Three Chairs Gordon Matta-Clark. Bingo. 1974

17 Performance into Art MoMA Learning Conceptual Art Theme

18 Marina Abramović. Marina Abramović: The Artist Is Present MoMA Learning Conceptual Art Theme

19 “I think a person who moves into an apartment and puts curtains on the window is also being an artist at that point, you know? There’s something that exists, and you’re trying to see what it would be like if it was another way.” – Vito Acconci

20 Carolee Schneemann. Up to and Including Her Limits. 1973–76. MoMA Learning Conceptual Art Theme


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