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Mathematical Perspective Linear Perspective One-Point Perspective
Paolo Uccello Bernardino della Ciarda Thrown Off His Horse 1450s Tempera on wood, 182 x 220 cm Galleria degli Uffizi, Florence
Paolo Uccello Miracle of the Desecrated Host (Scene 2) 1465-69 Panel, 43 x 58 cm
Paolo Uccello St. George and the Dragon cPaolo Uccello St. George and the Dragon c Oil on canvas, 57 x 73 cm National Gallery, London
Paolo Uccello The Hunt in the Forest 1460s Tempera on wood, 65 x 165 cm Ashmolean Museum, Oxford
Paolo Uccello Funerary Monument to Sir John Hawkwood 1436 Fresco, 820 x 515 cm Duomo, Florence
Donatello Herod's Banquet 1427 Bronze, 60 x 60 cm Baptistery, Siena
Mathematical Perspective Linear Perspective One-Point Perspective and Intuitive Perspective
Trinity 1425-28 Fresco, 667 x 317 cm Santa Maria Novella, Florence
Trinity (scheme of the perspective) 1425-28 Fresco, 667 x 317 cm Santa Maria Novella, Florence
Intuitive Perspective and Atmospheric Perspective
bru Pieter the Younger Brueghel Winter Landscape with a Bird-trap Oil on panel, 40 x 57 cm, Museo del Prado, Madrid
bru Pieter the Younger Brueghel The Birdtrap Oil on panel, 46 x 68 cm Private collection
bru Pieter the Younger Brueghel The Massacre of the Innocents 1610s Oil on panel transferred to canvas, 115 x 164 cm Private collection
What is the political purpose of a work of art?
The Temptation of Christ in Art
Gardner’s Art Through the Ages, 13e
Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.
Antonio del Pollaiuolo Battle of the Nudes engraving.
Limbourg Brothers (Paul, Herman, Jean) Tres Riches Heures
Title: Façade of Santa Maria Novella, Florence
The cathedral of Santa Maria del Fiore complex. The cathedral complex - including the Baptistery and Giottos bell tower - are part of the Unesco World.
POLLAIUOLO, Antonio del Battle of Ten Nudes 1470s Engraving, 428 x 618 mm Galleria degli Uffizi, Florence.
Early Renaissance in Italy: 15th C.
1443 – Donatello seems to have left Florence late in the year for Padua Il Santo (Basilica of Sant’Antonio), Padua.
Renaissance and Reformation Hist 121: Western Civilization I Clayton Miles Lehmann.
Antonio del Pollaiuolo Battle of the Nudes engraving
AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Portrait of Brunelleschi after a medal by A.Cavalcanti,
Chapter 21 Italy comparisons
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
Early Italian Renaissance
Italian. Florence: Sculpture Medici: avid patrons 1 st impt commission was work not of Medici but wool guild for the east end of the baptistry.
FLORENCE Florence is the capital of the Italian Tuscany. It considered the birthplace of the Renaissance and is universally recognized as one of the cradles.
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