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Mathematical Perspective Linear Perspective One-Point Perspective
Paolo Uccello Bernardino della Ciarda Thrown Off His Horse 1450s Tempera on wood, 182 x 220 cm Galleria degli Uffizi, Florence
Paolo Uccello Miracle of the Desecrated Host (Scene 2) Panel, 43 x 58 cm
Paolo Uccello St. George and the Dragon c Oil on canvas, 57 x 73 cm National Gallery, London
Paolo Uccello The Hunt in the Forest 1460s Tempera on wood, 65 x 165 cm Ashmolean Museum, Oxford
Paolo Uccello Funerary Monument to Sir John Hawkwood 1436 Fresco, 820 x 515 cm Duomo, Florence
Donatello Herod's Banquet 1427 Bronze, 60 x 60 cm Baptistery, Siena
Mathematical Perspective Linear Perspective One-Point Perspective and Intuitive Perspective
Trinity Fresco, 667 x 317 cm Santa Maria Novella, Florence
Trinity (scheme of the perspective) Fresco, 667 x 317 cm Santa Maria Novella, Florence
Intuitive Perspective and Atmospheric Perspective
bru Pieter the Younger Brueghel Winter Landscape with a Bird-trap Oil on panel, 40 x 57 cm, Museo del Prado, Madrid
bru Pieter the Younger Brueghel The Birdtrap Oil on panel, 46 x 68 cm Private collection
bru Pieter the Younger Brueghel The Massacre of the Innocents 1610s Oil on panel transferred to canvas, 115 x 164 cm Private collection
AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
Title: Façade of Santa Maria Novella, Florence Artist: Leon Battista Alberti Date: Source/ Museum: n/a Medium: n/a Size: n/a.
What is the political purpose of a work of art?.
Portrait of Brunelleschi after a medal by A.Cavalcanti,
Chapter 21 Italy comparisons. Figure MASACCIO, Holy Trinity, Santa Maria Novella, Florence, Italy, ca. 1424–1427. Fresco, 21’ 10’ 5/8”
1 Chapter 21 Italy, 1400 to 1500 Gardners Art Through the Ages, 13e.
Il Santo (Basilica of Sant’Antonio), Padua. Donatello, High Altar of il Santo (reconstruction) , Bronze Basilica di Sant'Antonio, Padua.
Renaissance Art By: Carly Cassady Block: 6. The renaissance was a period of great creativity and intellectual activity, during which artists broke away.
Antonio del Pollaiuolo Battle of the Nudes engraving A.
Antonio del Pollaiuolo Battle of the Nudes engraving.
POLLAIUOLO, Antonio del Battle of Ten Nudes 1470s Engraving, 428 x 618 mm Galleria degli Uffizi, Florence.
The Temptation of Christ in Art Luke 4:1-13. The Temptation of Christ, ca Hermitage of San Baudelio de Berlanga, province of Soria, Spain Fresco.
The cathedral of Santa Maria del Fiore complex. The cathedral complex - including the Baptistery and Giottos bell tower - are part of the Unesco World.
Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.
Petrus Christus (c ), Exeter Madonna, c ½ X 5 ½”. Berlin, Gemäldegalerie, Staatliche Museen.
REMBRANDT(törzsanyag) Rembrandt Harmenszoon van Rijn ( ) (3. Csoportképek, önarcképek)
1 Chapter 24 Baroque, 1600 to 1700 (Italy and Spain) AP Art History.
1 Chapter 22 Italy, 1500 to 1600 AP Art History. 2 Rome with Renaissance and Baroque Monuments.
Limbourg Brothers (Paul, Herman, Jean) Tres Riches Heures
Proto-Renaissance and International Gothic 13th and 15th Centuries Europe Instructor: Erica Ness.
Renaissance art review. Masaccio Developed the rules for perspective Distributing of Alms and the Death of Ananias.
1 Chapter 24 Italy and Spain, 1600 to 1700 Gardners Art Through the Ages, 13e.
Core Slide List Renaissance Italian and Northern.
Renaissance - A revival or rebirth of cultural awareness and learning that took place during the fourteenth and fifteenth centuries, particularly in Italy,
RUBLYOV, Andrey Trinity c Tempera on panel Tretyakov Gallery, Moscow.
Paolo Uccello (born Paolo di Dono) (Italian, ), Perspective Study of a Chalice, pen and ink on paper, 29 x 24.5 cm, Gabinetto dei Disegni, Uffizi,
1 Chapter 19 Italy, 14 th Century AP Art History.
1 Chapter 22 Italy, 1500 to 1600 Gardners Art Through the Ages, 13e.
1 UNIT FIFTEEN THE ROMANTIC ERA. 2 GOYA Y LUCIENTES, Francisco de (b. 1746, Fuendetodos, d. 1828, Bordeaux)
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